as of some poor wounded body falling against the house. At this point we were wont to summon courage and rush out, with the kitchen poker and a candle shapeless with tallow shrouds from the strong draughts. We never could see anything; partly, perhaps, because the candle was always blown out; and when we stood outside it became evident that what we had heard was only the wind, and a bough of the old acacia-tree, which beat at intervals upon the house.

When the nights are stormy there is no room so comfortable as the big kitchen. We first used it for parochial purposes, small night-schools, and so forth. Then one evening, as we strolled in to look for one of the dogs, the cook said, “You can sit here, if you like, Miss Eleanor. We always sits in the pantry on winter nights; so there’ll be no one to disturb you.” And as we had some writing on hand which we did not wish to have discussed or overlooked by other members of the family, we settled down in great peace and comfort by the roaring fire which the maids had heaped to keep the kitchen warm in their absence.

We found ourselves so cosy and independent that we returned again and again to our new study. The boys (who go away a great deal more than we do, and are apt to come back dissatisfied with our “ways,” and anxious to make us more “like other people”) object strongly to this habit of ours. They say, “Who ever heard of ladies sitting in the kitchen?” And, indeed, there are many south-country kitchens in which I should not at all like to sit. But we have this large, airy, spotlessly clean room, with its stone floor, its yellow-washed walls, its tables scrubbed to snowy whiteness, its quaint old dresser and clock and corner cupboards of shiny black oak, and its huge fire-place and blazing fire all to ourselves, and we have abundance of room, and may do anything we please, so I think it is no wonder that we like it, though it be, in point of fact, a kitchen. We cover the table, and (commonly) part of the floor, with an amount of books, papers, and belongings of various sorts, such as we should scruple to deluge the drawing-room with. The fire crackles and blazes, so that we do not mind the wind, though there are no blinds to the kitchen, and if we do not “cotter” the shutters, we look out upon the black night, and the tall Scotch pine that has been tossed so wildly for so many years, and is not torn down yet.

Keziah the cook takes much pride in this same kitchen, which partly accounts for its being in a state so suitable to our use. She “stones” the floor with excruciating regularity. (At least, some people hate the scraping sound. I do not mind it myself.) She “pot-moulds” the hearth in fantastic patterns; the chests, the old chairs, the settle, the dresser, the clock and the corner cupboards are so many mirrors from constant polishing. She says, with justice, that “a body might eat his dinner off anything in the place.”

We dine early, and the cooking for the late supper is performed in what we call “the second kitchen,” beyond this. I believe that what is now the Vicarage was originally an old farmhouse, of which this same charming kitchen was the chief “living-room.” It is quite a journey, through long, low passages, to get from the modern part of the house to this.

One year, when the “languages fad” was strong upon us, Eleanor and I earned many a backache by carrying the huge volumes of the Della Crusca Italian dictionary from the dining-room shelves to the kitchen. We piled them on the oak chest for reference, and ran backwards and forwards to them from the table where we sat and beat our brains over the “Divina Commedia,” while the wind growled in the tall old box-trees without, and the dogs growled in dreams upon the hearth.

It is by this well-scrubbed table, in this kitchen, that our biographies are to be written. They cannot be penned under the noses of the boys.

Eleanor finds rocking a help to composition, and she is swinging backwards and forwards in the glossy old rocking-chair, with a pen between her lips, and a vacant gaze in her eyes, that becomes almost a look of inspiration when the swing of the chair turns her face towards the ceiling. For my own part I find that I can meet the crisis of a train of ideas best upon my feet, so I pace up and down past the old black dresser, with its gleaming crockery, like a captain on his quarter-deck. Suddenly Eleanor’s chair stands still.

“Margery,” she says, laying her head upon the table at her side, “I do think this is a capital idea.”

“Yours will be capital,” I reply, pausing also, and leaning back against the dresser; “for you have kept your old diaries, and——”

“My dear Margery, what if I have kept my old diaries? I’ve lived in this place my whole life. Now, you have had some adventures! I quite look forward to reading your life, Margery. You have no idea what pleasure it gives me to think of it. I was thinking just now, if ever we are separated in life, how I shall enjoy looking over it again and again. You must give me yours, you know, and I will give you mine. Yes; I am very glad we thought of it.” And Eleanor begins to rock once more, and I resume my march.

But this quite settles the matter in my mind. To please Eleanor I would try to do a great deal; much more than this. I will write my autobiography.

Though it seems rather (to use an expressive Quaker term) a “need-not” to provide for our being separated in life, when we have so firmly resolved to be old maids, and to live together all our lives in the little whitewashed cottage behind the church.

CHAPTER I.

MY PRETTY MOTHER—AYAH—COMPANY.

My name is Margaret Vandaleur. My father was a captain in her Majesty’s 202nd Regiment of Foot. The regiment was in India for six years, just after I was born; indeed, I was not many months old when I made my first voyage, which I fancy Eleanor is thinking of when she says that I have had some adventures.

Military ladies are said to be unlucky as to the times when they have to change stations; the move often chancing at an inconvenient moment. My mother had to make her first voyage with the cares of a young baby on her hands; nominally, at any rate, but I think the chief care of me fell upon our Ayah. My mother hired her in England. The Ayah wished to return to her country, and was glad to do so as my nurse. I think that at first she only intended to be with us for the voyage, but she stayed on, and became fond of me, and so remained my nurse as long as I was in India.

I have heard that my mother was the prettiest woman on board the vessel she went out in, and the prettiest woman at the station when she got there. Some people have told me that she was the prettiest woman they ever saw. She was just eighteen years old when my father married her, and she was not six-and-twenty when she died.

[I got so far in writing my life, seated at the round, three-legged pinewood table, with Eleanor scribbling away opposite to me. But I could get no further just then. I put my hands before my eyes as if to shade them from the light; but Eleanor is very quick, and she found out that I was crying. She jumped up and threw herself at my feet.

“Margery, dear Margery! what is the matter?”

I could only sob, “My mother, O my mother!” and add, almost bitterly, “It is very well for you to write about your childhood, who have had a mother—and such a mother!—all your life; but for