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قراءة كتاب The Heroic Enthusiasts (Gli Eroici Furori) Part the First An Ethical Poem

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The Heroic Enthusiasts (Gli Eroici Furori) Part the First
An Ethical Poem

The Heroic Enthusiasts (Gli Eroici Furori) Part the First An Ethical Poem

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دار النشر: Project Gutenberg
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doubts before his companions, and these hastened to refer them to the superiors; and thus was material found to institute a cause against him. It became known, that he had praised the methods used by the Arians or Unitarians in expounding their doctrines, adding that they refer all things to the ultimate cause, which is the Father: this, with other heretical propositions, being brought to the notice of the Holy Office, Bruno found himself in the position of being first observed and then threatened. He was warned of the danger that hung over him by some friends, and decided to quit Naples. He fled from the convent, and took the road to Rome, and was there received in the monastery of the Minerva. A few days after his arrival in Rome he learned that instructions for his arrest had been forwarded from Naples; he tarried not, but got away secretly, throwing aside the monk's habiliments by the way. He wandered for some days about the Roman Campagna, his destitute condition proving a safeguard against

the bands of brigands that infested those lands, until arriving near Civita Vecchia, he was taken on board a Genoese vessel, and carried to the Ligurian port, where he hoped to find a refuge from his enemies; but the city of Geneva was devastated by pestilence and civil war, and after a sojourn of a few days he pursued once more the road of exile. Seeking for a place wherein he might settle for a short time and hide from his pursuers, he stayed his steps at Noli, situated at a short distance from Savona, on the Riviera: this town, nestled in a little bay surrounded by high hills crowned by feudal castles and towers, was only accessible on the shore side, and offered a grateful retreat to our philosopher. At Noli, Bruno obtained permission of the magistracy to teach grammar to children, and thus secured the means of subsistence by the small remuneration he received; but this modest employment did not occupy him sufficiently, and he gathered round him a few gentlemen of the district, to whom he taught the science of the Sphere. Bruno also wrote a book upon the Sphere, which was lost. He expounded the system of Copernicus, and talked to his pupils with enthusiasm about the movement of the earth and of the plurality of worlds.

As in that same Liguria Columbus first divined

another hemisphere outside the Pillars of Hercules, so Bruno discovered to those astonished minds the myriads of worlds which fill the immensity of space. Columbus was derided and banished by his fellow-citizens, and the fate of our philosopher was similar to his. In the humble schoolmaster who taught grammar to the children, the bishop, the clergy, and the nobles, who listened eagerly to his lectures on the Sphere, began to suspect the heretic and the innovator. After five months it behoved him to leave Noli; he took the road to Savona, crossed the Apennines, and arrived at Turin. In Turin at that time reigned the great Duke Emanuele Filiberto, a man of strong character—one of those men who know how to found a dynasty and to fix the destiny of a people; at that time, when Central and Southern Italy were languishing under home and foreign tyranny, he laid the foundations of the future Italy.

He was warrior, artist, mechanic, and scholar. Intrepid on the field of battle, he would retire from deeds of arms to the silence of his study, and cause the works of Aristotle to be read to him; he spoke all the European languages; he worked at artillery, at models of fortresses, and at the smith's craft; he brought together around him, from all sides of Italy,

artisans and scientists to promote industry, commerce, and science; he gathered together in Piedmont the most excellent compositors of Italy, and sanctioned a printer's company.

Bruno, attracted to Turin by the favour that was shown to letters and philosophy, hoped to get occupation as press reader; but it was precisely at that time that the Duke, instigated by France, was combating, with every kind of weapon, the Waldensian and Huguenot heresies, and had invited the Jesuits to Turin, offering them a substantial subsidy; so that on Bruno's arrival he found the place he had hoped for, as teacher in the university, occupied by his enemies, and he therefore moved on with little delay, and embarked for Venice.

Berti, in his Life of Bruno, remarks that when the latter sought refuge in Turin, Torquato Tasso, also driven by adverse fortune, arrived in the same place, and he notes the affinity between them—both so great, both subject to every species of misfortune and persecution in life, and destined to immortal honours after their death: the light of genius burned in them both, the fire of enthusiasm flamed in each alike, and on the forehead of each one was set the sign of sorrow and of pain.

Both Bruno and Tasso entered the cloister as

boys: the one joined the Dominicans, the other the Jesuits; and in the souls of both might be discerned the impress of the Order to which they belonged. Both went forth from their native place longing to find a broader field of action and greater scope for their intellectual powers. The one left Naples carrying in his heart the Pagan and Christian traditions of the noble enterprises and the saintly heroism of Olympus and of Calvary, of Homer and the Fathers, of Plato and St. Ignatius; the other was filled with the philosophical thought of the primitive Italian and Pythagorean epochs, fecundated by his own conceptions and by the new age; philosopher and apostle of an idea, Bruno consecrated his life to the development of it in his writings and to the propagation of his principles in Europe by the fire of enthusiasm. The one surprised the world with the melody of his songs; being, as Dante says, the "dolce sirena che i marinari in mezzo al mare smaga," he lulled the anguish that lacerated Italy, and gilded the chains which bound her; the other tried to shake her; to recall her to life with the vigour of thought, with the force of reason, with the sacrifice of himself. The songs of Tasso were heard and sung from one end of Italy to the other, and the poet dwelt in palaces and received the caress and

smile of princes; while Bruno, discoursing in the name of reason and of science, was rejected, persecuted, and scourged, and only after three centuries of ingratitude, of calumny, and of forgetfulness, does his country show signs of appreciating him and of doing justice to his memory. In Tasso the poet predominates over the philosopher, in Bruno the philosopher predominates over and eclipses the poet. The first sacrifices thought to form; the second is careful only of the idea. Again, both are full of a conception of the Divine, but the God that the dying Tasso confessed is a god that is expected and comes not; while the god that Bruno proclaims he already finds within himself. Tasso dies in his bed in the cloister, uneasy as on a bed of thorns; Bruno, amidst the flames, stands out as on a pedestal, and dies serene and calm. We must now follow our fugitive to Venice.

At the time Giordano Bruno arrived in Venice that city was the most important typographical centre of Europe; the commerce in books extended through the Levant, Germany, and France, and the philosopher hoped that here he might find some means of subsistence. The plague at that time was devastating Venice, and in less than one year had claimed forty-two thousand victims; but Bruno felt

no fear, and he took a lodging in that part of Venice called the Frezzeria, and was soon busy preparing for the press a work called "Segni del Tempo," hoping that the sale of it would bring a little money for daily needs. This work was lost, as were all those which he published in Italy,

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