trying to rouse him, while, with dilated nostrils, protruding teeth, every limb outstretched and indefatigable in its strength and elasticity, the aristocratic beast, the beast of prey, ardent in love and in the chase, drunk with his twofold drunkenness, his eyes fixed on his victim, seemed to be already tasting the delights of his victory, with the end of his tongue hanging from his mouth, as he sharpened his teeth with a ferocious laugh. If you looked only at him, you said to yourself: "He has him!" But a glance at the fox reassured you at once. Under his lustrous, velvety coat, catlike, with his body almost touching the ground, skimming along without effort, you felt that he was in truth a wizard, and his fine head with its pointed ears, which he turned toward the hound as he ran, had an ironical expression of security which clearly indicated the gift he had received from the gods.

While an inspector of the Beaux-Arts, who had hurried to the spot, with his uniform all awry, and bald to the middle of his back, explained to Mohammed the apologue of "The Dog and the Fox," as told in the catalogue, with this moral: "Suppose that they meet," and the note: "The property of the Duc de Mora," the bulky Hemerlingue, puffing and perspiring beside his Highness, had great difficulty in persuading him that that masterly production was the work of the lovely equestrian they had met in the Bois the day before. How could a woman with a woman's weak hands so soften the hard bronze and give it the appearance of flesh? Of all the marvels of Paris that one caused the bey the most profound amazement. So he asked the official if there was nothing else of the same artist's to see.

"Yes, indeed, Monseigneur, another chef-d'œuvre. If your Highness will come this way I will take you to it."

The bey moved on with his suite. They were all fine specimens of their race, beautifully chiselled features and pure profiles, complexions of a warm pallor of which the snowy whiteness of the haik absorbed even the reflection. Magnificently draped, they contrasted strangely with the busts which were ranged on both sides of the aisle they had taken, and which, perched on their high pedestals, exiled from their familiar surroundings, from the environment in which they would doubtless have recalled some engrossing toil, some deep affection, a busy and courageous life, seemed very forlorn in the empty air about them and presented the distressing aspect of people who had gone astray and were very much ashamed to find themselves there. Aside from two or three female figures, well-rounded shoulders enveloped in petrified lace, hair reproduced in marble with the soft touch that gives the impression of a powdered head-dress, and a few profiles of children with simple lines, in which the polish of the stone seems like the moisture of life, there were nothing but wrinkles, furrows, contortions and grimaces, our excess of toil and activity, our nervous paroxysms and our fevers contrasted with that art of repose and noble serenity.

The Nabob's ugliness, at all events, had in its favor its energy, the peculiar characteristics of the adventurer and the prolétaire, and that kindly expression so well rendered by the artist, who had taken pains to mix a supply of ochre with her plaster, thereby giving it almost the swarthy, sun-burned tone of the model. The Arabs, on seeing it, uttered a stifled exclamation: "Bon-Saïd!" (the father of good-luck). It was the Nabob's sobriquet at Tunis, the label of his fortune, so to speak. The bey, for his part, thinking that someone intended to make sport of him by bringing him thus face to face with the detested mercanti, glanced suspiciously at the inspector.

"Jansoulet?" he said in his guttural voice.

"Yes, your Highness, Bernard Jansoulet, the new Deputy for Corsica."

At that the bey turned to Hemerlingue, with a frown on his face.

"Deputy?"

"Yes, Monseigneur, the news came this morning; but nothing is settled yet."

And the banker, ill at ease and lowering his voice, added: "No French Chamber would ever admit that adventurer."

No matter! the blow had been dealt at the bey's blind confidence in his baron-financier. Hemerlingue had declared so positively that the other would never be chosen, that they could act freely and without fear so far as he was concerned. And lo! instead of the crushed, discredited man, a representative of the nation towered before him, a deputy whose figure in stone Parisians thronged to admire; for, from the Oriental sovereign's standpoint, as that public exhibition necessarily involved the idea of conferring honor upon the subject, that bust had all the prestige of a statue overlooking a public square. Hemerlingue, even yellower than usual, inwardly accused himself of bungling and imprudence. But how could he have suspected such a thing? He had been assured that the bust was not finished. And, indeed, it had arrived that very morning, and seemed overjoyed to be there, quivering with gratified pride, expressing contempt for its enemies with the good-natured smile of its curling lip. A veritable silent revenge for the disaster at Saint-Romans.

For several minutes the bey, as cold and impassive as the carved image, stared at it without speaking, his forehead divided by a straight fold wherein his courtiers alone could read his wrath; then, after a few words spoken rapidly in Arabic, to order his carriages and collect his scattered suite, he strode gravely toward the exit, without deigning to look at anything else. Who can say what takes place in those august brains, surfeited with power? Even our western monarchs have incomprehensible whims; but they are as nothing beside Oriental caprices. Monsieur l'Inspecteur des Beaux-Arts, who had confidently expected to show his Highness all over the Exhibition, and to earn thereby the pretty little red and green ribbon of the Order of Nicham-Iftikhar, never knew the secret of that sudden flight.

Just as the white haiks disappeared under the porch, and just in time to catch a glimpse of the fluttering of their last folds, the Nabob entered through the centre door. That morning he had received the news: "Elected by an overwhelming majority;" and, after a sumptuous breakfast, at which many a toast had been drunk to the new Deputy for Corsica, he had come with some of his guests, to show himself, to see himself as well, and to enjoy his new glory to the full.

The first person he saw when he arrived was Felicia Ruys, leaning against the pedestal of a statue, receiving compliments and homage with which he hastened to mingle his own. She was dressed simply, in a black embroidered gown trimmed with jet, tempering the severe simplicity of her costume by its scintillating reflections and by the brilliancy of a fascinating little hat adorned with the feathers of the lophophore, whose changing colors her hair, tightly curled over the forehead and parted at the neck in broad waves, seemed to prolong and to soften.

A crowd of artists, of society folk hastened to pay their respects to so great genius allied to so great beauty; and Jenkins, bareheaded, swelling with effusive warmth, went about from one to another, extorting enthusiasm, but broadening the circle about that youthful renown, posing as both guardian and fugleman. Meanwhile, his wife was talking with the young woman. Poor Madame Jenkins! He had said to her in that brutal voice which she alone knew: "You must go and speak to Felicia." And she had obeyed, restraining her emotion; for she knew now what lay hidden beneath that fatherly affection, although she avoided any explanation with the doctor as if she were apprehensive of the result.

After Madame Jenkins, the Nabob rushed to the artist's side, and