analytic thought follows swiftly upon the contact, the apprehension, the union: and we, in our muddle-headed way, have persuaded ourselves that this is the essential part of knowledge--that it is, in fact, more important to cook the hare than to catch it. But when we get rid of this illusion and go back to the more primitive activities through which our mental kitchen gets its supplies, we see that the distinction between mystic and non-mystic is not merely that between the rationalist and the dreamer, between intellect and intuition. The question which divides them is really this: What, out of the mass of material offered to it, shall consciousness seize upon--with what aspects of the universe shall it "unite"?

It is notorious that the operations of the average human consciousness unite the self, not with things as they really are, but with images, notions, aspects of things. The verb "to be," which he uses so lightly, does not truly apply to any of the objects amongst which the practical man supposes himself to dwell. For him the hare of Reality is always ready-jugged: he conceives not the living lovely, wild, swift-moving creature which has been sacrificed in order that he may be fed on the deplorable dish which he calls "things as they really are." So complete, indeed, is the separation of his consciousness from the facts of being, that he feels no sense of loss. He is happy enough "understanding," garnishing, assimilating the carcass from which the principle of life and growth has been ejected, and whereof only the most digestible portions have been retained. He is not "mystical."

But sometimes it is suggested to him that his knowledge is not quite so thorough as he supposed. Philosophers in particular have a way of pointing out its clumsy and superficial character; of demonstrating the fact that he habitually mistakes his own private sensations for qualities inherent in the mysterious objects of the external world. From those few qualities of colour, size, texture, and the rest, which his mind has been able to register and classify, he makes a label which registers the sum of his own experiences. This he knows, with this he "unites"; for it is his own creature. It is neat, flat, unchanging, with edges well defined: a thing one can trust. He forgets the existence of other conscious creatures, provided with their own standards of reality. Yet the sea as the fish feels it, the borage as the bee sees it, the intricate sounds of the hedgerow as heard by the rabbit, the impact of light on the eager face of the primrose, the landscape as known in its vastness to the wood-louse and ant--all these experiences, denied to him for ever, have just as much claim to the attribute of Being as his own partial and subjective interpretations of things.

Because mystery is horrible to us, we have agreed for the most part to live in a world of labels; to make of them the current coin of experience, and ignore their merely symbolic character, the infinite gradation of values which they misrepresent. We simply do not attempt to unite with Reality. But now and then that symbolic character is suddenly brought home to us. Some great emotion, some devastating visitation of beauty, love, or pain, lifts us to another level of consciousness; and we are aware for a moment of the difference between the neat collection of discrete objects and experiences which we call the world, and the height, the depth, the breadth of that living, growing, changing Fact, of which thought, life, and energy are parts, and in which we "live and move and have our being." Then we realise that our whole life is enmeshed in great and living forces; terrible because unknown. Even the power which lurks in every coal-scuttle, shines in the electric lamp, pants in the motor-omnibus, declares itself in the ineffable wonders of reproduction and growth, is supersensual. We do but perceive its results. The more sacred plane of life and energy which seems to be manifested in the forces we call "spiritual" and "emotional"--in love, anguish, ecstasy, adoration--is hidden from us too. Symptoms, appearances, are all that our intellects can discern: sudden irresistible inroads from it, all that our hearts can apprehend. The material for an intenser life, a wider, sharper consciousness, a more profound understanding of our own existence, lies at our gates. But we are separated from it, we cannot assimilate it; except in abnormal moments, we hardly know that it is. We now begin to attach at least a fragmentary meaning to the statement that "mysticism is the art of union with Reality." We see that the claim of such a poet as Whitman to be a mystic lies in the fact that he has achieved a passionate communion with deeper levels of life than those with which we usually deal--has thrust past the current notion to the Fact: that the claim of such a saint as Teresa is bound up with her declaration that she has achieved union with the Divine Essence itself. The visionary is a mystic when his vision mediates to him an actuality beyond the reach of the senses. The philosopher is a mystic when he passes beyond thought to the pure apprehension of truth. The active man is a mystic when he knows his actions to be a part of a greater activity. Blake, Plotinus, Joan of Arc, and John of the Cross--there is a link which binds all these together: but if he is to make use of it, the inquirer must find that link for himself. All four exhibit different forms of the working of the contemplative consciousness; a faculty which is proper to all men, though few take the trouble to develop it. Their attention to life has changed its character, sharpened its focus: and as a result they see, some a wider landscape, some a more brilliant, more significant, more detailed world than that which is apparent to the less educated, less observant vision of common sense. The old story of Eyes and No-Eyes is really the story of the mystical and unmystical types. "No-Eyes" has fixed his attention on the fact that he is obliged to take a walk. For him the chief factor of existence is his own movement along the road; a movement which he intends to accomplish as efficiently and comfortably as he can. He asks not to know what may be on either side of the hedges. He ignores the caress of the wind until it threatens to remove his hat. He trudges along, steadily, diligently; avoiding the muddy pools, but oblivious of the light which they reflect. "Eyes" takes the walk too: and for him it is a perpetual revelation of beauty and wonder. The sunlight inebriates him, the winds delight him, the very effort of the journey is a joy. Magic presences throng the roadside, or cry salutations to him from the hidden fields. The rich world through which he moves lies in the fore-ground of his consciousness; and it gives up new secrets to him at every step. "No-Eyes," when told of his adventures, usually refuses to believe that both have gone by the same road. He fancies that his companion has been floating about in the air, or beset by agreeable hallucinations. We shall never persuade him to the contrary unless we persuade him to look for himself.

Therefore it is to a practical mysticism that the practical man is here invited: to a training of his latent faculties, a bracing and brightening of his languid consciousness, an emancipation from the fetters of appearance, a turning of his attention to new levels of the world. Thus he may become aware of the universe which the spiritual artist is always trying to disclose to the race. This amount of mystical perception--this "ordinary contemplation," as the specialists call it--is possible to all men: without it, they are not wholly conscious, nor wholly alive. It is a natural human activity, no more involving the great powers and sublime experiences of the mystical saints and philosophers than the ordinary enjoyment of music involves the special creative powers of the great musician.

As the beautiful does not exist for the artist and poet alone--though these can find in it more poignant depths of meaning than other men--so the world of Reality exists for all; and all may participate