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A History of Art for Beginners and Students
Painting, Sculpture, Architecture
اقرأ عينة مجانية

A History of Art for Beginners and Students Painting, Sculpture, Architecture

بقلم Waters Clara Erskine Clement

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A
HISTORY OF ART
FOR
BEGINNERS AND STUDENTS

PAINTING—SCULPTURE—ARCHITECTURE

WITH

COMPLETE INDEXES AND NUMEROUS ILLUSTRATIONS

BY

CLARA ERSKINE CLEMENT

AUTHOR OF "HANDBOOK OF LEGENDARY AND MYTHOLOGICAL ART," "PAINTERS, SCULPTORS, ENGRAVERS, ARCHITECTS AND THEIR WORKS," "ARTISTS OF THE NINETEENTH CENTURY," ETC.

NEW YORK
FREDERICK A. STOKES COMPANY
MDCCCXCI


Copyright, 1887,
By FREDERICK A. STOKES,

Successor To White, Stokes, & Allen.


CONTENTS.

CHAPTER I.   PAGE Ancient Or Heathen Architecture. 3000 B.C. to A.D. 328, 1 Egypt, 2 Assyria, 20 Babylon, 29 Persia, 34 Judea, 44 Greece, 46 Etruria, 71 Rome, 74 CHAPTER II. Christian Architecture. A.D. 328 to about 1400, 87 Gothic Architecture, 93 Byzantine Architecture, 117 Saracenic Architecture, 123 CHAPTER III. Modern Architecture. A.D. 1400 to the Present Time, 133 Italy, 134 Spain, 145 France, 153 England, 166 Germany, 172 Theatres and Music Halls, 179 United States of America, 181 GLOSSARY OF TECHNICAL TERMS, 191 INDEX, 195

LIST OF ILLUSTRATIONS.

  PAGE The Pyramids of
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Ghizeh, Frontispiece The Ascent of a Pyramid, 4 View of Gallery in the Great Pyramid, 5 Poulterer's Shop, 6 Rock-cut Tomb (Beni-Hassan), 6 The Hall of Columns at Karnak, 10 Pillar from Thebes (showing the Three Parts), 11 Sculptured Capital, 12 Palm Capital, 12 Pillar from Sedingæ, 12 The Great Sphinx, 13 Cleopatra's Needles, 15 Pavilion at Medinet Habou, 17 Temple on the Island of Philæ, 18 Gateways in Walls of Khorsabad, 21 Entrance to Smaller Temple (Nimrud), 22 Pavement Slab (from Koyunjik), 23 Remains of Propylæum, or Outer Gateway (Khorsabad), 24 Plan of Palace (Khorsabad), 25 Relief from Khorsabad. A Temple, 26 Restoration of an Assyrian Palace, 28 Elevation of the Temple of the Seven Spheres at Borsippa, 31 Birs-i-Nimrud (near Babylon), 33 Masonry of Great Platform (Persepolis), 36 Parapet Wall of Staircase. Persepolis. (Restored), 37 Ruins of the Palace of Darius (Persepolis), 38 Gateway of Hall of a Hundred Columns, 39 Double-horned Lion Capital, 40 Complex Capital and Base of Pillars (Persepolis), 40 Base of Another Pillar (Persepolis), 40 Ground-plan (Restored) of Hall of Xerxes (Persepolis), 41 Part of a Base of the Time of Cyrus (Pasargadæ), 42 The Tomb of Cyrus, 43 Roof of One of the Compartments of the Gate Huldah,
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tag="{http://www.w3.org/1999/xhtml}a">45 Temple of Diana (Eleusis), 48 Gravestone from Mycenæ (Schliemann), 49 Small Temple at Rhamnus, 50 The Parthenon. Athens. (Restored), 51 Plan of Temple of Apollo (Bassæ), 52 From the Parthenon (Athens), 53 Ionic Architecture, 55 Ionic Base, 55 Attic Base, 55 Base from Temple of Hera (Samos), 56 Ionic Capital (front view), 56 Ionic Capital (side view), 56 From Monument of Lysicrates (Athens), 57 Corinthian Order, 58 Caryatid, 59 Stool, or Chair (Khorsabad), 59 The Acropolis. Athens. (Restored), 63 The Erechtheium. Athens. (Restored), 66 Choragic Monument of Lysicrates. Athens, 68 The Mausoleum at Halicarnassus (Restored), 69 Tombs at Castel d'Asso, 71 Principal Chamber of the Regulini-Galeassi Tomb, 72 Arch at Volterra, 73 Gateway (Arpino), 73 Arch of Cloaca Maxima (Rome), 74 Composite Order, from the Arch of Septimius Severus (Rome), 75 Doric Arcade, 76 Ground-plan of Pantheon (Rome), 77 Interior of the Pantheon, 78 Longitudinal Section of Basilica of Maxentius, 79 Arch of Constantine (Rome), 82 Arch of Trajan (Beneventum), 83 Tomb of Cecilia Metella, 84 Columbarium near the Gate of St. Sebastian (Rome), 85 Interior of Basilica of St. Paul's (Rome),
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class="tdr">88 The Cathedral of Chartres, 91 Church of St. Nicholas (Caen), 95 Façade of Cathedral of Notre Dame (Paris), 96 Clustered Pillar, 97 Buttress, 97 Hinge, 97 Iron-work, 97 Gargoyle, 97 Nail-head, 98 Scroll, 98 Section of Church (Carcassone). With Outer Aisles Added in Fourteenth Century, 99 Spires of Laon Cathedral, 100 Portal of the Minorites' Church (Vienna), 101 External Elevation, Cathedral of Paris, 102 Wheel Window, from Cathedral (Toscanella), 103 Collegiate Church. Toro. (From Villa Amil), 105 St. Paul, Saragossa, 106 Cloister (Tarazona), 107 Rood-screen, from the Madeleine (Troyes), 108 Palace of Wartburg, 109 Tower of Cremona, 111 St. Mark's Cathedral (Venice), 113 Section of San Miniato (near Florence), 115 San Giovanni degli Eremiti (Palermo), 116 Church of St. Sophia. Constantinople. (Exterior View), 118 Lower Order of St. Sophia, 119 Upper Order of St. Sophia, 120 Interior View of Church of St. Sophia, 121 Mosque of Kaitbey, 124 The Call to Prayer, 125 Exterior of the Sanctuary in the Mosque of Cordova, 127 Court of the Lions (Alhambra), 131 The Cathedral of Florence and Giotto's Campanile, 135 View of St. Peter's (Rome),
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href="@public@vhost@g@gutenberg@html@files@43602@[email protected]#illus103" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">137 Section of St. Peter's, 139 East Elevation of Library of St. Mark, 141 The Doge's Palace (Venice), 143 Great Court of the Hospital of Milan, 144 The Escurial (near Madrid), 147 Façade of the Church of St. Michael (Dijon), 155 Façade of the Dome of the Invalides (Paris), 156 The Pantheon (Paris), 157 The Madeleine (Paris), 159 Pavilion de l'Horloge and Part of the Court of the Louvre, 161 Château of Chambord, 163 Porte St. Denis (Paris), 164 Arc de l'Étoile (Paris), 165 East Elevation of St. Paul's (Covent Garden), 167 St. Paul's, London (from the West), 168 St. George's Hall (Liverpool), 169 Windsor Castle, 170 The Houses of Parliament (London), 171 The Brandenburg Gate (Berlin), 174 The Basilica at Munich, 175 The Ruhmeshalle (near Munich), 176 The Museum (Berlin), 177 The Walhalla, 178 The New Opera House (Paris), 180 The United States Capitol (Washington), 182 State Capitol (Columbus, Ohio), 183 Sir William Pepperell's House (Kittery Point, Maine), 185 Old Morrisania (Morrisania, New York), 187 Residence at Irvington, New York, 189

ARCHITECTURE.

CHAPTER I. ANCIENT OR HEATHEN ARCHITECTURE.
3000 B.C. TO A.D. 328.

ARCHITECTURE seems to me to be the most wonderful of all the arts. We may not love it as much as others, when we are young perhaps we cannot do so, because it is so great and so grand; but at any time of life one can see that in Architecture some of the most marvellous achievements of men are displayed. The principal reason for saying this is that Architecture is not an imitative art, like Painting and Sculpture. The first picture that was ever painted was a portrait or an imitation of something that the

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painter had seen. So in Sculpture, the first statue or bas-relief was an attempt to reproduce some being or object that the sculptor had seen, or to make a work which combined portions of several things that he had observed; but in Architecture this was not true. No temples or tombs or palaces existed until they had first taken form in the mind and imagination of the builders, and were created out of space and nothingness, so to speak. Thus Painting and Sculpture are imitative arts, but Architecture is a constructive art; and while one may love pictures or statues more than the work of the architect, it seems to me that one must wonder most at the last.

We do not know how long the earth has existed, and in studying the most ancient times of which we have any accurate knowledge, we come upon facts which prove that men must have lived and died long before the dates of which we can speak exactly. The earliest nations of whose Architecture we can give an account are called heathen nations, and their art is called Ancient or Heathen Art, and this comes down to the time when the Roman Emperor Constantine was converted to Christianity, and changed the Roman Capitol from Rome to Constantinople in the year of our Lord 328.

The buildings and the ruins which still remain from these ancient times are in Egypt, Assyria, Persia, Judea, Asia Minor, Greece, Etruria, and Rome. Many of these have been excavated or uncovered, as, during the ages that have passed since their erection, they had been buried away from sight by the accumulation of earth about them. These excavations are always going on in various countries, and men are ever striving to learn more about the wonders of ancient days; and we may hope that in the future as marvellous things may be revealed to us as have been shown in the past.

EGYPT.

As we consider the Architecture of Egypt, the Great Pyramid first attracts attention on account of its antiquity and its importance. This was built by Cheops, who is also called Suphis, about 3000 years before Christ. At that distant day the Egyptians seem to have been a nation of pyramid-builders, for even now, after all the years that have rolled between them and us, we know of more than sixty of these mysterious monuments which have been opened and explored.

Of all these the three pyramids at Ghizeh (Fig. 1) are best known, and that of Cheops is the most remarkable among them. Those of you who have studied the history of the wars of Napoleon I. will remember that it was near this spot that he fought the so-called Battle of the Pyramids, and that in addressing his soldiers he reminded them that here the ages looked down upon them, thus referring to the many years during which this great pyramid had stood on the border of the desert, as if watching the flight of Time and calmly waiting to see what would happen on the final day of all earthly things.

There have been much speculation and many opinions as to the use for which these pyramids were made, but the most general belief is that they were intended for the tombs of the powerful kings who reigned in Egypt and caused them to be built.

The pyramid of Cheops was four hundred and eighty feet and nine inches high, and its base was seven hundred and sixty-four feet square. It is so difficult to understand the size of anything from mere figures, that I shall try to make it plainer by saying that it covers more than thirteen acres of land, which is more than twice as much as is covered by any building in the world. Its height is as great as that of any cathedral spire in Europe, and more than twice that of the monument on Bunker Hill, which is but two hundred and twenty feet, and yet looks very high.


Fig. 2.—The Ascent of a Pyramid.

When it was built it was covered with a casing of stone, the different pieces being fitted together and polished to a surface like glass; but this covering has been torn away and the stones used for other purposes, which has left the pyramid in a series of two hundred and three rough and jagged steps, some of them being two feet and a half in height, growing less toward the top, but not diminishing with any regularity. The top is now a platform thirty-two feet and eight inches square. Each traveller who ascends this pyramid has from one to four Fellahs or Arabs, who pull him forward or upward by his arms, or push him and lift him from behind, and finally drag him to the top (Fig. 2). When he thinks of all the weary months and days of the twenty years during which it is said that those who built it worked, cutting out the stone in the quarries, moving it to the spot where it was required, and then raising it to the great heights and fitting it all in place, he regards his fatigue in its ascent as a little thing, though at the time it is no joke to him.


Fig. 3.—View of Gallery in the Great Pyramid.

Many of the pyramids were encased in stone taken from the Mokattam Mountains, which were somewhat more than half a mile distant; but the pyramid of Cheops was covered with the red Syenite granite, which must have been quarried in the "red mountain," nearly five hundred miles away, near to Syene, or the modern Assouan. The interior of the pyramid is divided into chambers and passages (Fig. 3), which are lined with beautiful slabs of granite and constructed in such a way as to prove that at the remote time in which the pyramids were built Egyptian architects and workmen were already skilled in planning and executing great works. Of the seventy pyramids known to have existed in those early days, sixty-nine had the entrance on the north side, leaving but a single exception to this rule; all of them were situated on the western side of the River Nile, just on the edge of the desert, beyond the strip of cultivable ground which borders the river.