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Eight Harvard Poets
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Eight Harvard Poets

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صفحة 1

EIGHT HARVARD POETS

E. ESTLIN CUMMINGS
S. FOSTER DAMON
J. R. DOS PASSOS
ROBERT HILLYER
R. S. MITCHELL
WILLIAM A. NORRIS
DUDLEY POORE
CUTHBERT WRIGHT





NEW YORK
LAURENCE J. GOMME
1917





Copyright, 1917, by
LAURENCE J. GOMME



VAIL-BALLOU COMPANY
BINGHAMTON AND NEW YORK





CONTENTS

PAGE E. ESTLIN CUMMINGS Thou in Whose Sword-Great Story Shine the Deeds 3 A Chorus Girl 4 This is the Garden 5 It May not Always be so 6 Crepuscule 7 Finis 8 The Lover Speaks 9 Epitaph 10 S. FOSTER DAMON Incessu Patuit Deus 13 You Thought I had Forgotten 15 Venice 16 The New Macaber 18 To War 20 Calm Day, with Rollers 21 Phonograph--Tango 22 Decoration 24 Threnody 25 J. R. DOS PASSOS The Bridge 29 Salvation Army 30 Incarnation 32 Memory 34 Saturnalia 37 "Whan that Aprille" 39 Night Piece 40 ROBERT HILLYER Four Sonnets from a Sonnet-Sequence 45 A Sea Gull 49 Domesday 50 To a Passepied by Scarlatti 52 Elegy for Antinous
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href="@public@vhost@g@gutenberg@html@files@36508@[email protected]#page53" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">53 Song 54 "My Peace I Leave with You" 55 The Recompense 56 R. S. MITCHELL Poppy Song 59 Love Dream 62 The Island of Death 64 From the Arabian Nights 66 Threnody 68 Helen 70 Largo 72 Lazarus 73 A Crucifix 74 Neith 75 A Farewell 77 WILLIAM A. NORRIS Of Too Much Song 81 Wherever My Dreams Go 82 Out of the Littleness 83 Nahant 84 Qui Sub Luna Errant 85 Across the Taut Strings 86 Escape 87 On a Street Corner 88 Sea-burial 89 DUDLEY POORE A Renaissance Picture 93 The Philosopher's Garden 95 The Tree of Stars 96 After Rain 97 Cor Cordium 99 The Withered Leaf, the Faded Flower be Mine 105 CUTHBERT WRIGHT The End of It 109 The New Platonist 110 The Room Over the River 112 The Fiddler
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tag="{http://www.w3.org/1999/xhtml}a">114 Falstaff's Page 116 A Dull Sunday 117








E. ESTLIN CUMMINGS








[THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS]

Thou in whose sword-great story shine the deeds

Of history her heroes, sounds the tread

Of those vast armies of the marching dead,

With standards and the neighing of great steeds

Moving to war across the smiling meads;

Thou by whose page we break the precious bread

Of dear communion with the past, and wed

To valor, battle with heroic breeds;

Thou, Froissart, for that thou didst love the pen

While others wrote in steel, accept all praise

Of after ages, and of hungering days

For whom the old glories move, the old trumpets cry;

Who gav'st as one of those immortal men

His life that his fair city might not die.





A CHORUS GIRL

When thou hast taken thy last applause, and when

The final curtain strikes the world away,

Leaving to shadowy silence and dismay

That stage which shall not know thy smile again,

Lingering a little while I see thee then

Ponder the tinsel part they let thee play;

I see the red mouth tarnished, the face grey,

And smileless silent eyes of Magdalen.

The lights have laughed their last; without, the street

Darkling, awaiteth her whose feet have trod

The silly souls of men to golden dust.

She pauses, on the lintel of defeat,

Her heart breaks in a smile—and she is Lust ...

Mine also, little painted poem of God.

This is the garden: colors come and go,

Frail azures fluttering from night's outer wing,

Strong silent greens serenely lingering,

Absolute lights like baths of golden snow.

This is the garden: pursed lips do blow

Upon cool flutes within wide glooms, and sing,

Of harps celestial to the quivering string,

Invisible faces hauntingly and slow.

This is the garden. Time shall surely reap,

And on Death's blade lie many a flower curled,

In other lands where other songs be sung;

Yet stand They here enraptured, as among

The slow deep trees perpetual of sleep

Some silver-fingered fountain steals the world.

It may not always be so; and I say

That if your lips, which I have loved, should touch

Another's, and your dear strong fingers clutch

His heart, as mine in time not far away;

If on another's face your sweet hair lay

In such a silence as I know, or such

Great writhing words as, uttering overmuch,

Stand helplessly before the spirit at bay;

If this should be, I say if this should be—

You of my heart, send me a little word;

That I may go unto him, and take his hands,

Saying, Accept all happiness from me.

Then shall I turn my face, and hear one bird

Sing terribly afar in the lost lands.





CREPUSCULE

I will wade out

till my thighs are steeped in burn-

ing flowers

I will take the sun in my mouth

and leap into the ripe air

Alive

with closed eyes

to dash against darkness

in the sleeping curves of my

body

Shall enter fingers of smooth mastery

with chasteness of sea-girls

Will I complete the mystery

of my flesh

I will rise

After a thousand years

lipping

flowers

And set my teeth in the silver of the moon





FINIS

Over silent waters

day descending

night ascending

floods the gentle glory of the sunset

In a golden greeting

splendidly to westward

as pale twilight

trem-

bles

into

Darkness

comes the last light's gracious exhortation

Lifting up to peace

so when life shall falter

standing on the shores of the

eternal

god

May I behold my sunset

Flooding

over silent waters





THE LOVER SPEAKS

Your little voice

Over the wires came leaping

and I felt suddenly

dizzy

With the jostling and shouting of merry flowers

wee skipping high-heeled flames

courtesied before my eyes

or twinkling over to my side

Looked up

with impertinently exquisite faces

floating hands were laid upon me

I was whirled and tossed into delicious dancing

up

Up

with the pale important

stars and the Humorous

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moon

dear girl

How I was crazy how I cried when I heard

over time

and tide and death

leaping

Sweetly

your voice





EPITAPH

Tumbling-hair

picker of buttercups

violets

dandelions

And the big bullying daisies

through the field wonderful

with eyes a little sorry

Another comes

also picking flowers





S. FOSTER DAMON








INCESSU PATUIT DEUS

The little clattering stones along the street

Dance with each other round my swimming feet;

The street itself, as in some crazy dream,

Streaks past, a half-perceived material stream.

Brighter than early dawn's most brilliant dye

Are blown clear bands of color through the sky,

That swirl and sweep and meet, to break and foam

Like rainbow veils upon a bubble's dome.

Yours are the songs that burst about my ears,

Or blow away as many-colored spheres.

You are the star that made the skies all bright,

Yet tore itself away in flaming flight;

You are the tree that suddenly awoke;

You are the rose that came to life and spoke....

Guided by you, how we might stroll towards death,

Our only music one another's breath,

Through gardens intimate with hollyhocks,

Where silent poppies burn between the rocks,

By pools where birches bend to confidants

Above green waters scummed with lily-plants.

There we might wander, you and I alone,

Through gardens filled with marble seats moss-grown,

And fountains—water-threads that winds disperse—

While in the spray the birds sit and converse.

And when the fireflies mix their circling glow

Through the dark plants, then gently might I know

Your lips, light as the wings of the dragon-flies....

—Merely dreams, fluttering in my eyes....





[YOU THOUGHT I HAD FORGOTTEN]

You thought I had forgotten. Well, I had!

(Although I never guessed I could forget

Those few great moments when we both went mad.)

The other day at someone's tea we met,

Smiling gayly, bowed, and went our several ways,

Complacent with successful coldness.—Yet

Suddenly I was back in the old days

Before you felt we ought to drift apart.

It was some trick—the way your eyebrows raise,

Your hands—some vivid trifle. With a start

Then I remembered how I lived alone,

Writing bad poems and eating out my heart

All for your beauty.—How the time has flown!





VENICE

In a sunset glowing of crimson and gold,

She lies, the glory of the world,

A beached king's galley, whose sails are furled,

Who is hung with tapestries rich and old.

Beautiful as a woman is she,

A woman whose autumn of life is here,

Proud and calm at the end of the year

With the grace that now is majesty.

The sleeping waters bathe her sides,

The warm, blue streams of the Adrian Sea;

She dreams and drowses languorously,

Swayed in the swaying of the tides.

She is a goddess left for us,

Veiled with the softening veils of time;

Her blue-veined breasts are now sublime,

Her moulded torso glorious.

The pity that we must come and go—!

While the old gold and the marble stays,

Forever gleaming its soft strong blaze,

Calm in the early evening glow.

And still the sensitive silhouettes

Of the gondolas pass and leave no track,

Light on the tides as lilies, and black

In the rippling waters of long sunsets.





THE NEW MACABER

The pleasant graveyard of my soul

With sentimental cypress trees

And flowers is filled, that I may stroll

In meditation, at my ease.

The little marble stones are lost

In flowers surging from the dead;

Nor is there any mournful ghost

To wail until the night is sped.

And while night rustles through the trees,

Dragging the stars along, I know

The moon is rising on the breeze,

Quivering as in a river's flow.

And ah! that moon of silver sheen!

It is my heart hung in the sky;

And no clouds ever float between

The grave-flowers and my heart on high.

I do not read upon each stone

The name that once was carven there;

I merely note new blossoms blown

And breathe the perfume of the air.

Thus walk I through my wonderland

While all the evening is atune,

Beneath the cypress trees that stand

Like candles to the barren moon.

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TO WAR

The music beats, up the chasmed street,

Then flares from around the curve;

The cheers break out from the waving crowd:

—Our soldiers march, superb!

Over the track-lined city street

The young men, the grinning men, pass.

Last night they danced to that very tune;

Today they march away;

Tomorrow, perhaps no band at all,

Or the band beside the grave.

Above, in the long blue strip of sky,

The whirling pigeons, the thoughtless pigeons, pass.

Another band beats down the street;

Contending rhythms clash;

New melodies win place, then fade,

And the flashing legs move past.

Down the cheering, grey-paved street

The fringed flags, the erect flags, pass.





CALM DAY, WITH ROLLERS

Always the ships that move in mystery, on the dim horizon,

Shadow-filled sails of dreams, sliding over the blue-grey ocean,

Far from the rock-edged shore where willow-green waves are rushing,

And white foam-people leap, to stand erect for the moment.

Ho! ye sails that seem to wander in dream-filled meadows,

Say, is the shore where I stand the only field of struggle,

Or are ye hit and battered out there by waves and wind-gusts

As ye tack over a clashing sea of watery echoes?





PHONOGRAPH—TANGO

Old dances are simplified of their yearning, bleached by Time.

Yet from one black disc

we tasted again the bite of crude Spanish passion.

... He had got into her courtyard.

She was alone that night.

Through the black night-rain, he sang to her window bars:

Love me, love—ah, love me!

If you will not, I can follow

Into the highest of mountains;

And there, in the wooden cabin,

I will strangle you for your lover.

—That was but rustling of dripping plants in the dark.

More tightly under his cloak, he clasped his guitar.

Love, ah-h! love me, love me!

If you will do this, I can buy

A fringed silk scarf of yellow,

A high comb carved of tortoise;

Then we will dance in the Plaza.

She was alone that night.

He had broken into her courtyard.

Above the gurgling gutters

he heard—

surely—

a door unchained?

The passage was black; but he risked it—

death in the darkness—

or her hot arms—(love—love me ah-h-h!)

"A good old tune," she murmured

—and I found we were dancing.





DECORATION

A little pagan child-god plays

Beyond the far horizon haze,

And underneath the twilight trees

He blows a bubble to the breeze,

Which is borne upward in the night

And makes the heavens shine with light.

But soon it sinks to earth again,

And, hitting hills, it bursts! And then

With foam the skies are splashed and sprayed;

And that's how all the stars are made.





THRENODY

She is lain with high things and with low.

She lies

With shut eyes,

Rocked in the eternal flow

Of silence evermore.

Desperately immortal, she;

She stands

With wide hands

Dim through the veil of eternity,

Behind the supreme door.








J. R. DOS PASSOS








THE BRIDGE

The lonely bridge cuts dark across the marsh

Whose long pools glow with the light

Of a flaring summer sunset.

At this end limp bushes overhang,

Palely reflected in the amber-colored water;

Among them a constant banjo-twanging of frogs,

And shrilling of toads and of insects

Rises and falls in chorus rhythmic and stirring.

Dark, with crumbling railing and planks,

The bridge leads into the sunset.

Across it many lonely figures,

Their eyes a-flare with the sunset,

Their faces glowing with its colors,

Tramp past me through the evening.

I am tired of sitting quiet

Among the bushes of the shore,

While the dark bridge stretches onward,

And the long pools gleam with light;

I am tired of the shrilling of insects

And the croaking of frogs in the rushes,

For the wild rice in the marsh-pools

Waves its beckoning streamers in the wind,

And the red sky-glory fades.





SALVATION ARMY

A drum pounds out the hymn,

Loud with gaudy angels, tinsel cherubim,

To drown the

صفحة 6
fanfare of the street,

And with exultant lilting beat,

To mingle the endless rumble of carts,

The scrape of feet, the noise of marts

And dinning market stalls, where women shout

Their wares, and meat hangs out—

Grotesque, distorted by the gas flare's light—

Into one sacred rhythm for the Devil's spite.

A woman's thin, raucous voice

Carries the tune, bids men rejoice,

Bathe in God's mercy,

Draw near and learn salvation, see

With their own eyes the mystery.

Cymbals, at the hands of a tired girl,

Slim wisp amid the swirl

Of crowded streets, take up the tune,

Monotonously importune.

Faces are wan in the arc-light's livid glare;

A wind gust carries the band's flare

Of song, in noisy eddies echoing,

Round lonely black street-corners,

Till, with distance dimming,

It fades away,

Among the silent, dark array

Of city houses where no soul stirs.

The crowd thins, the players are alone;

In their faith's raucous monotone,

Loud with gaudy angels, tinsel cherubim,

A drum pounds out the hymn.





INCARNATION

Incessantly the long rain falls,

Slanting on black walls,

Which glisten gold where a street lamp shines.

In a shop-window, spangled in long lines,

By rain-drops all a-glow,

An Italian woman's face

Flames into my soul as I go

Hastily by in the turbulent darkness;—

An oval olive face,

With the sweetly sullen grace

Of the Virgin when first she sees,

Amid her garden's silver lilies,

The white-robed angel gleam,

And softly, as by a sultry dream,

Feels all her soul subdued unto the fire

And radiance of her ecstasy.

So in some picture, on which as on a lyre,

An old Italian painter laboriously has played

His soul away, his love, all his desire

For fragrant things afar from earth,

Shines the Madonna, as with a veil overlaid

By incense-smoke and dust age-old,

At whose feet, in time of dearth

Or need, a myriad men have laid

Their sorrows and arisen bold.

Incessantly the long rain falls,

Slanting on black walls.

But through the dark interminable streets,

Along pavements where rain beats

Its sharp tattoo, and gas-lamps shine,

Greenish gold in the solitude,

The vision flames through my mood

Of that Italian woman's face,

Through the dripping window-pane.