EIGHT HARVARD POETS
E. ESTLIN CUMMINGS
S. FOSTER DAMON
J. R. DOS PASSOS
ROBERT HILLYER
R. S. MITCHELL
WILLIAM A. NORRIS
DUDLEY POORE
CUTHBERT WRIGHT
NEW YORK
LAURENCE J. GOMME
1917
Copyright, 1917, by
LAURENCE J. GOMME
VAIL-BALLOU COMPANY
BINGHAMTON AND NEW YORK
CONTENTS
PAGE E. ESTLIN CUMMINGS Thou in Whose Sword-Great Story Shine the Deeds 3 A Chorus Girl 4 This is the Garden 5 It May not Always be so 6 Crepuscule 7 Finis 8 The Lover Speaks 9 Epitaph 10 S. FOSTER DAMON Incessu Patuit Deus 13 You Thought I had Forgotten 15 Venice 16 The New Macaber 18 To War 20 Calm Day, with Rollers 21 Phonograph--Tango 22 Decoration 24 Threnody 25 J. R. DOS PASSOS The Bridge 29 Salvation Army 30 Incarnation 32 Memory 34 Saturnalia 37 "Whan that Aprille" 39 Night Piece 40 ROBERT HILLYER Four Sonnets from a Sonnet-Sequence 45 A Sea Gull 49 Domesday 50 To a Passepied by Scarlatti 52 Elegy for AntinousE. ESTLIN CUMMINGS
[THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS]
Thou in whose sword-great story shine the deeds
Of history her heroes, sounds the tread
Of those vast armies of the marching dead,
With standards and the neighing of great steeds
Moving to war across the smiling meads;
Thou by whose page we break the precious bread
Of dear communion with the past, and wed
To valor, battle with heroic breeds;
Thou, Froissart, for that thou didst love the pen
While others wrote in steel, accept all praise
Of after ages, and of hungering days
For whom the old glories move, the old trumpets cry;
Who gav'st as one of those immortal men
His life that his fair city might not die.
A CHORUS GIRL
When thou hast taken thy last applause, and when
The final curtain strikes the world away,
Leaving to shadowy silence and dismay
That stage which shall not know thy smile again,
Lingering a little while I see thee then
Ponder the tinsel part they let thee play;
I see the red mouth tarnished, the face grey,
And smileless silent eyes of Magdalen.
The lights have laughed their last; without, the street
Darkling, awaiteth her whose feet have trod
The silly souls of men to golden dust.
She pauses, on the lintel of defeat,
Her heart breaks in a smile—and she is Lust ...
Mine also, little painted poem of God.
This is the garden: colors come and go,
Frail azures fluttering from night's outer wing,
Strong silent greens serenely lingering,
Absolute lights like baths of golden snow.
This is the garden: pursed lips do blow
Upon cool flutes within wide glooms, and sing,
Of harps celestial to the quivering string,
Invisible faces hauntingly and slow.
This is the garden. Time shall surely reap,
And on Death's blade lie many a flower curled,
In other lands where other songs be sung;
Yet stand They here enraptured, as among
The slow deep trees perpetual of sleep
Some silver-fingered fountain steals the world.
It may not always be so; and I say
That if your lips, which I have loved, should touch
Another's, and your dear strong fingers clutch
His heart, as mine in time not far away;
If on another's face your sweet hair lay
In such a silence as I know, or such
Great writhing words as, uttering overmuch,
Stand helplessly before the spirit at bay;
If this should be, I say if this should be—
You of my heart, send me a little word;
That I may go unto him, and take his hands,
Saying, Accept all happiness from me.
Then shall I turn my face, and hear one bird
Sing terribly afar in the lost lands.
CREPUSCULE
I will wade out
till my thighs are steeped in burn-
ing flowers
I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness
in the sleeping curves of my
body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
Will I complete the mystery
of my flesh
I will rise
After a thousand years
lipping
flowers
And set my teeth in the silver of the moon
FINIS
Over silent waters
day descending
night ascending
floods the gentle glory of the sunset
In a golden greeting
splendidly to westward
as pale twilight
trem-
bles
into
Darkness
comes the last light's gracious exhortation
Lifting up to peace
so when life shall falter
standing on the shores of the
eternal
god
May I behold my sunset
Flooding
over silent waters
THE LOVER SPEAKS
Your little voice
Over the wires came leaping
and I felt suddenly
dizzy
With the jostling and shouting of merry flowers
wee skipping high-heeled flames
courtesied before my eyes
or twinkling over to my side
Looked up
with impertinently exquisite faces
floating hands were laid upon me
I was whirled and tossed into delicious dancing
up
Up
with the pale important
stars and the Humorous
moon
dear girl
How I was crazy how I cried when I heard
over time
and tide and death
leaping
Sweetly
your voice
EPITAPH
Tumbling-hair
picker of buttercups
violets
dandelions
And the big bullying daisies
through the field wonderful
with eyes a little sorry
Another comes
also picking flowers
S. FOSTER DAMON
INCESSU PATUIT DEUS
The little clattering stones along the street
Dance with each other round my swimming feet;
The street itself, as in some crazy dream,
Streaks past, a half-perceived material stream.
Brighter than early dawn's most brilliant dye
Are blown clear bands of color through the sky,
That swirl and sweep and meet, to break and foam
Like rainbow veils upon a bubble's dome.
Yours are the songs that burst about my ears,
Or blow away as many-colored spheres.
You are the star that made the skies all bright,
Yet tore itself away in flaming flight;
You are the tree that suddenly awoke;
You are the rose that came to life and spoke....
Guided by you, how we might stroll towards death,
Our only music one another's breath,
Through gardens intimate with hollyhocks,
Where silent poppies burn between the rocks,
By pools where birches bend to confidants
Above green waters scummed with lily-plants.
There we might wander, you and I alone,
Through gardens filled with marble seats moss-grown,
And fountains—water-threads that winds disperse—
While in the spray the birds sit and converse.
And when the fireflies mix their circling glow
Through the dark plants, then gently might I know
Your lips, light as the wings of the dragon-flies....
—Merely dreams, fluttering in my eyes....
[YOU THOUGHT I HAD FORGOTTEN]
You thought I had forgotten. Well, I had!
(Although I never guessed I could forget
Those few great moments when we both went mad.)
The other day at someone's tea we met,
Smiling gayly, bowed, and went our several ways,
Complacent with successful coldness.—Yet
Suddenly I was back in the old days
Before you felt we ought to drift apart.
It was some trick—the way your eyebrows raise,
Your hands—some vivid trifle. With a start
Then I remembered how I lived alone,
Writing bad poems and eating out my heart
All for your beauty.—How the time has flown!
VENICE
In a sunset glowing of crimson and gold,
She lies, the glory of the world,
A beached king's galley, whose sails are furled,
Who is hung with tapestries rich and old.
Beautiful as a woman is she,
A woman whose autumn of life is here,
Proud and calm at the end of the year
With the grace that now is majesty.
The sleeping waters bathe her sides,
The warm, blue streams of the Adrian Sea;
She dreams and drowses languorously,
Swayed in the swaying of the tides.
She is a goddess left for us,
Veiled with the softening veils of time;
Her blue-veined breasts are now sublime,
Her moulded torso glorious.
The pity that we must come and go—!
While the old gold and the marble stays,
Forever gleaming its soft strong blaze,
Calm in the early evening glow.
And still the sensitive silhouettes
Of the gondolas pass and leave no track,
Light on the tides as lilies, and black
In the rippling waters of long sunsets.
THE NEW MACABER
The pleasant graveyard of my soul
With sentimental cypress trees
And flowers is filled, that I may stroll
In meditation, at my ease.
The little marble stones are lost
In flowers surging from the dead;
Nor is there any mournful ghost
To wail until the night is sped.
And while night rustles through the trees,
Dragging the stars along, I know
The moon is rising on the breeze,
Quivering as in a river's flow.
And ah! that moon of silver sheen!
It is my heart hung in the sky;
And no clouds ever float between
The grave-flowers and my heart on high.
I do not read upon each stone
The name that once was carven there;
I merely note new blossoms blown
And breathe the perfume of the air.
Thus walk I through my wonderland
While all the evening is atune,
Beneath the cypress trees that stand
Like candles to the barren moon.
TO WAR
The music beats, up the chasmed street,
Then flares from around the curve;
The cheers break out from the waving crowd:
—Our soldiers march, superb!
Over the track-lined city street
The young men, the grinning men, pass.
Last night they danced to that very tune;
Today they march away;
Tomorrow, perhaps no band at all,
Or the band beside the grave.
Above, in the long blue strip of sky,
The whirling pigeons, the thoughtless pigeons, pass.
Another band beats down the street;
Contending rhythms clash;
New melodies win place, then fade,
And the flashing legs move past.
Down the cheering, grey-paved street
The fringed flags, the erect flags, pass.
CALM DAY, WITH ROLLERS
Always the ships that move in mystery, on the dim horizon,
Shadow-filled sails of dreams, sliding over the blue-grey ocean,
Far from the rock-edged shore where willow-green waves are rushing,
And white foam-people leap, to stand erect for the moment.
Ho! ye sails that seem to wander in dream-filled meadows,
Say, is the shore where I stand the only field of struggle,
Or are ye hit and battered out there by waves and wind-gusts
As ye tack over a clashing sea of watery echoes?
PHONOGRAPH—TANGO
Old dances are simplified of their yearning, bleached by Time.
Yet from one black disc
we tasted again the bite of crude Spanish passion.
... He had got into her courtyard.
She was alone that night.
Through the black night-rain, he sang to her window bars:
Love me, love—ah, love me!
If you will not, I can follow
Into the highest of mountains;
And there, in the wooden cabin,
I will strangle you for your lover.
—That was but rustling of dripping plants in the dark.
More tightly under his cloak, he clasped his guitar.
Love, ah-h! love me, love me!
If you will do this, I can buy
A fringed silk scarf of yellow,
A high comb carved of tortoise;
Then we will dance in the Plaza.
She was alone that night.
He had broken into her courtyard.
Above the gurgling gutters
he heard—
surely—
a door unchained?
The passage was black; but he risked it—
death in the darkness—
or her hot arms—(love—love me ah-h-h!)
"A good old tune," she murmured
—and I found we were dancing.
DECORATION
A little pagan child-god plays
Beyond the far horizon haze,
And underneath the twilight trees
He blows a bubble to the breeze,
Which is borne upward in the night
And makes the heavens shine with light.
But soon it sinks to earth again,
And, hitting hills, it bursts! And then
With foam the skies are splashed and sprayed;
And that's how all the stars are made.
THRENODY
She is lain with high things and with low.
She lies
With shut eyes,
Rocked in the eternal flow
Of silence evermore.
Desperately immortal, she;
She stands
With wide hands
Dim through the veil of eternity,
Behind the supreme door.
J. R. DOS PASSOS
THE BRIDGE
The lonely bridge cuts dark across the marsh
Whose long pools glow with the light
Of a flaring summer sunset.
At this end limp bushes overhang,
Palely reflected in the amber-colored water;
Among them a constant banjo-twanging of frogs,
And shrilling of toads and of insects
Rises and falls in chorus rhythmic and stirring.
Dark, with crumbling railing and planks,
The bridge leads into the sunset.
Across it many lonely figures,
Their eyes a-flare with the sunset,
Their faces glowing with its colors,
Tramp past me through the evening.
I am tired of sitting quiet
Among the bushes of the shore,
While the dark bridge stretches onward,
And the long pools gleam with light;
I am tired of the shrilling of insects
And the croaking of frogs in the rushes,
For the wild rice in the marsh-pools
Waves its beckoning streamers in the wind,
And the red sky-glory fades.
SALVATION ARMY
A drum pounds out the hymn,
Loud with gaudy angels, tinsel cherubim,
To drown the
And with exultant lilting beat,
To mingle the endless rumble of carts,
The scrape of feet, the noise of marts
And dinning market stalls, where women shout
Their wares, and meat hangs out—
Grotesque, distorted by the gas flare's light—
Into one sacred rhythm for the Devil's spite.
A woman's thin, raucous voice
Carries the tune, bids men rejoice,
Bathe in God's mercy,
Draw near and learn salvation, see
With their own eyes the mystery.
Cymbals, at the hands of a tired girl,
Slim wisp amid the swirl
Of crowded streets, take up the tune,
Monotonously importune.
Faces are wan in the arc-light's livid glare;
A wind gust carries the band's flare
Of song, in noisy eddies echoing,
Round lonely black street-corners,
Till, with distance dimming,
It fades away,
Among the silent, dark array
Of city houses where no soul stirs.
The crowd thins, the players are alone;
In their faith's raucous monotone,
Loud with gaudy angels, tinsel cherubim,
A drum pounds out the hymn.
INCARNATION
Incessantly the long rain falls,
Slanting on black walls,
Which glisten gold where a street lamp shines.
In a shop-window, spangled in long lines,
By rain-drops all a-glow,
An Italian woman's face
Flames into my soul as I go
Hastily by in the turbulent darkness;—
An oval olive face,
With the sweetly sullen grace
Of the Virgin when first she sees,
Amid her garden's silver lilies,
The white-robed angel gleam,
And softly, as by a sultry dream,
Feels all her soul subdued unto the fire
And radiance of her ecstasy.
So in some picture, on which as on a lyre,
An old Italian painter laboriously has played
His soul away, his love, all his desire
For fragrant things afar from earth,
Shines the Madonna, as with a veil overlaid
By incense-smoke and dust age-old,
At whose feet, in time of dearth
Or need, a myriad men have laid
Their sorrows and arisen bold.
Incessantly the long rain falls,
Slanting on black walls.
But through the dark interminable streets,
Along pavements where rain beats
Its sharp tattoo, and gas-lamps shine,
Greenish gold in the solitude,
The vision flames through my mood
Of that Italian woman's face,
Through the dripping window-pane.