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Library of the World's Best Literature, Ancient and Modern, Vol. 16
اقرأ عينة مجانية

Library of the World's Best Literature, Ancient and Modern, Vol. 16

بقلم

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LIBRARY OF THE

WORLD'S BEST LITERATURE

ANCIENT AND MODERN


CHARLES DUDLEY WARNER

EDITOR

HAMILTON WRIGHT MABIE
LUCIA GILBERT RUNKLE
GEORGE HENRY WARNER

ASSOCIATE EDITORS

Connoisseur Edition
Vol. XVI.

NEW YORK
THE INTERNATIONAL SOCIETY


Connoisseur Edition

LIMITED TO FIVE HUNDRED COPIES IN HALF RUSSIA

No. ..........
Copyright, 1896, by
R. S. PEALE AND J. A. HILL
All rights reserved

THE ADVISORY COUNCIL

CRAWFORD H. TOY, A. M., LL. D.,
Professor of Hebrew, Harvard University, Cambridge, Mass.

THOMAS R. LOUNSBURY, LL. D., L. H. D.,
Professor of English in the Sheffield Scientific School of Yale University, New Haven, Conn.

WILLIAM M. SLOANE, Ph. D., L. H. D.,
Professor of History and Political Science, Princeton University, Princeton, N. J.

BRANDER MATTHEWS, A. M., LL. B.,
Professor of Literature, Columbia University, New York City.

JAMES B. ANGELL, LL. D.,
President of the University of Michigan, Ann Arbor, Mich.

WILLARD FISKE, A. M., Ph. D.,
Late Professor of the Germanic and Scandinavian Languages and Literatures, Cornell University, Ithaca, N. Y.

EDWARD S. HOLDEN, A. M., LL. D.,
Director of the Lick Observatory, and Astronomer, University of California, Berkeley, Cal.

ALCÉE FORTIER, LIT. D.,
Professor of the Romance Languages, Tulane University, New Orleans, La.

WILLIAM P. TRENT, M. A.,
Dean of the Department of Arts and Sciences, and Professor of English and History, University of the South, Sewanee, Tenn.

PAUL SHOREY, Ph. D.,
Professor of Greek and Latin Literature, University of Chicago, Chicago, Ill.

WILLIAM T. HARRIS, LL. D.,
United States Commissioner of Education, Bureau of Education, Washington, D. C.

MAURICE FRANCIS EGAN, A. M., LL. D.,
Professor of Literature in the Catholic University of America, Washington, D. C.


TABLE OF CONTENTS

VOL. XVI

  LIVED PAGE Aulus Gellius Second Century A.D. 6253 From 'Attic Nights': Origin, and Plan of the Book; The Vestal Virgins; The Secrets of the Senate; Plutarch and his Slave; Discussion on One of Solon's Laws; The Nature of Sight; Earliest Libraries; Realistic Acting; The Athlete's End     Gesta Romanorum   6261 Theodosius the Emperoure   Moralite   Ancelmus the Emperour   Moralite   How an Anchoress was Tempted by the Devil     Edward Gibbon 1737-1794 6271 BY W. E. H. LECKY Zenobia   Foundation of Constantinople   Character of Constantine   Death of Julian   Fall of Rome   Silk   Mahomet's Death and Character   The
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Alexandrian Library   Final Ruin of Rome   All from the 'Decline and Fall of the Roman Empire'     William Schwenck Gilbert 1836- 6333 Captain Reece   The Yarn of the Nancy Bell   The Bishop of Rum-ti-foo   Gentle Alice Brown   The Captain and the Mermaids   All from the 'Bab Ballads'     Richard Watson Gilder 1844- 6347 Two Songs from 'The New Day'   "Rose-Dark the Solemn Sunset"   The Celestial Passion   Non Sine Dolore   On the Life Mask of Abraham Lincoln   From 'The Great Remembrance'     Giuseppe Giusti 1809-1850 6355 Lullaby ('Gingillino')   The Steam Guillotine     William Ewart Gladstone 1809- 6359 Macaulay ('Gleanings of Past Years')     Edwin Lawrence Godkin 1831- 6373 The Duty of Criticism in a Democracy ('Problems of Modern Democracy')     Goethe 1749-1832 6385 BY EDWARD DOWDEN From 'Faust,' Shelley's Translation   Scenes from 'Faust', Bayard Taylor's Translation   Mignon's Love and Longing ('Wilhelm Meister's Apprenticeship')  
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tag="{http://www.w3.org/1999/xhtml}a">Wilhelm Meister's Introduction to Shakespeare (same)   Wilhelm Meister's Analysis of Hamlet (same)   The Indenture (same)   The Harper's Songs (same)   Mignon's Song (same)   Philina's Song (same)   Prometheus   Wanderer's Night Songs The Elfin-King   From 'The Wanderer's Storm Song'   The Godlike   Solitude   Ergo Bibamus!   Alexis and Dora   Maxims and Reflections   Nature     Nikolai Vasilievitch Gogol 1809-1852 6455 BY ISABEL F. HAPGOOD From 'The Inspector'   Old-Fashioned Gentry ('Mirgorod')     Carlo Goldoni 1707-1793 6475 BY WILLIAM CRANSTON LAWTON First Love and Parting ('Memoirs of Carlo Goldoni')   The Origin of Masks in the Italian Comedy (same)   Purists and Pedantry (same)   A Poet's Old Age (same)   The Café     Meïr Aaron Goldschmidt 1819-1887 6493 Assar and Mirjam ('Love Stories from Many Countries')     Oliver Goldsmith 1728-1774 6501 BY CHARLES MILLS GAYLEY
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href="@public@vhost@g@gutenberg@html@files@33624@[email protected]#THE_VICARS_FAMILY_BECOME_AMBITIOUS" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">The Vicar's Family Become Ambitious ('The Vicar of Wakefield')   New Misfortunes: But Offenses are Easily Pardoned Where There is Love at Bottom (same)   Pictures from 'The Deserted Village'   Contrasted National Types ('The Traveller')     Ivan Aleksandrovitch Goncharóf 1812- 6533 BY NATHAN HASKELL DOLE Oblómof     The Brothers De Goncourt   6549 Edmond 1822-1896   Jules 1830-1870   Two Famous Men ('Journal of the De Goncourts')   The Suicide ('Sister Philomène')   The Awakening ('Renée Mauperin')     Edmund Gosse 1849- 6565 February in Rome   Desiderium   Lying in the Grass     Rudolf von Gottschall 1823- 6571 Heinrich Heine ('Portraits and Studies')     John Gower 1325?-1408 6579 Petronella ('Confessio Amantis')     Ulysses S. Grant 1822-1885 6593 BY HAMLIN GARLAND Early Life ('Personal Memoirs of U. S. Grant')   Grant's Courtship (same)   A Texan Experience (same)   The Surrender of General Lee (same)     Henry Grattan 1746-1820 6615
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href="@public@vhost@g@gutenberg@html@files@33624@[email protected]#ON_THE_CHARACTER_OF_CHATHAM" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">On the Character of Chatham   Of the Injustice of Disqualification of Catholics (Speech in Parliament)   On the Downfall of Bonaparte (Speech in Parliament)     Thomas Gray 1716-1771 6623 BY GEORGE PARSONS LATHROP Elegy Written in a Country Church-yard   Ode on the Spring   On a Distant Prospect of Eton College   The Bard     The Greek Anthology   6637 BY TALCOTT WILLIAMS On the Athenian Dead at Platæa (Simonides); On the Lacedæmonian Dead at Platæa (Simonides); On a Sleeping Satyr (Plato); A Poet's Epitaph (Simmias of Thebes); Worship in Spring (Theætetus); Spring on the Coast (Leonidas of Tarentum); A Young Hero's Epitaph (Dioscorides); Love (Posidippus); Sorrow's Barren Grave (Heracleitus); To a Coy Maiden (Asclepiades); The Emptied Quiver (Mnesalcus); the Tale of Troy (Alpheus); Heaven Hath its Stars (Marcus Argentarius); Pan of the Sea-Cliff (Archias); Anacreon's Grave (Antipater of Sidon); Rest at Noon (Meleager); "In the Spring a Young Man's Fancy" (Meleager); Meleager's Own Epitaph (Meleager); Epilogue (Philodemus); Doctor and Divinity (Nicarchus); Love's Immortality (Strato); As the Flowers of the Field (Strato); Summer Sailing (Antiphilus); The Great Mysteries (Crinagoras); To Priapus of the Shore (Mæcius); The Common Lot (Ammianus); "To-morrow, and To-morrow" (Macedonius); The Palace Garden (Arabius); The Young Wife (Julianus Ægyptius); A Nameless Grave (Paulus Silentiarius); Resignation (Joannes Barbucallus); The House of the Righteous (Macedonius); Love's Ferriage (Agathias); On a Fowler (Isidorus). Anonymous: Youth and Riches; The Singing Reed; First Love again Remembered; Slave and Philosopher; Good-by to Childhood; Wishing; Hope and Experience; The Service of God; The Pure in Heart; The Water of Purity; Rose and Thorn; A Life's Wandering  


FULL-PAGE ILLUSTRATIONS

VOLUME XVI

  PAGE The Alexander Romance (Colored Plate) Frontispiece Gibbon (Portrait) 6271 Ruined Rome (Photograph) 6316 Gladstone (Portrait) 6359 Goethe (Portrait) 6385 "Faust and Margaret in Prison" (Photogravure) 6408 "The Bride's Toilet" (Photogravure) 6466 Goldoni (Portrait) 6475 Goldsmith (Portrait) 6501 Grant (Portrait)
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tag="{http://www.w3.org/1999/xhtml}a">6593 Gray (Portrait) 6623 "Stoke Poges Church and Churchyard" (Photogravure) 6626

VIGNETTE PORTRAITS

Gilbert Goncharof Gilder De Goncourt Giusti Gottschall Godkin Gower Gogol Grattan Goldschmidt  


AULUS GELLIUS

(Second Century A. D.)

erhaps Gellius's 'Attic Nights' may claim especial mention here, as one of the earliest extant forerunners of this 'Library.' In the original preface (given first among the citations), Gellius explains very clearly the origin and scope of his work. It is not, however, a mere scrap-book. There is original matter in many chapters. In particular, an ethical or philosophic excerpt has often been framed in a little scene,—doubtless imaginary,—and cast in the form of a dialogue. We get, even, pleasant glimpses of autobiography from time to time. The author is not, however, a deep or forceful character, on the whole. His heart is mostly set on trifles.

Yet Gellius has been an assiduous student, both in Greece and Italy; and his book gives us an agreeable, probably an adequate, view of the fields which are included in the general culture of his time. Despite its title, the work is chiefly Roman. In history, biography, antiquities, grammar, literary criticism, his materials and authors are prevailingly Latin. He is perhaps most widely known and quoted on early Roman life and usages. Thus, one of his chapters gives a mass of curious information as to the choice of the Vestal Virgins. We are also largely indebted to him for citations from lost authors. We have already quoted under Ennius the sketch, in eighteen hexameters, of a scholar-soldier, believed to be a genial self-portraiture. These lines are the finest specimen we have of the 'Annales.' Similarly, under Cato, we have quoted the chief fragment of the great Censor's Roman history. For both these treasures we must thank Gellius. Indeed, throughout the wide fields of Roman antiquities, history of literature, grammar, etc., we have to depend chiefly upon various late Latin scrap-books and compilations, most of which are not even made up at first hand from creative classical authors. To Gellius, also, the imposing array of writers so constantly named by him was evidently known chiefly through compendiums and handbooks. It is suspicious, for instance, that he hardly quotes a poet within a century of his own time. Repetitions, contradictions, etc., are numerous.

Despite its twenty "books" and nearly four hundred (short) chapters, the work is not only light and readable for the most part, but quite modest in total bulk: five hundred and fifty pages in the small page and generous type of Hertz's Teubner text. There is an English translation by Rev. W. Beloe, first printed in 1795, from which we quote below. Professor Nettleship's (in his 'Essays in Latin Literature') has no literary quality, but gives a careful analysis of Gellius's subjects and probable sources. There is a revival of interest in this author in recent years. We decidedly recommend Hertz's attractive volume to any Latin student who wishes to browse beyond the narrow classical limits.


FROM 'ATTIC NIGHTS'

Origin and Plan of the Book

More pleasing works than the present may certainly be found: my object in writing this was to provide my children, as well as myself, with that kind of amusement in which they might properly relax and indulge themselves at the intervals from more important business. I have preserved the same accidental arrangement which I had before used in making the collection. Whatever book came into my hand, whether it was Greek or Latin, or whatever I heard that was either worthy of being recorded or agreeable to my fancy, I wrote down without distinction and without order. These things I treasured up to aid my memory, as it were by a store-house of learning; so that when I wanted to refer to any particular circumstance or word which I had at the moment forgotten, and the books from which they were taken happened not to be at hand, I could easily find and apply it. Thus the same irregularity will appear in these commentaries as existed in the original annotations, which were concisely written down without any method or arrangement in the course of what I at different times had heard or read. As these observations at first constituted my business and my amusement through many long winter nights which I spent in Attica, I have given them the name of 'Attic Nights.' ... It is an old proverb, "A jay has no concern with music, nor a hog with perfumes:" but that the ill-humor and invidiousness of certain ill-taught people may be still more exasperated, I shall borrow a few verses from a chorus of Aristophanes; and what he, a man of most exquisite humor,

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proposed as a law to the spectators of his play, I also recommend to the readers of this volume, that the vulgar and unhallowed herd, who are averse to the sports of the Muses, may not touch nor even approach it. The verses are these:—