***The Project Gutenberg's Etext of Shakespeare's First Folio***
***********************Loues Labour's lost**********************
This is our 3rd edition of most of these plays. See the index.
Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!!
Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*These Etexts Prepared By Hundreds of Volunteers and Donations*
Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations.
Loues Labour's lost
by William Shakespeare
July, 2000 [Etext #2241]
***The Project Gutenberg's Etext of Shakespeare's First Folio***
***********************Loues Labour's lost**********************
*****This file should be named 2241.txt or 2241.zip******
Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition.
We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing.
Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-six text files per month, or 432 more Etexts in 1999 for a total of 2000+ If these reach just 10% of the computerized population, then the total should reach over 200 billion Etexts given away this year.
The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only ~5% of the present number of computer users.
At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 3,333 Etexts unless we manage to get some real funding; currently our funding is mostly from Michael Hart's salary at Carnegie-Mellon University, and an assortment of sporadic gifts; this salary is only good for a few more years, so we are looking for something to replace it, as we don't want Project Gutenberg to be so dependent on one person.
We need your donations more than ever!
All donations should be made to "Project Gutenberg/CMU": and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University).
For these and other matters, please mail to:
Project Gutenberg
P. O. Box 2782
Champaign, IL 61825
When all other email fails. . .try our Executive Director: Michael S. Hart <[email protected]> [email protected] forwards to [email protected] and archive.org if your mail bounces from archive.org, I will still see it, if it bounces from prairienet.org, better resend later on. . . .
We would prefer to send you this information by email.
******
To access Project Gutenberg etexts, use any Web browser to view http://promo.net/pg. This site lists Etexts by author and by title, and includes information about how to get involved with Project Gutenberg. You could also download our past Newsletters, or subscribe here. This is one of our major sites, please email [email protected], for a more complete list of our various sites.
To go directly to the etext collections, use FTP or any Web browser to visit a Project Gutenberg mirror (mirror sites are available on 7 continents; mirrors are listed at http://promo.net/pg).
Mac users, do NOT point and click, typing works better.
Example FTP session:
ftp sunsite.unc.edu login: anonymous password: your@login cd pub/docs/books/gutenberg cd etext90 through etext99 dir [to see files] get or mget [to get files. . .set bin for zip files] GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] GET GUTINDEX.ALL [to get a listing of ALL books]
***
**Information prepared by the Project Gutenberg legal advisor**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you can distribute copies of this etext if you want to.
*BEFORE!* YOU USE OR READ THIS ETEXT By using or reading any part of this PROJECT GUTENBERG-tm etext, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this etext by sending a request within 30 days of receiving it to the person you got it from. If you received this etext on a physical medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- tm etexts, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association at Carnegie-Mellon University (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project's "PROJECT GUTENBERG" trademark.
To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt
LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
Project Gutenberg's Etext of Shakespeare's The first Part of
Henry the Sixt
Executive Director's Notes:
In addition to the notes below, and so you will *NOT* think all the spelling errors introduced by the printers of the time have been corrected, here are the first few lines of Hamlet, as they are presented herein:
Barnardo. Who's there?
Fran. Nay answer me: Stand & vnfold
your selfe
Bar. Long liue the King
***
As I understand it, the printers often ran out of certain words or letters they had often packed into a "cliche". . .this is the original meaning of the term cliche. . .and thus, being unwilling to unpack the cliches, and thus you will see some substitutions that look very odd. . .such as the exchanges of u for v, v for u, above. . .and you may wonder why they did it this way, presuming Shakespeare did not actually write the play in this manner. . . .
The answer is that they MAY have packed "liue" into a cliche at a time when they were out of "v"'s. . .possibly having used "vv" in place of some "w"'s, etc. This was a common practice of the day, as print was still quite expensive, and they didn't want to spend more on a wider selection of characters than they had to.
You will find a lot of these kinds of "errors" in this text, as I have mentioned in other times and places, many "scholars" have an extreme attachment to these errors, and many have accorded them a very high place in the "canon" of Shakespeare. My father read an assortment of these made available to him by Cambridge University in England for several months in a glass room constructed for the purpose. To the best of my knowledge he read ALL those available . . .in great detail. . .and determined from the various changes, that Shakespeare most likely did not write in nearly as many of a variety of errors we credit him for, even though he was in/famous for signing his name with several different spellings.
So, please take this into account when reading the comments below made by our volunteer who prepared this file: you may see errors that are "not" errors. . . .
So. . .with this caveat. . .we have NOT changed the canon errors, here is the Project Gutenberg Etext of Shakespeare's The first Part of Henry the Sixt.
Michael S. Hart
Project Gutenberg
Executive Director
***
Scanner's Notes: What this is and isn't. This was taken from a copy of Shakespeare's first folio and it is as close as I can come in ASCII to the printed text.
The elongated S's have been changed to small s's and the conjoined ae have been changed to ae. I have
Another thing that you should be aware of is that there are textual differences between various copies of the first folio. So there may be differences (other than what I have mentioned above) between this and other first folio editions. This is due to the printer's habit of setting the type and running off a number of copies and then proofing the printed copy and correcting the type and then continuing the printing run. The proof run wasn't thrown away but incorporated into the printed copies. This is just the way it is. The text I have used was a composite of more than 30 different First Folio editions' best pages.
If you find any scanning errors, out and out typos, punctuation errors, or if you disagree with my spelling choices please feel free to email me those errors. I wish to make this the best etext possible. My email address for right now are [email protected] and [email protected]. I hope that you enjoy this.
David Reed
Loues Labour's lost
Actus primus.
Enter Ferdinand King of Nauarre, Berowne, Longauill, and
Dumane.
Ferdinand. Let Fame, that all hunt after in their liues,
Liue registred vpon our brazen Tombes,
And then grace vs in the disgrace of death:
when spight of cormorant deuouring Time,
Th' endeuour of this present breath may buy:
That honour which shall bate his sythes keene edge,
And make vs heyres of all eternitie.
Therefore braue Conquerours, for so you are,
That warre against your owne affections,
And the huge Armie of the worlds desires.
Our late edict shall strongly stand in force,
Nauar shall be the wonder of the world.
Our Court shall be a little Achademe,
Still and contemplatiue in liuing Art.
You three, Berowne, Dumaine, and Longauill,
Haue sworne for three yeeres terme, to liue with me:
My fellow Schollers, and to keepe those statutes
That are recorded in this scedule heere.
Your oathes are past, and now subscribe your names:
That his owne hand may strike his honour downe,
That violates the smallest branch heerein:
If you are arm'd to doe, as sworne to do,
Subscribe to your deepe oathes, and keepe it to
Longauill. I am resolu'd, 'tis but a three yeeres fast:
The minde shall banquet, though the body pine,
Fat paunches haue leane pates: and dainty bits,
Make rich the ribs, but bankerout the wits
Dumane. My louing Lord, Dumane is mortified,
The grosser manner of these worlds delights,
He throwes vpon the grosse worlds baser slaues:
To loue, to wealth, to pompe, I pine and die,
With all these liuing in Philosophie
Berowne. I can but say their protestation ouer,
So much, deare Liege, I haue already sworne,
That is, to liue and study heere three yeeres.
But there are other strict obseruances:
As not to see a woman in that terme,
Which I hope well is not enrolled there.
And one day in a weeke to touch no foode:
And but one meale on euery day beside:
The which I hope is not enrolled there.
And then to sleepe but three houres in the night,
And not be seene to winke of all the day.
When I was wont to thinke no harme all night,
And make a darke night too of halfe the day:
Which I hope well is not enrolled there.
O, these are barren taskes, too hard to keepe,
Not to see Ladies, study, fast, not sleepe
Ferd. Your oath is past, to passe away from these
Berow. Let me say no my Liedge, and if you please,
I onely swore to study with your grace,
And stay heere in your Court for three yeeres space
Longa. You swore to that Berowne, and to the rest
Berow. By yea and nay sir, than I swore in iest.
What is the end of study, let me know?
Fer. Why that to know which else wee should not
know
Ber. Things hid & bard (you meane) fro[m] co[m]mon sense
Ferd. I, that is studies god-like recompence
Bero. Come on then, I will sweare to studie so,
To know the thing I am forbid to know:
As thus, to study where I well may dine,
When I to fast expressely am forbid.
Or studie where to meete some Mistresse fine,
When Mistresses from common sense are hid.
Or hauing sworne too hard a keeping oath,
Studie to breake it, and not breake my troth.
If studies gaine be thus, and this be so,
Studie knowes that which yet it doth not know,
Sweare me to this, and I will nere say no
Ferd. These be the stops that hinder studie quite,
And traine our intellects to vaine delight
Ber. Why? all delights are vaine, and that most vaine
Which with paine purchas'd, doth inherit paine,
As painefully to poare vpon a Booke,
To seeke the light of truth, while truth the while
Doth falsely blinde the eye-sight of his looke:
Light seeking light, doth light of light beguile:
So ere you finde where light in darkenesse lies,
Your light growes darke by losing of your eyes.
Studie me how to please the eye indeede,
By fixing it vpon a fairer eye,
Who dazling so, that eye shall be his heed,
And giue him light that it was blinded by.
Studie is like the heauens glorious Sunne,
That will not be deepe search'd with sawcy lookes:
Small haue continuall plodders euer wonne,
Saue base authoritie from others Bookes.
These earthly Godfathers of heauens lights,
That giue a name to euery fixed Starre,
Haue no more profit of their shining nights,
Then those that walke and wot not what they are.
Too much to know, is to know nought but fame:
And euery Godfather can giue a name
Fer. How well hee's read, to reason against reading
Dum. Proceeded well, to stop all good proceeding
Lon. Hee weedes the corne, and still lets grow the
weeding
Ber. The Spring is neare when greene geesse are a
breeding
Dum. How followes that?
Ber. Fit in his place and time
Dum. In reason nothing
Ber. Something then in rime
Ferd. Berowne is like an enuious sneaping Frost,
That bites the first borne infants of the Spring
Ber. Wel, say I am, why should proud Summer boast,
Before the Birds haue any cause to sing?
Why should I ioy in any abortiue birth?
At Christmas I no more desire a Rose,
Then wish a Snow in Mayes new fangled showes:
But like of each thing that in season growes.
So you to studie now it is too late,
That were to clymbe ore the house to vnlocke the gate
Fer. Well, sit you out: go home Berowne: adue
Ber. No my good Lord, I haue sworn to stay with you.
And though I haue for barbarisme spoke more,
Then for that Angell knowledge you can say,
Yet confident Ile keepe what I haue sworne,
And bide
Giue me the paper, let me reade the same,
And to the strictest decrees Ile write my name
Fer. How well this yeelding rescues thee from shame
Ber. Item. That no woman shall come within a mile
of my Court.
Hath this bin proclaimed?
Lon. Foure dayes agoe
Ber. Let's see the penaltie.
On paine of loosing her tongue.
Who deuis'd this penaltie?
Lon. Marry that did I
Ber. Sweete Lord, and why? Lon. To fright them hence with that dread penaltie, A dangerous law against gentilitie. Item, If any man be seene to talke with a woman within the tearme of three yeares, hee shall indure such publique shame as the rest of the Court shall possibly deuise
Ber. This Article my Liedge your selfe must breake,
For well you know here comes in Embassie
The French Kings daughter, with your selfe to speake:
A Maide of grace and compleate maiestie,
About surrender vp of Aquitaine:
To her decrepit, sicke, and bed-rid Father.
Therefore this Article is made in vaine,
Or vainly comes th' admired Princesse hither
Fer. What say you Lords?
Why, this was quite forgot
Ber. So Studie euermore is ouershot,
While it doth study to haue what it would,
It doth forget to doe the thing it should:
And when it hath the thing it hunteth most,
'Tis won as townes with fire, so won, so lost
Fer. We must of force dispence with this Decree,
She must lye here on meere necessitie
Ber. Necessity will make vs all forsworne
Three thousand times within this three yeeres space:
For euery man with his affects is borne,
Not by might mastred, but by speciall grace.
If I breake faith, this word shall breake for me,
I am forsworne on meere necessitie.
So to the Lawes at large I write my name,
And he that breakes them in the least degree,
Stands in attainder of eternall shame.
Suggestions are to others as to me:
But I beleeue although I seeme so loth,
I am the last that will last keepe his oth.
But is there no quicke recreation granted?
Fer. I that there is, our Court you know is hanted
With a refined trauailer of Spaine,
A man in all the worlds new fashion planted,
That hath a mint of phrases in his braine:
One, who the musicke of his owne vaine tongue,
Doth rauish like inchanting harmonie:
A man of complements whom right and wrong
Haue chose as vmpire of their mutinie.
This childe of fancie that Armado hight,
For interim to our studies shall relate,
In high-borne words the worth of many a Knight:
From tawnie Spaine lost in the worlds debate.
How you delight my Lords, I know not I,
But I protest I loue to heare him lie,
And I will vse him for my Minstrelsie
Bero. Armado is a most illustrious wight,
A man of fire, new words, fashions owne Knight
Lon. Costard the swaine and he, shall be our sport,
And so to studie, three yeeres is but short.
Enter a Constable with Costard with a Letter.
Const. Which is the Dukes owne person
Ber. This fellow, What would'st?
Con. I my selfe reprehend his owne person, for I am
his graces Tharborough: But I would see his own person
in flesh and blood
Ber. This is he
Con. Signeor Arme, Arme commends you:
Ther's villanie abroad, this letter will tell you more
Clow. Sir the Contempts thereof are as touching
mee
Fer. A letter from the magnificent Armado
Ber. How low soeuer the matter, I hope in God for high words
Lon. A high hope for a low heauen, God grant vs patience
Ber. To heare, or forbeare hearing
Lon. To heare meekely sir, and to laugh moderately,
or to forbeare both
Ber. Well sir, be it as the stile shall giue vs cause to
clime in the merrinesse
Clo. The matter is to me sir, as concerning Iaquenetta.
The manner of it is, I was taken with the manner
Ber. In what manner? Clo. In manner and forme following sir all those three. I was seene with her in the Mannor house, sitting with her vpon the Forme, and taken following her into the Parke: which put to gether, is in manner and forme following. Now sir for the manner; It is the manner of a man to speake to a woman, for the forme in some forme
Ber. For the following sir
Clo. As it shall follow in my correction, and God defend
the right
Fer. Will you heare this Letter with attention?
Ber. As we would heare an Oracle
Clo. Such is the simplicitie of man to harken after the
flesh
Ferdinand. Great Deputie, the Welkins Vicegerent, and sole
dominator
of Nauar, my soules earths God, and bodies fostring
patrone:
Cost. Not a word of Costard yet
Ferd. So it is
Cost. It may be so: but if he say it is so, he is in telling
true: but so
Ferd. Peace,
Clow. Be to me, and euery man that dares not fight
Ferd. No words,
Clow. Of other mens secrets I beseech you
Ferd. So it is besieged with sable coloured melancholie, I did commend the blacke oppressing humour to the most wholesome Physicke of thy health-giuing ayre: And as I am a Gentleman, betooke my selfe to walke: the time When? about the sixt houre, When beasts most grase, birds best pecke, and men sit downe to that nourishment which is called supper: So much for the time When. Now for the ground Which? which I meane I walkt vpon, it is ycliped, Thy Parke. Then for the place Where? where I meane I did encounter that obscene and most preposterous euent that draweth from my snow-white pen the ebon coloured Inke, which heere thou viewest, beholdest: suruayest, or seest. But to the place Where? It standeth North North-east and by East from the West corner of thy curious knotted garden; There did I see that low spirited Swaine, that base Minow of thy myrth, Clown. Mee? Ferd. that vnletered small knowing soule, Clow Me? Ferd. that shallow vassall Clow. Still mee?) Ferd. which as I remember, hight Costard, Clow. O me) Ferd. sorted and consorted contrary to thy established proclaymed Edict and Continent, Cannon: Which with, o with, but with this I passion to say wherewith: Clo. With a Wench
Ferd. With a childe of our Grandmother Eue, a female; or for thy more sweet understanding a woman: him, I (as my euer esteemed dutie prickes me on) haue sent to thee, to receiue the meed of punishment by the sweet Graces Officer Anthony Dull, a man of good repute, carriage, bearing, & estimation
Anth. Me, an't shall please you? I am Anthony Dull
Ferd. For Iaquenetta (so is the weaker vessell called) which I apprehended with the aforesaid Swaine, I keepe her as a vessell of thy Lawes furie, and shall at the least of thy sweet notice, bring her to triall. Thine in all complements of deuoted and heart-burning heat of dutie. Don Adriana de Armado
Ber. This is not so well as I looked for, but the best
that euer I heard
Fer. I the best, for
to this?
Clo. Sir I confesse the Wench
Fer. Did you heare the Proclamation?
Clo. I doe confesse much of the hearing it, but little
of the marking of it
Fer. It was proclaimed a yeeres imprisonment to bee
taken with a Wench
Clow. I was taken with none sir, I was taken with a
Damosell
Fer. Well, it was proclaimed Damosell
Clo. This was no Damosell neyther sir, shee was a
Virgin
Fer. It is so varried to, for it was proclaimed Virgin
Clo. If it were, I denie her Virginitie: I was taken with a Maide
Fer. This Maid will not serue your turne sir
Clo. This Maide will serue my turne sir
Kin. Sir I will pronounce your sentence: You shall
fast a Weeke with Branne and water
Clo. I had rather pray a Moneth with Mutton and
Porridge
Kin. And Don Armado shall be your keeper.
My Lord Berowne, see him deliuer'd ore,
And goe we Lords to put in practice that,
Which each to other hath so strongly sworne
Bero. Ile lay my head to any good mans hat,
These oathes and lawes will proue an idle scorne.
Sirra, come on
Clo. I suffer for the truth sir: for true it is, I was taken with Iaquenetta, and Iaquenetta is a true girle, and therefore welcome the sowre cup of prosperitie, affliction may one day smile againe, and vntill then sit downe sorrow. Enter.
Enter Armado and Moth his Page.
Arma. Boy, What signe is it when a man of great
spirit growes melancholy?
Boy. A great signe sir, that he will looke sad
Brag. Why? sadnesse is one and the selfe-same thing
deare impe
Boy. No no, O Lord sir no
Brag. How canst thou part sadnesse and melancholy
my tender Iuuenall?
Boy. By a familiar demonstration of the working, my
tough signeur
Brag. Why tough signeur? Why tough signeur?
Boy. Why tender Iuuenall? Why tender Iuuenall?
Brag. I spoke it tender Iuuenall, as a congruent apathaton,
appertaining to thy young daies, which we may
nominate tender
Boy. And I tough signeur, as an appertinent title to
your olde time, which we may name tough
Brag. Pretty and apt
Boy. How meane you sir, I pretty, and my saying apt?
or I apt, and my saying prettie?
Brag. Thou pretty because little
Boy. Little pretty, because little: wherefore apt?
Brag. And therefore apt, because quicke
Boy. Speake you this in my praise Master?
Brag. In thy condigne praise
Boy. I will praise an Eele with the same praise
Brag. What? that an Eele is ingenuous
Boy. That an Eele is quicke
Brag. I doe say thou art quicke in answeres. Thou heat'st my bloud
Boy. I am answer'd sir
Brag. I loue not to be crost
Boy. He speakes the meere contrary, crosses loue not him
Br. I haue promis'd to study iij. yeres with the Duke
Boy. You may doe it in an houre sir
Brag. Impossible
Boy. How many is one thrice told?
Bra. I am ill at reckning, it fits the spirit of a Tapster
Boy. You are a gentleman and a gamester sir
Brag. I confesse both, they are both the varnish of a
compleat man
Boy. Then I am sure you know how much the grosse
summe of deus-ace amounts to
Brag. It doth amount to one more then two
Boy. Which the base vulgar call three
Br. True
Boy. Why sir is this such a peece of study? Now here's three studied, ere you'll thrice wink, & how easie it is to put yeres to the word three, and study three yeeres in two words, the dancing horse will tell you
Brag. A most fine Figure
Boy. To proue you a Cypher
Brag. I will heereupon confesse I am in loue: and as it is base for a Souldier to loue; so am I in loue with a base wench. If drawing my sword against the humour of affection, would deliuer mee from the reprobate thought of it, I would take Desire prisoner, and ransome him to any French Courtier for a new deuis'd curtsie. I thinke scorne to sigh, me thinkes I should out-sweare Cupid. Comfort me Boy, What great men haue beene in loue? Boy. Hercules Master
Brag. Most sweete Hercules: more authority deare Boy, name more; and sweet my childe let them be men of good repute and carriage
Boy. Sampson Master, he was a man of good carriage, great carriage: for hee carried the Towne-gates on his backe like a Porter: and he was in loue
Brag. O well-knit Sampson, strong ioynted Sampson;
I doe excell thee in my rapier, as much as thou didst mee
in carrying gates. I am in loue too. Who was Sampsons
loue my deare Moth?
Boy. A Woman, Master
Brag. Of what complexion?
Boy. Of all the foure, or the three, or the two, or one
of the foure
Brag. Tell me precisely of what complexion?
Boy. Of the sea-water Greene sir
Brag. Is that one of the foure complexions?
Boy. As I haue read sir, and the best of them too
Brag. Greene indeed is the colour of Louers: but to haue a Loue of that colour, methinkes Sampson had small reason for it. He surely affected her for her wit
Boy. It was so sir, for she had a greene wit
Brag. My Loue is most immaculate white and red
Boy. Most immaculate thoughts Master, are mask'd vnder such colours
Brag. Define, define, well educated infant
Boy. My fathers witte, and my mothers tongue assist
mee
Brag. Sweet inuocation of a childe, most pretty and
patheticall
Boy. If shee be made of white and red,
Her faults will nere be knowne:
For blushin cheekes by faults are bred,
And feares by pale white showne:
Then if she feare, or be to blame,
By this you shall not know,
For still her cheekes possesse the same,
Which natiue she doth owe:
A dangerous rime master against the reason of white
and redde
Brag. Is there not a ballet Boy, of the King and the Begger? Boy. The world was very guilty of such a Ballet some three ages since, but I thinke now 'tis not to be found: or if it were, it would neither serue for the writing, nor the tune
Brag. I will haue that subiect newly writ ore, that I may example my digression by some mighty president. Boy, I doe loue that Countrey girle that I tooke in the Parke with the rationall hinde Costard: she deserues well
Boy. To bee whip'd: and yet a better loue then my
Master
Brag. Sing Boy, my spirit grows heauy in loue
Brag. I say sing
Boy. Forbeare till this company be past.
Enter Clowne, Constable, and Wench.
Const. Sir, the Dukes pleasure, is that you keepe Costard safe, and you must let him take no delight, nor no penance, but hee must fast three daies a weeke: for this Damsell, I must keepe her at the Parke, shee is alowd for the Day-woman. Fare you well. Enter.
Brag. I do betray my selfe with blushing: Maide
Maid. Man
Brag. I wil visit thee at the Lodge
Maid. That's here by
Brag. I know where it is situate
Mai. Lord how wise you are!
Brag. I will tell thee wonders
Ma. With what face?
Brag. I loue thee
Mai. So I heard you say
Brag. And so farewell
Mai. Faire weather after you
Clo. Come Iaquenetta, away.
Exeunt.
Brag. Villaine, thou shalt fast for thy offences ere
thou be pardoned
Clo. Well sir, I hope when I doe it, I shall doe it on a
full stomacke
Brag. Thou shalt be heauily punished
Clo. I am more bound to you then your fellowes, for they are but lightly rewarded
Clo. Take away this villaine, shut him vp
Boy. Come you transgressing slaue, away
Clow. Let mee not bee pent vp sir, I will fast being
loose
Boy. No sir, that were fast and loose: thou shalt to
prison
Clow. Well, if euer I do see the merry dayes of desolation
that I haue seene, some shall see
Boy. What shall some see? Clow. Nay nothing, Master Moth, but what they looke vpon. It is not for prisoners to be silent in their words, and therefore I will say nothing: I thanke God, I haue as little patience as another man, and therefore I can be quiet. Enter.
Brag. I doe affect the very ground (which is base) where her shooe (which is baser) guided by her foote (which is basest) doth tread. I shall be forsworn (which is a great argument of falshood) if I loue. And how can that be true loue, which is falsly attempted? Loue is a familiar, Loue is a Diuell. There is no euill Angell but Loue, yet Sampson was so tempted, and he had an excellent strength: Yet was Salomon so seduced, and hee had a very good witte. Cupids Butshaft is too hard for Hercules Clubbe, and therefore too much ods for a Spaniards Rapier: The first and second cause will not serue my turne: the Passado hee respects not, the Duello he regards not; his disgrace is to be called Boy, but his glorie is to subdue men. Adue Valour, rust Rapier, bee still Drum, for your manager is in loue; yea hee loueth. Assist me some extemporall god of Rime, for I am sure I shall turne Sonnet. Deuise Wit, write Pen, for I am for whole volumes in folio.
Enter.
Finis Actus Primus.
Actus Secunda.
Enter the Princesse of France, with three attending Ladies, and
three
Lords
Boyet. Now Madam summon vp your dearest spirits,
Consider who the King your father sends:
To whom he sends, and what's his Embassie.
Your selfe, held precious in the worlds esteeme,
To parlee with the sole inheritour
Of all perfections that a man may owe,
Matchlesse Nauarre, the plea of no lesse weight
Then Aquitaine, a Dowrie for a Queene,
Be now as prodigall of all deare grace,
As Nature was in making Graces deare,
When she did starue the generall world beside,
And prodigally gaue them all to you
Queen. Good L[ord]. Boyet, my beauty though but mean,
Needs not the painted flourish of your praise:
Beauty is bought by iudgement of the eye,
Not vttred by base sale of chapmens tongues:
I am lesse proud to heare you tell my worth,
Then you much willing to be counted wise,
In spending your wit in the praise of mine.
But now to taske the tasker, good Boyet
Prin. You are not ignorant all-telling fame
Doth noyse abroad Nauar hath made a vow,
Till painefull studie shall out-weare three yeares,
No woman may approach his silent Court:
Therefore to's seemeth it a needfull course,
Before we enter his forbidden gates,
To know his pleasure, and in that behalfe
Bold of your worthinesse, we single you,
As our best mouing faire soliciter:
Tell him, the daughter of the King of France,
On serious businesse crauing quicke dispatch,
Importunes personall conference with his grace.
Haste, signifie so much while we attend,
Like humble visag'd suters his high will
Boy. Proud of imployment, willingly I goe.
Enter.
Prin. All pride is willing pride, and yours is so:
Who are the Votaries my Louing Lords, that are vow-fellowes
with this vertuous Duke?
Lor. Longauill is one
Princ. Know you the man?
1 Lady. I know him Madame at a marriage feast,
Betweene L[ord]. Perigort and the beautious heire
Of Iaques Fauconbridge solemnized.
In Normandie saw I this Longauill,
A man of soueraigne parts he is esteem'd:
Well fitted in Arts, glorious in Armes:
Nothing becomes him ill that he would well.
The onely soyle of his faire vertues glosse,
If vertues glosse will staine with any soile,
Is a sharp wit match'd with too blunt a Will:
Whose edge hath power to cut whose will still wills,
It should none spare that come within his power
Prin. Some merry mocking Lord belike, ist so?
Lad.1. They say so most, that most his humors know
Prin. such short liu'd wits do wither as they grow.
Who are the rest?
2.Lad. The yong Dumaine, a well accomplisht youth,
Of all that Vertue loue, for Vertue loued.
Most power to doe most harme, least knowing ill:
For he hath wit to make an ill shape good,
And shape to win grace though she had no wit.
I saw him at the Duke Alansoes once,
And much too little of that good I saw,
Is my report to his great worthinesse
Rossa. Another of these Students at that time,
Was there with him, as I haue heard a truth.
Berowne they call him, but a merrier man,
Within the limit of becomming mirth,
I neuer spent an houres talke withall.
His eye begets occasion for his wit,
For euery obiect that the one doth catch,
The other turnes to a mirth-mouing iest.
Which his faire tongue (conceits expositor)
Deliuers in such apt and gracious words,
That aged eares play treuant at his tales,
And yonger hearings are quite rauished.
So sweet and voluble is his discourse
Prin. God blesse my Ladies, are they all in loue?
That euery one her owne hath garnished,
With such bedecking ornaments of praise
Ma. Heere comes Boyet.
Enter Boyet.
Prin. Now, what admittance Lord?
Boyet. Nauar had notice of your faire approach;
And he and his competitors in oath,
Were all addrest to meete you gentle Lady
Before I came: Marrie thus much I haue learnt,
He rather meanes to lodge you in the field,
Like one that comes heere to
Then seeke a dispensation for his oath:
To let you enter his vnpeopled house.
Enter Nauar, Longauill, Dumaine, and Berowne.
Heere comes Nauar
Nau. Faire Princesse, welcom to the Court of Nauar
Prin. Faire I giue you backe againe, and welcome I haue not yet: the roofe of this Court is too high to bee yours, and welcome to the wide fields, too base to be mine
Nau. You shall be welcome Madam to my Court
Prin. I wil be welcome then, Conduct me thither
Nau. Heare me deare Lady, I haue sworne an oath
Prin. Our Lady helpe my Lord, he'll be forsworne
Nau. Not for the world faire Madam, by my will
Prin. Why, will shall breake it will, and nothing els
Nau. Your Ladiship is ignorant what it is
Prin. Were my Lord so, his ignorance were wise,
Where now his knowledge must proue ignorance.
I heare your grace hath sworne out House-keeping:
'Tis deadly sinne to keepe that oath my Lord,
And sinne to breake it:
But pardon me, I am too sodaine bold,
To teach a Teacher ill beseemeth me.
Vouchsafe to read the purpose of my comming,
And sodainly resolue me in my suite
Nau. Madam, I will, if sodainly I may
Prin. You will the sooner that I were away,
For you'll proue periur'd if you make me stay
Berow. Did not I dance with you in Brabant once?
Rosa. Did not I dance with you in Brabant once?
Ber. I know you did
Rosa. How needlesse was it then to ask the question?
Ber. You must not be so quicke
Rosa. 'Tis long of you y spur me with such questions
Ber. Your wit's too hot, it speeds too fast, 'twill tire
Rosa. Not till it leaue the Rider in the mire
Ber. What time a day?
Rosa. The howre that fooles should aske
Ber. Now faire befall your maske
Rosa. Faire fall the face it couers
Ber. And send you many louers
Rosa. Amen, so you be none
Ber. Nay then will I be gone
Kin. Madame, your father heere doth intimate,
The paiment of a hundred thousand Crownes,
Being but th' one halfe, of an intire summe,
Disbursed by my father in his warres.
But say that he, or we, as neither haue
Receiu'd that summe; yet there remaines vnpaid
A hundred thousand more: in surety of the which,
One part of Aquitaine is bound to vs,
Although not valued to the moneys worth.
If then the King your father will restore
But that one halfe which is vnsatisfied,
We will giue vp our right in Aquitaine,
And hold faire friendship with his Maiestie:
But that it seemes he little purposeth,
For here he doth demand to haue repaie,
An hundred thousand Crownes, and not demands
One paiment of a hundred thousand Crownes,
To haue his title liue in Aquitaine.
Which we much rather had depart withall,
And haue the money by our father lent,
Then Aquitane, so guelded as it is.
Deare Princesse, were not his requests so farre
From reasons yeelding, your faire selfe should make
A yeelding 'gainst some reason in my brest,
And goe well satisfied to France againe
Prin. You doe the King my Father too much wrong,
And wrong the reputation of your name,
In so vnseeming to confesse receyt
Of that which hath so faithfully beene paid
Kin. I doe protest I neuer heard of it,
And if you proue it, Ile repay it backe,
Or yeeld vp Aquitaine
Prin. We arrest your word:
Boyet, you can produce acquittances
For such a summe, from speciall Officers,
Of Charles his Father
Kin. Satisfie me so
Boyet. So please your Grace, the packet is not come
Where that and other specialties are bound,
To morrow you shall haue a sight of them
Kin. It shall suffice me; at which enterview,
All liberall reason would I yeeld vnto:
Meane time, receiue such welcome at my hand,
As honour, without breach of Honour may
Make tender of, to thy true worthinesse.
You may not come faire Princesse in my gates,
But heere without you shall be so receiu'd,
As you shall deeme your selfe lodg'd in my heart,
Though so deni'd farther harbour in my house:
Your owne good thoughts excuse me, and farewell,
To morrow we shall visit you againe
Prin. Sweet health & faire desires consort your grace
Kin. Thy own wish wish I thee, in euery place.
Enter.
Boy. Lady, I will commend you to my owne heart
La.Ro. Pray you doe my commendations,
I would be glad to see it
Boy. I would you heard it grone
La.Ro. Is the soule sicke?
Boy. Sicke at the heart
La.Ro. Alacke, let it bloud
Boy. Would that doe it good?
La.Ro. My Phisicke saies I
Boy. Will you prick't with your eye
La.Ro. No poynt, with my knife
Boy. Now God saue thy life
La.Ro. And yours from long liuing
Ber. I cannot stay thanks-giuing.
Enter.
Enter Dumane.
Dum. Sir, I pray you a word: What Lady is that same?
Boy. The heire of Alanson, Rosalin her name
Dum. A gallant Lady, Mounsier fare you well
Long. I beseech you a word: what is she in the white?
Boy. A woman somtimes, if you saw her in the light
Long. Perchance light in the light: I desire her name
Boy. Shee hath but one for her selfe,
To desire that were a shame
Long. Pray you sir, whose daughter?
Boy. Her Mothers, I haue heard
Long. Gods blessing a your beard
Boy. Good sir be not offended,
Shee is an heyre of Faulconbridge
Long. Nay, my choller is ended:
Shee is a most sweet Lady.
Exit. Long.
Boy. Not vnlike sir, that may be.
Enter Beroune.
Ber. What's her name in the cap
Boy. Katherine by good hap
Ber. Is she wedded, or no
Boy. To her will sir, or so,
Ber. You are welcome sir, adiew
Boy. Fare well to me sir, and welcome to you.
Enter.
La.Ma. That last is Beroune, the mery mad-cap Lord.
Not a word with him, but a iest
Boy. And euery iest but a word
Pri. It was well done of you to take him at his word
Boy. I was as willing to grapple, as he was to boord
La.Ma. Two hot Sheepes marie:
And wherefore not Ships?
Boy. No Sheepe (sweet Lamb) vnlesse we feed on your lips
La. You Sheepe & I pasture: shall that finish the iest?
Boy. So you grant pasture for me
La. Not so gentle beast.
My lips are no Common, though seuerall
Bo. Belonging to whom?
La. To my fortunes and me
Prin. Good wits wil be iangling, but gentles agree.
This ciuill warre of wits were much better vsed
On Nauar and his bookemen, for heere 'tis abus'd
Bo. If my obseruation (which very seldome lies
By the hearts still rhetoricke, disclosed with eyes)
Deceiue me not now, Nauar is infected
Prin. With what?
Bo. With that which we Louers intitle affected
Prin. Your reason
Bo. Why all his behauiours doe make their retire,
To the court of his eye, peeping thorough desire.
His hart like an Agot with your print impressed,
Proud with his forme, in his eie pride expressed.
His tongue all impatient to speake and not see,
Did stumble with haste in his eie-sight to be,
All sences to that sence did make their repaire,
To feele onely looking on fairest of faire:
Me thought all his sences were lockt in his eye,
As Iewels in Christall for some Prince to Buy.
Who tendring their own worth from whence they were glast,
Did point out to buy them along as you past.
His faces owne margent did coate such amazes,
That all eyes saw his eies inchanted with gazes.
Ile giue you Aquitaine, and all that is his,
And you giue him for my sake, but one louing Kisse
Prin. Come to our Pauillion, Boyet is disposde
Bro. But to speak that in words, which his eie hath disclos'd.
I onelie haue made a mouth of his eie,
By adding a tongue, which I know will not lie
Lad.Ro. Thou art an old Loue-monger, and speakest
skilfully
Lad.Ma. He is Cupids Grandfather, and learnes news
of him
Lad.2. Then was Venus like her mother, for her father
is but grim
Boy. Do you heare my mad wenches?
La.1. No
Boy. What then, do you see?
Lad.2. I, our way to be gone
Boy. You are too hard for me.
Exeunt. omnes.
Actus Tertius.
Enter Braggart and Boy.
Song.
Bra. Warble childe, make passionate my sense of hearing
Boy. Concolinel
Brag. Sweete Ayer, go tendernesse of yeares: take this Key, giue enlargement to the swaine, bring him festinatly hither: I must imploy him in a letter to my Loue
Boy. Will you win your loue with a French braule? Bra. How meanest thou, brauling in French? Boy. No my compleat master, but to Iigge off a tune at the tongues end, canarie to it with the feete, humour it with turning vp your eie: sigh a note and sing a note, sometime through the throate: if you swallowed loue with singing, loue sometime through: nose as if you snuft vp loue by smelling loue with your hat penthouselike ore the shop of your eies, with your armes crost on your thinbellie doublet, like a Rabbet on a spit, or your hands in your pocket, like a man after the old painting, and keepe not too long in one tune, but a snip and away: these are complements, these are humours, these betraie nice wenches that would be betraied without these, and make them men of note: do you note men that most are affected to these? Brag. How hast thou purchased this experience? Boy. By my penne of obseruation
Brag. But O, but O
Boy. The Hobbie-horse is forgot
Bra. Cal'st thou my loue Hobbi-horse
Boy. No Master, the Hobbie-horse is but a Colt, and
and your Loue perhaps, a Hacknie:
but haue you forgot your Loue?
Brag. Almost I had
Boy. Negligent student, learne her by heart
Brag. By heart, and in heart Boy
Boy. And out of heart Master: all those three I will proue
Brag. What wilt thou proue? Boy. A man, if I liue (and this) by, in, and without, vpon the instant: by heart you loue her, because your heart cannot come by her: in heart you loue her, because your heart is in loue with her: and out of heart you loue her, being out of heart that you cannot enioy her
Brag. I am all these three
Boy. And three times as much more, and yet nothing
at all
Brag. Fetch hither the Swaine, he must carrie mee a
letter
Boy. A message well simpathis'd, a Horse to be embassadour
for an Asse
Brag. Ha, ha, What saiest thou?
Boy. Marrie sir, you must send the Asse vpon the Horse
for he is verie slow gated: but I goe
Brag. The way is but short, away
Boy. As swift as Lead sir
Brag. Thy meaning prettie ingenious, is not Lead a
mettall heauie, dull, and slow?
Boy. Minnime honest Master, or rather Master no
Brag. I say Lead is slow
Boy. You are too swift sir to say so.
Is that Lead slow which is fir'd from a Gunne?
Brag. Sweete smoke of Rhetorike,
He reputes me a Cannon, and the Bullet that's he:
I shoote thee at the Swaine
Boy. Thump then, and I flee
Bra. A most acute Iuuenall, voluble and free of grace,
By thy fauour sweet Welkin, I must sigh in thy face.
Most rude melancholie, Valour giues thee place.
My Herald is return'd.
Enter Page and Clowne.
Pag. A wonder Master, here's a Costard broken in a
shin
Ar. Some enigma, some riddle, come, thy Lenuoy
begin
Clo. No egma, no riddle, no lenuoy, no salue, in thee male sir. Or sir, Plantan, a plaine Plantan: no lenuoy, no lenuoy, no Salue sir, but a Plantan
Ar. By vertue, thou inforcest laughter, thy sillie
thought, my spleene, the heauing of my lunges prouokes
me to rediculous smyling: O pardon me my stars, doth
the inconsiderate take salue for lenuoy, and the word lenuoy
for a salue?
Pag. Doe the wise thinke them other, is not lenuoy a
salue?
Ar. No Page, it is an epilogue or discourse to make plaine,
Some obscure precedence that hath tofore bin faine.
Now will I begin your morrall, and do you follow with
my lenuoy.
The Foxe, the Ape, and the Humble-Bee,
Were still at oddes, being but three
Arm. Vntill the Goose came out of doore,
Staying the oddes by adding foure
Pag. A good Lenuoy, ending in the Goose: would you
desire more?
Clo. The Boy hath sold him a bargaine, a Goose, that's flat.
Sir, your penny-worth is good, and your Goose be fat.
To sell a bargaine well is as cunning as fast and loose:
Let me see a fat Lenuoy, I that's a fat Goose
Ar. Come hither, come hither:
How did this argument begin?
Boy. By saying that a Costard was broken in a shin.
Then cal'd you for the Lenuoy
Clow. True, and I for a Plantan:
Thus came your argument in:
Then the Boyes fat Lenuoy, the Goose that you bought,
And he ended the market
Ar. But tell me: How was there a Costard broken in
a shin?
Pag. I will tell you sencibly
Clow. Thou hast no feeling of it Moth,
I
I Costard running out, that was safely within,
Fell ouer the threshold, and broke my shin
Arm. We will talke no more of this matter
Clow. Till there be more matter in the shin
Arm. Sirra Costard, I will infranchise thee