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Nat Goodwin's Book
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Nat Goodwin's Book

بقلم Goodwin Nat C (Nathaniel Carl)

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NAT GOODWIN'S BOOK


Nat C. Goodwin


NAT GOODWIN'S
BOOK


BY
NAT C. GOODWIN

ILLUSTRATED




BOSTON
RICHARD G. BADGER
THE GORHAM PRESS
TORONTO: COPP CLARK COMPANY LIMITED


Copyright, 1914
By Nat C. Goodwin and Richard G. Badger
All rights reserved

The Gorham Press, Boston, U.S.A.

PREFACE

In penning memoirs or autobiographing it is extremely difficult to avoid writing impersonally, yet I shall strive to avoid it as much as possible, not so much from a sense of duty as from a standpoint of mercy.

I have never enjoyed reading about myself and I am firmly convinced that there are few who have. Perhaps, if I am tempted during this review to give myself an opinion of myself, it may be received with favor even by those critics who have never agreed with any of my characterizations.

I started this little work with some degree of terror. I had such a poor background to frame my somewhat checkered career upon. I fully realized that a man must be a very great person, or at least imagine himself to be, to write an autobiography. But finally after listening to the advice of friends I approached myself, albeit surprised at my temerity. After having read many autobiographies I discovered that most nearly-great persons who indulge in the dissipation of giving to the world their opinions of themselves were either born in dilapidated garrets or on unproductive farms.

As there were no trees in my garden of youth nor a candle placed in an empty bottle to shed its effulgence upon my future life I wondered how I could diversify and be truthful, yet entertaining. A feeling of apprehension akin to that which always follows the first night of one of my productions took hold of me. I wondered how this little effort of mine would be received.

When reading a criticism the morning following a production I am always fearful of being found out. If I am condemned I know I have been! But after I have fully digested all the unkind criticisms, which are usually written by those who do not fancy me in any serious effort, I am in the end always superlatively happy in knowing that the critic has done his duty.

If I had my way, he would be doing TIME!

Generally he is so blissfully ignorant of what he prates about that I have a silent chuckle all to myself at the expositions of his glaring and blatant incompetency. Yet it has always been a question in my mind whether the public enjoys reading vituperative attacks upon its stage favorites particularly after it has been entertained and amused the previous evening. I think that it is thoroughly satisfied with its own verdict and resents another's antagonistic to it. It much more enjoys reading something of the actor's private life particularly when it can read something which exposes his or her particular vagaries. And the public is prone to believe everything the visionary gentlemen of the press chronicle. The more unwholesome it is the more it believes; the more suggestive, the more palatable.

You have only to put any sort of halo around an actor or a cigar, good or bad, to beget a following or a smoker!

Unfortunately the halo that the public has been kind enough to place above me will not bear minute inspection. It is opaque. However, being unable to escape it I have always been content to smile within and when the haloed one has been supposedly exposed I can do nothing but sit tight and accept the inevitable. At times it has been a bit harrowing to submit, yet it has taught me self-control which I will endeavor to exercise in this little work. If I am tempted to use the personal pronoun more frequently than necessary I shall deflect and command my thoughts, to wander among more agreeable persons. Having lived so long within the confines of my kindly bestowed halo I have become fully aware of my limitations. The agreeable personalities are easily found and I hope my readers will enjoy their companionship as much as I have enjoyed them.

Every reference made to these delightful people is inspired by the kindliest of feelings and if I have judged one or two more harshly than they seemingly deserve the error is of the head, not of the heart; for I loved, liked or admired them all and I am none too poor to do them reverence—even now.

While some may regard my opinions as impertinences none can convincingly deny my right to think, and as all is given impersonally I believe that none will doubt my motives.

Many will question the various attitudes in this book particularly regarding marriage and divorce. They will advance the theory that the bonds of matrimony must be welded more closely even when the participants find it difficult to live normally. I know that many who are incarcerated in the dungeons of matrimonial thraldom would not stop at murder to burst their bonds. It does not require the philosophy of a Bacon or an Emerson to prove that such incarceration is wrong. Why make martyrs of those forced to live together when hate supplants love, when bodies and thoughts play upon different instruments producing only discords? The laws of our country make it possible for us to file the bars of our unwholesome cells and suppress this monumental mockery. The views I have incorporated in this book, right or wrong, I stand by. All through my life I have never feared criticism for any of my acts. My moral or physical courage has never failed. I have been and always will be willing to stand by my guns and take my medicine.

Before completing this work I unfortunately submitted a few excerpts to a visionary representative of one of the Los Angeles papers. He immediately published broadcast what he had absorbed and very obligingly gave it the title of his own imagination, "Memoirs of Matrimony," thereby creating the impression that my book was to be devoted simply to my marital experiences. Such was never my intention, but as more than thirty years of my life have been devoted to matrimony naturally my autobiography demands mention of the women who have borne my name.

I have been censured sometimes harshly for my versatility in the selection of wives and many have marvelled at my fortunate (or unfortunate) selections. I have always been long on the market of home and wives.

I truly believe that no home is complete without a wife, providing she is of the kind that enjoys the company of intelligent, honest and clever people. Some men only lease their mates and

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then prate about their respectability. If I have decided at different times to tear down any of the Ephesian domes which I have erected, is the fact of my destroying them enough to warrant my being known, as was Alexander, as the fool that razed (or is it raised?) them?

While autobiography and a round up of memories will necessarily be conspicuous I shall endeavor also to make this book a medium of retrospective thoughts given to the many people, prominent and otherwise, with whom I have come in contact. As I have no notes I shall write purely from memory's tablets. If inaccuracies occur they will be unintentional.

Many of those dear friends have long since passed down the lonely mountain trail, but their sweet memories still linger by the roadside. If they but leave the perfume of their souls to mark the road for me to follow when I arrive at the corral nature has established in the valley I hope that we all shall meet and that they will elect me their callboy, that I may be privileged to ring up the curtain upon perpetual joy.

N. C. G.

Ocean Park, California.


CONTENTS

Chapter Page I Commencement Day 17 II My Debut 22 III Stuart Robson 26 IV John McCullough 35 V Sir Henry Irving 38 VI "Barry" and Jefferson 41 VII A Sunny Son of Sometime 49 VIII Charles Hoyt 51 IX Sir Charles Wyndham 54 X Charles R. Thorne, Jr. 56 XI Sol Smith Russell 61 XII Richard Mansfield 67 XIII In Variety 75 XIV Eliza Weathersby 80 XV Successful Failures 89 XVI Back in the 'Eighties 92 XVII The Halcyon Days of Union Square 96 XVIII The Birth of the Syndicate 101 XIX Stars 109 XX Atmospheric Plays 115 XXI Actors Past and Present 118 XXII Maude Adams 121 XXIII Tyrone Power 126 XXIV An Artistic Success!
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align="right">127 XXV The Skating Rink 131 XXVI Number Two 134 XXVII A Fight Won (?) 140 XXVIII John Chamberlain 148 XXIX W. S. Gilbert 152 XXX Henry E. Dixey 153 XXXI Swagger New Yorkers of Another Day 155 XXXII James Whitcomb Riley 157 XXXIII Digby Bell and De Wolf Hopper 159 XXXIV Blaine and Ingersoll 162 XXXV Jim Corbett in England 164 XXXVI The Cockney Cabby Comedian 166 XXXVII A Gilded Fool and Other Plays 168 XXXVIII George M. Cohan 177 XXXIX Thoughts Vaudeville-Born 179 XL John Drew 181 XLI The Rivals Revival 182 XLII Wilton Lackaye 185 XLIII "Young" Mansfield 187 XLIV David Warfield 190 XLV A Day at Reno 192 XLVI Lillian Russell 197 XLVII Dramatic Schools 198 XLVIII Number Three (Almost) 201 XLIX The Confessional 207 L San Francisco 211 LI Antony (?) and Cleopatra 216 LII Honolulu and Samoa
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href="@public@vhost@g@gutenberg@html@files@46341@[email protected]#Page_223" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">223 LIII Publicity—Its Results 230 LIV In the Land of the Kangaroo 233 LV Welcome(!) Home 240 LVI Number Three 243 LVII When We Were Twenty-One and Other Plays 248 LVIII At Jackwood 254 LIX "Why Do Beautiful Women Marry Nat Goodwin?" 262 LX Billy Thompson 265 LXI The Critics 266 LXII James A. Hearne 277 LXIII Eddie Foy 279 LXIV William Gillette 280 LXV William Brady, Esq. 283 LXVI Robert Ford 284 LXVII More Plays 286 LXVIII Willie Collier 288 LXIX Henry Miller 290 LXX What's in a Name? 291 LXXI I Try Being a Business Man 293 LXXII The Five Fateful Fish Cakes and Number Four 302 LXXIII Sir Beerbohm Tree 315 LXXIV The Origin of the Stage 317 LXXV My Stage-Struck Valet 321 LXXVI George C. Tyler 324 LXXVII I Find the Very Best Phyllis 326 LXXVIII The Lambs Club 329 LXXIX I "Come Back" 332 LXXX I Go Back
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tag="{http://www.w3.org/1999/xhtml}a">334 LXXXI David Belasco 336 LXXXII "Author—Author" 337 LXXXIII Mushroom Managers 341 LXXXIV "Keep off the Grass" 345 LXXXV California 350 LXXXVI I Become a Barnstormer 352 LXXXVII Number Five 355 LXXXVIII L'Envoie 356 Index 359

LIST OF ILLUSTRATIONS

Facing Page Nat C. Goodwin Frontispiece   William Warren 20 The greatest comedian that ever lived   Stuart Robson 26 The best Shakespearean clown of modern times   Tony Hart 30 He had the face of an Irish Apollo, did Tony Hart   John McCullough and Associate Players in the Dramatic Festival 36 "Mr." McCullough and the rest of us   Sir Henry Irving 40 An extraordinary man   Joseph Jefferson 46 I firmly believe I improved his morals   Sir Charles Wyndham 54 A remarkable man   Charles R. Thorne, Jr. 60 A royal picture to contemplate   In the Little Rebel 76 One of my first excursions into the legitimate   Eliza Weathersby 80 The wife who mothered me   In Hobbies with Eliza Weathersby 84 The play I won at faro   Lithograph of Goodwin's Froliques 88
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  In Turned Up 92 In the days when I was an imitator   Lotta 98 In the days when work was play   Jack Haverly 102 The man who conceived the syndicate   In the Gold Mine 112 My get-up in The Gold Mine   Those Were the Happy Days 118   Coquelin 124 Would he have gone in vaudeville? I wonder   Nella Baker Pease 134 The best amateur piano player I ever heard   Nat C. Goodwin, III 138   Pals 150 Richard Carle, Fred G. Stanley, Nat Goodwin, Walter Jones, De Wolf Hopper   In Confusion 160 Back in the eighties   Nat Goodwin and Company in In Mizzoura 168 One of the best casts I ever saw   Ticket Sale for In Mizzoura 176   Dick Golden 182 We were pals for many years   David Warfield and Nat Goodwin 190 I'm proud of the company   In Mizzoura 200 One of the greatest of American plays   Mrs. N. C. Goodwin, Sr. 210 A dear old lady living in Boston   How much a Lamb I was I didn't know—Then! 216   An Australian Greeting Can't Touch its Farewell! 220   In An American Citizen 232 If we had been associated a few years longer my name would have been up as her leading support!   As Bob Acres 240 I gave Bob a country dialect   Maxine Elliott
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tag="{http://www.w3.org/1999/xhtml}a">246 Fate's partner   In When We were Twenty-One 252 The biggest bit of any play I ever produced   In Nathan Hale 258 "They hang Nat in the last act"   Wm. H. Thompson 264 An artist to his finger tips   James A. Hearne 278 He knew how poor Sol "fell"   Robert Ford 284 "A cold-blooded, conscienceless murderer"   As Cameo Kirby 294 I never played a character I liked so well   Edna Goodrich 304 My young and handsome star   As Shylock 310 One of my successful failures   In Hamlet 320 It had always been my desire to appear in Shakespearean roles   Margaret Moreland 326 The very best Phyllis   As Fagin in Oliver Twist 330 "Fagin was a comedian"   David Belasco 336 An intellectual giant   Drawn while We were "Barnstorming" 344   The Ranch at San Jacinto, California 350 A scene not equalled in the Austrian Tyrol