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Poems New and Old
اقرأ عينة مجانية

Poems New and Old

بقلم Freeman John

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POEMS NEW AND OLD


PRESS NOTICES

Mr. Freeman's landscapes have an individuality which entitles him to his own place as a poet of nature.... The appreciation of his lofty ardours, his desolate landscapes and his strange, though beautiful, rhythms and forms of verse, is not one which springs up instantly in the mind; but once it has arisen it does not diminish.—New Statesman.

I think that whatever limitations our age and our poetry may have, Mr. Freeman's poetry, and much else that is now being written, will find in all succeeding generations readers to whom it will give companionship and comfort.—Mr. J.C. Squire, in Land and Water.

This book must be read steadily through; quotation can reveal little of its scope, its richness.... When a man, in poems that are clearly fragments of autobiography, thus surrenders to the world the life of his spirit, the beauty of what he writes is inseparable from its truth. Truth endures, and a prophet would have a sad foreboding of posterity if he did not believe that of this day's poets Mr. Freeman will not be among the forgotten.—Times Literary Supplement.

This rarefied air is something to which the reader must adjust himself; but he finds the process of adjustment made easy by a peculiar fascination in the atmosphere which Mr. Freeman creates. If it is aloof from ordinary experience, it is by so much the more individual; and in it there are to be found thrills and feelings, an understanding of a particular aspect of nature, which have not hitherto been reported in poetry—Westminster Gazette.


POEMS NEW AND OLD


By John Freeman

London:
Selwyn and Blount, Ltd.
21, York Buildings, Adelphi, W.C. 2
1920


"——He still'd
All sounds in air; and left so free mine ears
That I might hear the music of the spheres,
And all the angels singing out of heaven,
Whose tunes were solemn, as to passion given."



NOTE.

With the exception of two or three poems which have appeared in newspapers, or in an anthology entitled Twelve Poets, the verses in the first part of this volume have not hitherto been printed. The second part contains Memories of Childhood and Other Poems, and the third part retrieves many verses from Presage of Victory (1916), Stone Trees (1916), Fifty Poems (1911) and Twenty Poems (1909). Chronological order has not been carefully observed, or avoided, in the arrangement of the third part, but the earlier pieces will easily be distinguished by those who may wish to distinguish them.


CONTENTS

PART I

  • The Evening Sky
  • Beechwood
  • Thy Hill Leave Not
  • The Caves
  • I Will Ask
  • In Those Old Days
  • The Ash
  • Imagination
  • No More Adieu
  • The Visit
  • Travelling
  • The Song of the Forest
  • Out of the East

PART II

  • The Wakers
  • Memories of Childhood:
    • I.--Childhood Calls
    • II.--The Answer
    • III.--The First House
    • IV.--The Other House
    • V.--The Fire
    • VI.--The Kite
    • VII.--The Chair
    • VIII.--The Swing
    • IX.--Fear
    • X.--The Streets
    • XI.--When Childhood Died
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  • The Shock
  • The Unloosening
  • Wild Heart:
    • I.--Dark and Strange
    • II.--Wild Heart
    • III.--Home for Love
    • IV.--The Alde
    • V.--Against the Cold Pale Sky
    • VI.--The Dark Fire
    • VII.--The Kestrel
    • VIII.--The Image
    • IX.--Perversities--I.
    • X.--Perversities--II.
    • XI.--The Valley
    • XII.--The Dark Night of the Mind
  • The Body
  • The Tossing Mountains
  • The Pond
  • Ten O'clock No More
  • From Wear to Thames
  • Time from his Grave
  • Wilder Music
  • Grasses
  • Fair and Brief
  • Nightfall
  • The Slaves
  • The Fugitive
  • The Unthrift
  • The Wren
  • The Winds
  • The Wanderer
  • Merrill's Garden
  • The Lime Tree
  • DARK CHESTNUT
  • Lonely Airs
  • The Creeper
  • Smoke
  • Queens
  • The Red House
  • The Beam
  • Last Hours
  • The Wish
  • Nowhere, Everywhere
  • Take Care,
  • صفحة 3
    Take Care
  • Nearness
  • The Second Flood
  • The Glass
  • But Most Thy Light
  • In That Dark Silent Hour
  • Once There was Time
  • Scatter the Silver Ash like Snow
  • Justification
  • I have Never Loved You Yet
  • The Pigeons
  • And These for You:
    • I.--Not With These Eyes
    • II.--Asking Forgiveness
  • Judgment Day
  • Lighting the Fire
  • Recovery
  • Eyes
  • Fulfilment
  • Bring your Beauty
  • Memorial
  • The Human Music
  • The Candle
  • Old Fires
  • The Crowns
  • The Bright Rider
  • To the Heavenly Power
  • Snows
  • The Thorn
  • Change
  • Beyond the Barn
  • Let Honour Speak
  • Talk
  • The Undying
  • The Native Country
  • PART III

    • Stone Trees
    • It was the Lovely Moon
    • The Hounds
    • Hector
    • Listening
    • Stones
    • The Enemies
    • The Silvery One
    • The Flute
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    tag="{http://www.w3.org/1999/xhtml}a">Stars
  • Ten O'clock and Four O'clock
  • The Yew
  • November Skies
  • Change
  • Delight
  • Sleeping Sea
  • The Weaver of Magic
  • The Darksome Nightingale
  • Under the Linden Branches
  • Strife
  • Foreboding
  • Discovery
  • More than Sweet
  • The Brightness
  • The Holy Mountains
  • Rapture
  • Music Comes
  • The Idiot
  • The Mouse
  • Happiness
  • Comfortable Light
  • Hallo!
  • Fear
  • Waking
  • The Fall
  • Stay
  • Shadows
  • Walking at Eve
  • The Physician
  • Vision and Echo
  • Revisitation
  • Unpardoned
  • Some Hurt Thing
  • The Waits
  • In The Lane
  • The Last Time
  • You that Were
  • "The Light that Never was on Sea or Land"
  • At Evening's Hush
  • Happy Death
  • Wisdom and a Mother
  • The Thrush Sings
  • To My Mother
  • The Unuttered
  • Fair Eve
  • صفحة 5
    class="c2 pginternal" href="@public@vhost@g@gutenberg@html@files@12026@[email protected]#THE_SNARE" tag="{http://www.w3.org/1999/xhtml}a">The Snare
  • O Hide Me in Thy Love
  • Prayer to my Lord
  • The Tree
  • Earth To Earth
  • On a Piece of Silver
  • The Escape
  • Wonder
  • Lambourn Town
  • The Lamp
  • Who is ut that Answers?
  • Waiting
  • Absence
  • Sleep
  • Your Shadow
  • The Full Tide
  • Hands
  • The Night Watch
  • The Haunted Shadow
  • Alone and Cold
  • Inevitable Change
  • Loneliness
  • I heard a voice upon the window beat
  • First Love
  • The Call
  • The Shade
  • Happy is England Now
  • The Stars in their Courses
  • Sweet England
  • Presage of Victory
  • The Return
  • English Hills
  • Homecoming
  • England's Enemy
  • From Piccadilly in August
  • Evening Beauty: Blackfriars
  • Sailing of the Glory
  • At the Dock
  • "The Men who loved the Cause that Never Dies"

  • PART I


    THE EVENING SKY

    Rose-bosom'd and rose-limb'd
    With eyes of dazzling bright
    Shakes Venus mid the twinèd boughs of the night;
    Rose-limb'd, soft-stepping
    From low bough to bough
    Shaking the wide-hung starry fruitage—dimmed
    Its bloom of snow
    By that sole planetary glow.
    Venus, avers the astronomer,
    Not thus idly dancing goes
    Flushing the eternal orchard with wild rose.
    She through ether burns
    Outpacing planetary earth,
    And ere two years triumphantly returns,
    And again wave-like
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    swelling flows,
    And again her flashing apparition comes and goes.
    This we have not seen,
    No heavenly courses set,
    No flight unpausing through a void serene:
    But when eve clears,
    Arises Venus as she first uprose
    Stepping the shaken boughs among,
    And in her bosom glows
    The warm light hidden in sunny snows.
    She shakes the clustered stars
    Lightly, as she goes
    Amid the unseen branches of the night,
    Rose-limb'd, rose-bosom'd bright.
    She leaps: they shake and pale; she glows—
    And who but knows
    How the rejoiced heart aches
    When Venus all his starry vision shakes;
    When through his mind
    Tossing with random airs of an unearthly wind,
    Rose-bosom'd, rose-limb'd,
    The mistress of his starry vision arises,
    And the boughs glittering sway
    And the stars pale away,
    And the enlarging heaven glows
    As Venus light-foot mid the twinèd branches goes.

    BEECHWOOD

    Hear me, O beeches! You
    That have with ageless anguish slowly risen
    From earth's still secret prison
    Into the ampler prison of aery blue.
    Your voice I hear, flowing the valleys through
    After the wind that tramples from the west.
    After the wind your boughs in new unrest
    Shake, and your voice—one voice uniting voices
    A thousand or a thousand thousand—flows
    Like the wind's moody; glad when he rejoices
    In swift-succeeding and diminishing blows,
    And drooping when declines death's ardour in his breast;
    Then over him exhausted weaving the soft fan-like noises
    Of gentlest creaking stems and soothing leaves
    Until he rest,
    And silent too your easied bosom heaves.
    That high and noble wind is rootless nor
    From stable earth sucks nurture, but roams on
    Childless as fatherless, wild, unconfined,
    So that men say, "As homeless as the wind!"
    Rising and falling and rising evermore
    With years like ticks, æons as centuries gone;
    Only within impalpable ether bound
    And blindly with the green globe spinning round.
    He, noble wind,
    Most ancient creature of imprisoned Time,
    From high to low may fall, and low to high may climb,
    Andean peak to deep-caved southern sea,
    With lifted hand and voice of gathered sound,
    And echoes in his tossing quiver bound
    And loosed from height into immensity;
    Yet of his freedom tires, remaining free.
    —Moulding and remoulding imponderable cloud,
    Uplifting skiey archipelagian isles
    Sunnier than ocean's, blue seas and white isles
    Aflush with blossom where late sunlight glowed;—
    Still of his freedom tiring yet still free,
    Homelessly roaming between sky, earth and sea.
    But you, O beeches, even as men, have root
    Deep in apparent and substantial things—
    Earth, sun, air, water, and the chemic fruit
    Wise Time of these has made. What laughing Springs
    Your branches sprinkle young leaf-shadows o'er
    That wanting the leaf-shadows were no Springs
    Of seasonable sweet and freshness! nor
    If Summer of your murmur gathered not
    Increase of music as your leaves grow dense,
    Might even kine and birds and general noise of wings
    Of summer make full Summer, but the hot
    Slow moons would pass and leave unsatisfied the sense.
    Nor Autumn's waste were dear if your gold snow
    Of leaves whirled not upon the gold below;
    Nor Winter's snow were loveliness complete
    Wanting the white drifts round your breasts and feet.
    To hills how many has your tossed green given
    Likeness of an inverted cloudy heaven;
    How many English hills enlarge their pride
    Of shape and solitude
    By beechwoods darkening the steepest side!
    I know a Mount—let there my longing brood
    Again, as oft my eyes—a Mount I know
    Where beeches stand arrested in the throe
    Of that last onslaught when the gods swept low
    Against the gods inhabiting the wood.
    Gods into trees did pass and disappear,
    Then closing, body and huge members heaved
    With energy and agony and fear.
    See how the thighs were strained, how tortured here.
    See, limb from limb sprung, pain too sore to bear.
    Eyes once looked from those sockets that no eyes
    Have worn since—oh, with what desperate surprise!
    These arms, uplifted still, were raised in vain
    Against alien triumph and the inward pain.
    Unlock your arms, and be no more distressed,
    Let the wind glide over you easily again.
    It is a dream you fight, a memory
    Of battle lost. And how should dreaming be
    Still a renewed agony?
    But O, when that wind comes up out of the west
    New-winged with Autumn from the distant sea
    And springs upon you, how should not dreaming be
    A remembered and renewing agony?
    Then are your breasts, O unleaved beeches, again
    Torn, and your thighs and arms with the old strain
    Stretched past endurance; and your groans I hear
    Low bent beneath the hoofs by that fierce charioteer
    Driven clashing over; till even dreaming is
    Less of a present agony than this.
    Fall gentler sleep upon you now, while soft
    Airs circle swallow-like from hedge to croft
    Below your lowest naked-rooted troop.
    Let evening slowly droop
    Into the middle of your boughs and stoop
    Quiet breathing down to your scarce-quivering side
    And rest there satisfied.
    Yet sleep herself may wake
    And through your heavy unlit dome, O Mount of beeches, shake.
    Then shall your massy columns yield
    Again the company all day concealed....
    Is it their shapes that sweep
    Serene within the ambit of the Moon
    Sentinel'd by shades slow-marching with moss-footed hours that creep
    From dusk of night to dusk of day—slow-marching, yet too soon
    Approaching morn? Are these their grave
    Remembering ghosts?
    ... Already your full-foliaged branches wave,
    And the thin failing hosts
    Into your secrecies are swift withdrawn
    Before the certain footsteps
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    of the dawn.
    But you, O beeches, even as men have root
    Deep in apparent and substantial things.
    Birds on your branches leap and shake their wings,
    Long ere night falls the soft owl loosens her slow hoot
    From the unfathomed fountains of your gloom.
    Late western sunbeams on your broad trunks bloom,
    Levelled from the low opposing hill, and fold
    Your inmost conclave with a burning gold.
    ... Than those night-ghosts awhile more solid, men
    Pass within your sharp shade that makes an arctic night
    Of common light,
    And pause, swift measuring tree by tree; and then
    Paint their vivid mark,
    Ciphering fatality on each unwrinkled bark
    Across the sunken stain
    That every season's gathered streaming rain
    Has deepened to a darker grain.
    You of this fatal sign unconscious lift
    Your branches still, each tree her lofty tent;
    Still light and twilight drift
    Between, and lie in wan pools silver sprent.
    But comes a day, a step, a voice, and now
    The repeated stroke, the noosed and tethered bough,
    The sundered trunk upon the enormous wain
    Bound kinglike with chain over chain,
    New wounded and exposed with each old stain.
    And here small pools of doubtful light are lakes
    Shadowless and no more that rude bough-music wakes.
    So on men too the indifferent woodman, Time,
    Servant of unseen Master, nearing sets
    His unread symbol—or who reads forgets;
    And suns and seasons fall and climb,
    Leaves fall, snows fall, Spring flutters after Spring,
    A generation a generation begets.
    But comes a day—though dearly the tough roots cling
    To common earth, branches with branches sing—
    And that obscure sign's read, or swift misread,
    By the indifferent woodman or his slave
    Disease, night-wandered from a fever-dripping cave.
    No chain's then needed for no fearful king,
    But light earth-fall on foot and hand and head.
    Now thick as stars leaves shake within the dome
    Of faintly-glinting dusking monochrome;
    And stars thick hung as leaves shake unseen in the round
    Of darkening blue: the heavenly branches wave without a sound,
    Only betrayed by fine vibration of thin air.
    Gleam now the nearer stars and ghosts of farther stars that bare,
    Trembling and gradual, brightness everywhere....
    When leaves fall wildly and your beechen dome is thinned,
    Showered glittering down under the sudden wind;
    And when you, crowded stars, are shaken from your tree
    In time's late season stripped, and each bough nakedly
    Rocks in those gleamless shallows of infinity;
    When star-fall follows leaf-fall, will long Winter pass away
    And new stars as new leaves dance through their hasty May?
    —But as a leaf falls so falls weightless thought
    Eddying, and with a myriad dead leaves lies
    Bewildered, or in a little air awhile is caught
    Idly, then drops and dies.
    Look at the stars, the stars! But in this wood
    All I can understand is understood.
    Gentler than stars your beeches speak; I hear
    Syllables more simple and intimately clear
    To earth-taught sense, than the heaven-singing word
    Of that intemperate wisdom which the sky
    Shakes down upon each unregarding century,
    There lying like snow unstirred,
    Unmelting, on the loftiest peak
    Above our human and green valley ways.
    Lowlier and friendlier your beechen branches speak
    To men of mortal days
    With hearts too fond, too weak
    For solitude or converse with that starry race.
    Their shaken lights,
    Their lonely splendours and uncomprehended
    Dream-distance and long circlings 'mid the heights
    And deeps remotely neighboured and attended
    By spheres that spill their fire through these estranging nights:—
    Ah, were they less dismaying, or less splendid!
    But as one deaf and mute sees the lips shape
    And quiver as men talk, or marks the throat
    Of rising song that he can never hear,
    Though in the singer's eyes her joy may dimly peer,
    And song and word his hopeless sense escape—
    Sweet common word and lifted heavenly note—
    So, beneath that bright rain,
    While stars rise, soar and stoop,
    Dazzled and dismayed I look and droop
    And, blinded, look again.
    "Return, return!" O beeches sing you then.
    I like a tree wave all my thoughts with you,
    As your boughs wave to other tossed boughs when
    First in the windy east the dawn looks through
    Night's soon-dissolving bars.
    Return, return? But I have never strayed:
    Hush, thoughts, that for a moment played
    In that enchanted forest of the stars
    Where the mind grows numb.
    Return, return?
    Back, thoughts, from heights that freeze and deeps that burn,
    Where sight fails and song's dumb.
    And as, after long absence, a child stands
    In each familiar room
    And with fond hands
    Touches the table, casement, bed,
    Anon each sleeping, half-forgotten toy;
    So I to your sharp light and friendly gloom
    Returning, with first pale leaves round me shed,
    Recover the old joy
    Since here the long-acquainted hill-path lies,
    Steeps I have clambered up, and spaces where
    The Mount opens her bosom to the air
    And all around gigantic beeches rise.

    THY HILL LEAVE NOT