The Project Gutenberg eBook of Poetical Works of Matthew Arnold, by Matthew Arnold
Title: Poetical Works of Matthew Arnold
Author: Matthew Arnold
Release Date: January 7, 2009 [eBook #27739]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK POETICAL WORKS OF MATTHEW ARNOLD***
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POETICAL WORKS
OF
MATTHEW ARNOLD
First Complete Edition printed September 1890.
Reprinted November and December 1890. July 1891.
POETICAL WORKS
OF
MATTHEW ARNOLD
London
MACMILLAN AND CO.
AND NEW YORK
1891
All rights reserved
CONTENTS
EARLY POEMS
Sonnets— PAGE Quiet Work 1 To a Friend 2 Shakespeare 2 Written in Emerson's Essays 3 Written in Butler's Sermons 4 To the Duke of Wellington 4 In Harmony With Nature 5 To George Cruikshank 6 To a Republican Friend, 1848 6 Continued 7 Religious Isolation 8 Mycerinus 8 The Church of Brou I. The Castle 13 II. The Church 17 III. The Tomb 18 A Modern Sappho 20 Requiescat 21 Youth and Calm 22 A Memory-Picture 23 A Dream 25 The New Sirens 26 The Voice 36 Youth's Agitations 37 The World's TriumphsNARRATIVE POEMS
Sohrab and Rustum 65 The Sick King in Bokhara 92 Balder Dead— 1. Sending 101 2. Journey To the Dead 111 3. Funeral 121 Tristram and Iseult Tristram 138 Iseult of Ireland 150 Iseult of Brittany 158 Saint Brandan 165 The Neckan 167 The Forsaken Merman 170SONNETS
Austerity of Poetry 177 A Picture at Newstead 177 Rachel: I, II, III 178 Worldly Place 180 East London 180 West London 181 East and West 181 The Better Part 182 The Divinity 183 ImmortalityLYRIC POEMS
Switzerland 1. Meeting 189 2. Parting 189 3. A Farewell 192 4. Isolation. To Marguerite 195 5. To Marguerite—Continued 197 6. Absence 198 7. The Terrace at Berne 199 The Strayed Reveller 201 Fragment of an "Antigone" 211 Fragment of Chorus of a "Dejaneira" 214 Early Death and Fame 215 Philomela 216 Urania 217 Euphrosyne 218 Calais Sands 219 Faded Leaves 1. The River 221 2. Too Late 222 3. Separation 222 4. On the Rhine 223 5. Longing 224 Despondency 224 Self-Deception 225 Dover Beach 226 Growing Old 227 The Progress of Poesy 228 New Rome 229 Pis-Aller 230 The Last Word 230 The Lord's MessengersELEGIAC POEMS
The Scholar-Gipsy 273 Thyrsis 281 Memorial Verses 289 Stanzas in Memory of Edward Quillinan 292 Stanzas from Carnac 292 A Southern Night 294 Haworth Churchyard 299 Epilogue 303 Rugby Chapel 304 Heine's Grave 311 Stanzas From the Grande Chartreuse 318 Stanzas in Memory of the Author of "Obermann" 325 Obermann once more 332DRAMATIC POEMS
Merope, A TragedyLATER POEMS
Westminster Abbey 479 Geist's Grave 485 Poor Matthias 488 Kaiser Dead 495 Notes 501EARLY POEMS
SONNETS
QUIET WORK
One lesson which in every wind is blown,
One lesson of two duties kept at one
Though the loud world proclaim their enmity—
Of labour, that in lasting fruit outgrows
Far noisier schemes, accomplish'd in repose,
Too great for haste, too high for rivalry!
Man's fitful uproar mingling with his toil,
Still do thy sleepless ministers move on,
Still working, blaming still our vain turmoil,
Labourers that shall not fail, when man is gone.
TO A FRIEND
He much, the old man, who, clearest-soul'd of men,
Saw The Wide Prospect, and the Asian Fen,[1]
And Tmolus hill, and Smyrna bay, though blind.
That halting slave, who in Nicopolis
Taught Arrian, when Vespasian's brutal son
Clear'd Rome of what most shamed him. But be his
From first youth tested up to extreme old age,
Business could not make dull, nor passion wild;
The mellow glory of the Attic stage,
Singer of sweet Colonus, and its child.
SHAKESPEARE
We ask and ask—Thou smilest and art still,
Out-topping knowledge. For the loftiest hill,
Who to the stars uncrowns his majesty,
Making the heaven of heavens his dwelling-place,
Spares but the cloudy border of his base
To the foil'd searching of mortality;
Self-school'd, self-scann'd, self-honour'd, self-secure,
Didst tread on earth unguess'd at.—Better so!
All weakness which impairs, all griefs which bow,
Find their sole speech in that victorious brow.
WRITTEN IN EMERSON'S ESSAYS
That thou canst hear, and hearing, hold thy way!
A voice oracular hath peal'd to-day,
To-day a hero's banner is unfurl'd;
Man after man, the world smiled and pass'd by;
A smile of wistful incredulity
As though one spake of life unto the dead—
Of bitter knowledge. Yet the will is free;
Strong is the soul, and wise, and beautiful;
Gods are we, bards, saints, heroes, if we will!—
Dumb judges, answer, truth or mockery?
WRITTEN IN BUTLER'S SERMONS
Impulse and Reason, Freedom and Control—
So men, unravelling God's harmonious whole,
Rend in a thousand shreds this life of ours.
Spring the foundations of that shadowy throne
Where man's one
Centred in a majestic unity;
Linking their coral arms under the sea,
Or cluster'd peaks with plunging gulfs between
Whereo'er the chariot wheels of life are roll'd
In cloudy circles to eternity.
TO THE DUKE OF WELLINGTON
ON HEARING HIM MISPRAISED
Stand never idle, but go always round;
Not by their hands, who vex the patient ground,
Moved only; but by genius, in the strife
Urged; and to feed whose movement, spinning sand,
The feeble sons of pleasure set their hand;
And, in this vision of the general law,
Laborious, persevering, serious, firm—
For this, thy track, across the fretful foam
Call'd history, keeps a splendour; due to wit,
Which saw one clue to life, and follow'd it.
IN HARMONY WITH NATURE
TO A PREACHER
Who with such heat dost preach what were to thee,
When true, the last impossibility—
To be like Nature strong, like Nature cool!
And in that more lie all his hopes of good.
Nature is cruel, man is sick of blood;
Nature is stubborn, man would fain adore;
Nature forgives no debt, and fears no grave;
Man would be mild, and with safe conscience blest.
Nature and man can never be fast friends.
Fool, if thou canst not pass her, rest her slave!
TO GEORGE CRUIKSHANK
ON SEEING, IN THE COUNTRY, HIS PICTURE OF "THE BOTTLE"
From the rank life of towns this leaf! and flung
The prodigy of full-blown crime among
Valleys and men to middle fortune born,
Say, what shall calm us when such guests intrude
Like comets on the heavenly solitude?
Shall breathless glades, cheer'd by shy Dian's horn,
Breasts her own griefs; and, urged too fiercely, says:
"Why tremble? True, the nobleness of man
To pain, to death, the bent of his own days.
Know thou the worst! So much, not more, he can."
TO A REPUBLICAN FRIEND, 1848
Those virtues, prized and practised by too few,
But prized, but loved, but eminent in you,
Man's fundamental life; if to despise
Of comfortable moles, whom what they do
Teaches the limit of the just and true
(And for such doing they require not eyes);
Wherein earth's great ones are disquieted;
If thoughts, not idle, while before me flow
If these are yours, if this is what you are,
Then am I yours, and what you feel, I share.