POETRY.
BY THOMAS OLDHAM.
LONDON:
A. H. BAILEY AND CO., 83, CORNHILL;
ADAM AND CHARLES BLACK, EDINBURGH;
AND CUMMING AND CO., DUBLIN.
MDCCCXL.
H. MERRIDEW, PRINTER, COVENTRY.
PREFACE.
The writer of the following pages has been in the habit, for many years, of amusing himself with the composition of Poetry. Often has he been advised by his friends to publish; and at length, influenced by their persuasion, and feeling a sort of paternal fondness for the offspring of his own brain, he ventures to present this small volume to the notice of the Public.
It contains Poems of many different kinds, composed, of course, in as many varieties of style; and the author has exerted his best endeavours to render them worthy of approbation. The present times—he is well aware—are unfavourable for the publication of poetical works. The booksellers complain generally of the little demand for them. Nevertheless, it is very improbable that Poetry,—if excellent, (as it ought to be to deserve the name,) should ever be totally neglected. The seed of poetic taste is sown by the hand of Nature in the souls of all men; though in a small number only it is by culture brought to maturity.
The author has exalted ideas of Poetry, He deems it—decidedly—the first of the Fine Arts. It is the most intellectual,—the most comprehensive,—the most powerful,—the most delightful,—and, also,—hear it, Utilitarians!—the most useful. In remote antiquity, as is well known, it was chiefly instrumental in teaching and civilising the then-barbarous human race. To lure their wild minds into reflection, it invested truth and morality with the many-coloured garb of Fiction, and introduced them, through their delighted imagination, to their understanding and their heart; while, by the charm of harmonious numbers, it soothed their fierce and licentious passions into submission to the laws of social life. It was believed to have something divine in its nature, and was universally held in the highest veneration. From ancient times, even to this day, it has continued to be a favourite study with many of the most illustrious characters.
Finally,—and let this be for ever remembered, as conferring on it the highest honour! Poetry has been deemed worthy by the Sacred Writers to be made an instrument in the cause of Religion; and by its sublime descriptions it has assisted human imagination in forming grand, and awful conceptions of the Almighty Creator!
Park-Fields, Allesley, near Coventry,
22d January, 1840.
CONTENTS
Page The Muse's triumph 1 Elegy on the Death of Chatterton 5 Sylvia's Elegy on her dead Canary-bird 9 To Julia 13 Ditto 15 On seeing Mademoiselle ***** dance, &c. 17 Sonnet, on taking a favourite walk after recoveryfrom sickness 20 Sonnet, written on my Birth Day 22 Eclogue—Spring 23 Eclogue—Summer 33 Epistle to a Friend 43 To Delille 48 Ode written on the night of the illuminations for
Lord Howe's Victory on 1st June, 1793 51 Ode to Horror 57 Ode to Hope 62 Ode to the Duke of Wellington 66 Description of a Conflagration 80
supposed to be written by his Sister 134 Lines to an Infidel, &c. 136 Lines on hearing a Young Gentleman, &c. 138 Lines to a Pedantic Critic 140 Lines on Shakspeare 142 Lines on Milton 145 Anacreontic 147 Ditto 149 Ditto 152 Song 157 Ditto 158 Song to Bacchus 159 On seeing the Apollo Belvidere 162 Inscription for ditto 162 Epitaph on Nelson 163 Ditto on Howard 164 Ditto on Voltaire 165 Ditto on Napoleon 166 Ditto on Lord Byron 168 Ditto on Sir Samuel Romilly 170 Ditto on Wilberforce 171 Epitaph 172 Translation from Anacreon 173 Epigrams 174 to 200
THE MUSE'S TRIUMPH.
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ELEGY
ON THE DEATH OF CHATTERTON.
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ELEGY,
(WRITTEN AT THE REQUEST OF A YOUNG LADY.)
SYLVIA ON HER DEAD CANARY-BIRD.
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TO JULIA.
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TO JULIA.
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ON SEEING MADEMOISELLE ***
DANCE AT THE OPERA IN PARIS.
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SONNET,
ON TAKING A FAVOURITE WALK, AFTER
RECOVERY FROM SICKNESS.
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SONNET,
WRITTEN ON MY BIRTH DAY.
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ECLOGUE.
SPRING.
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ECLOGUE.
SUMMER.
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EPISTLE
TO A FRIEND.
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TO DELILLE.
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ODE
WRITTEN ON THE NIGHT OF THE ILLUMINATIONS FOR
LORD HOWE'S VICTORY ON 1ST JUNE, 1793.
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