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Roumanian Stories, Translated from the Original Roumanian
اقرأ عينة مجانية

Roumanian Stories, Translated from the Original Roumanian

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صفحة 1

Roumanian Stories

Roumanian Stories

Translated from the
original Roumanian
By Lucy Byng
London John Lane, The Bodley Head
New York: John Lane Company. MCMXXI

William Clowes and Sons, Limited, London and Beccles, England.

To

Roumania’s Gracious Queen

This book is dedicated with
profound admiration and respect

Preface

By

H.M. The Queen of Roumania

Very little is known in England about Roumanian literature, which although not as rich as in many other countries, presents, nevertheless, features of real interest.

Like all people in touch with the East, even the peasants have a strain of poetry in their speech, their expression is picturesque and gentle, an almost fatalistic note of sadness rings through all the songs they sing.

Our poets have adapted themselves to this particular strain, and mostly it is the popular form that has been developed by our literary men both in prose and poetry.

Roumanian literature possesses eminent historians and critics. I am not, in these few lines, going to touch upon their activities; but strangely enough there are few writers of fiction amongst the Roumanians—great novel writers do not exist.

The Roumanian, above all, excels as poet and as a short-story writer. In this last art he is past-master, and it is therefore a great pleasure to me to encourage this book which Mrs. Schomberg Byng is sending out into the world at a moment when I am so anxious that my country should be better known and understood in England.

Each one of these short stories is a little work of art, and deeply characteristic of Roumanian popular life and thought; therefore I have no doubt that they will interest all those who care about literature.

I feel personally indebted to Mrs. Schomberg Byng to have thought of making this interesting feature of Roumanian literature known to the British public. I therefore, with all my heart, wish this little volume Good Luck.

Marie.

Jan., 1920.

Preface

By Professor S. Mehedintzi
Of Bucharest University and the Roumanian Academy

As regards poetry Roumanian literature had reached the European level by the nineteenth century. Eminescu may be placed by the

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side of Leopardi. The drama and the novel are still unrepresented by any works of the first rank; but the short story shows that Roumanian writing is constantly on the upward grade.

The following stories have been selected from many writers. The reader must judge each author for himself. It is impossible to settle their respective merits; that would presuppose an acquaintance with the whole of Roumanian literature. We may, however, be allowed to say a word or two about each writer.

Negruzzi is to Roumanian very much what Sir Walter Scott has been to English literature. After the lapse of nigh a century the historical novel is still identified with his name.

Creanga is a production exclusively Roumanian; a peasant who knew no foreign tongue, but whose mind was steeped in the fairy tales, proverbs, and wit of the people. He wrote with a humour and an originality of imagery which make his work almost impossible to translate into other languages.

Caragiale, our most noted dramatic author, is the antithesis of Creanga; a man of culture, literary and artistic in the highest sense of the word. The Easter Torch ranks him high among the great short-story writers.

Popovici-Banatzeanu—dead very young—and Bratescu-Voineshti are writers who more than any others give us the atmosphere of the English novel in which the ethical note predominates. Some of their pages have the poignancy of Dickens.

The same discreet note is struck by Slavici, born in Hungary, whose Popa Tanda is the personification of the Roumanian people subject for centuries to the injustice of an alien race, and driven to seek support in their own work only.

Delavrancea, a famous orator, is a romantic; while Sadoveanu, the most fertile prose writer among the younger men, possesses as novelist and story-teller a touch which makes him akin to Turgenev and Sienkiewicz.

Beza stands by himself. From the mountains of Macedonia he brings into the national literature the original note of the life of the shepherds in the Balkans. Constantly upon the road, among mountain tops and plains, always in fear of the foreigners among whom they pass, their life manifests a great spiritual concentration. Over Beza’s work there hover a mystery and a restraint which completely fascinate the reader. Though young, he possesses the qualities of the classical writers.

Translator’s Note

I wish to take this opportunity of thanking M. Beza for his most valuable assistance. Without his intimate knowledge of the two languages and his kindly and expert criticism these translations would never have seen the light.

Some well-known names, that of Diuliu Zamfirescu for instance, are absent from my list of authors; lack of time and difficulty in obtaining their works made their inclusion impossible.

Lucy Byng.

Contents

  •      Page
  • The Fairy of the Lake.     M. Sadoveanu      1
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href="@public@vhost@g@gutenberg@html@files@38991@[email protected]#ch2" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">The Easter Torch.     I. L. Caragiale      11
  • At Manjoala’s Inn.     I. L. Caragiale      35
  • Alexandru Lapushneanu, 1564–1569.     C. Negruzzi      51
  • Zidra.     M. Beza      85
  • Gardana.     M. Beza      93
  • The Dead Pool.     M. Beza      109
  • Old Nichifor, the Impostor.     I. Creanga      115
  • Cozma Racoare.     M. Sadoveanu      141
  • The Wanderers.     M. Sadoveanu      157
  • The Fledgeling.     I. Al. Bratescu-Voineshti      167
  • Popa Tanda.     I. Slavici      175
  • Out in the World.     Ion Popovici-Banatzeanu      207
  • The Bird of Ill Omen.     I. Al. Bratescu-Voineshti      261
  • Irinel.     B. Delavrancea      267