The Dog's Book
of Verse
Collected by
J. Earl Clauson
I never bit without a reason;
I ne'er insulted weaker brother,
Nor wronged by fraud or force another;'
Though brutes are placed a rank below,
Happy for man could he say so."
Boston
Small, Maynard & Company
Publishers
Copyright, 1916
By SMALL, MAYNARD & COMPANY
(INCORPORATED)
TO
THE MEMORY OF
JACK,
AN AIREDALE
PREFACE
Matthew Arnold, explaining why those were his most popular poems which dealt with his canine pets, Geist, Kaiser, and Max, said that while comparatively few loved poetry, nearly everyone loved dogs.
The literature of the Anglo-Saxon is rich in tributes to the dog, as becomes a race which beyond any other has understood and developed its four-footed companions. Canine heroes whose intelligence and faithfulness our prose writers have celebrated start to the memory in scores—Bill Sykes's white shadow, which refused to be separated from its master even by death; Rab, savagely devoted; the immortal Bob, "son of battle"—true souls all, with hardly a villain among them for artistic contrast. Even Red Wull, the killer, we admire for his courage and lealty.
Within these covers is a selection from a large body of dog verse. It is a selection made on the principle of human appeal. Dialect, and the poems of the earlier writers whose diction strikes oddly on our modern ears, have for the most part been omitted. The place of such classics as may be missed is filled by that vagrant verse which is often most truly the flower of inspiration.
CONTENTS
PART I
PUPPYHOOD
Whose dumbness finds a voice mighty to call,
In wordless pity, to the souls of all,
Whose lives I turn to profit, and whose mute
And constant friendship links the man and brute?"
THE DOG'S BOOK OF VERSE
WE MEET AT MORN
A patter coming nearer and more near,
And then upon my chamber door
A gentle tapping,
For dogs, though proud, are poor,
And if a tail will do to give command
Why use a hand?
And after that a cry, half sneeze, half yapping,
And next a scuffle on the passage floor,
And then I know the creature lies to watch
Until the noiseless maid will lift the latch.
And like a spring
That gains its power by being tightly stayed,
The impatient thing
Into the room
Its whole glad heart doth fling,
And ere the gloom
Melts into light, and window blinds are rolled,
I hear a bounce upon the bed,
I feel a creeping toward me—a soft head,
And on my face
A tender nose, and cold—
This is the way, you know, that dogs embrace—
And on my hand, like sun-warmed rose-leaves flung,
The least faint flicker of the warmest tongue
—And so my dog and I have met and sworn
Fresh love and fealty for another morn.
Hardwicke Drummond Rawnsley.
THE LOST PUPPY
What's up?
Your tail is down
And out of sight
Between your legs;
Why, that ain't right.
Little pup,
Brace up!
Look up!
Don't hang your head
And look so sad,
You're all mussed up,
But you ain't mad.
Little pup,
Cheer up!
Stir up!
Is that a string
Around your tail?
And was it fast
To a tin pail?
Little pup,
Git up.
Talk up.
Were those bad boys
All after you,
With sticks and stones,
And tin cans, too?
Little pup,
Speak up!
Stand up!
Let's look at you;
You'd be all right
If you was scrubbed
And shined up bright.
Little pup,
Jump up!
Bark up!
Let's hear your voice.
Say, you're a brick!
Now try to beg
And do a trick.
Little pup,
Sit up!
Chime up!
Why, you can sing—
Now come with me;
Let's wash and eat
And then we'll see,
Little pup,
What's up!
Henry Firth
A LAUGH IN CHURCH
The dear, wee woman of four;
Her feet, in their shiny slippers,
Hung dangling over the floor.
She meant to be good; she had promised,
And so with her big, brown eyes,
She stared at the meetinghouse windows
And counted the crawling flies.
But she thought of the honeybees
Droning away at the blossoms
That whitened the cherry trees.
She thought of a broken basket,
Where curled in a dusky heap,
Four sleek, round puppies, with fringy ears.
Lay snuggled and fast asleep.
Such queer little hearts to beat,
Such swift round tongues to kiss,
Such sprawling, cushiony feet;
She could feel in her clasping fingers
The touch of the satiny skin,
And a cold, wet nose exploring
The dimples under her chin.
Ran over the parted lips
So quick that she could not catch it
With her rosy finger-tips.
The people whispered "Bless the child,"
As each one waked from a nap,
But the dear, wee woman hid her face
For shame in her mother's lap.
Anonymous.
TREASURES
At Bud Hicks' house, you see.
You'd think Bud Hicks had somethin'
The way he talks to me!
He comes around a-braggin',
An' when he wouldn't quit
I said: "What good's a baby?
You can't hunt fleas on it."
How loud that kid could yell,
An' lots I can't remember,
He had so much to tell.
But I got tired o' hearin'
An' so I ast him, quick,
"If you wuz in a-swimmin'
Could it go get a stick?"
Bud thinks their baby's fine!
Huh! I'd a whole lot rather
Jest have a pup like mine.
I'll bet it's not bald-headed!
But if Bud doesn't fail
To let me hear it yellin',
I'll let him pull Spot's tail.
Anonymous.
THAT THERE LONG DOG
You'd ever want to see!
Browner 'an the brownest leaf
In the autumn tree.
Shortest little bow legs!
Jes' barely touch the floor—
And long—b'gosh, the longest dog
I ever seen afore!
For all 'at he's so queer,
Eyes so mighty solemn,
Askin' like an' clear,
And when he puts his paws up,
Head stuck on one side—
Jes' naturally love every hair
In his durn Dutch hide.
Alice Gill Ferguson.
MY FRIEND
Is my young and handsome friend;
Always jolly,
Full of fun,
Bright eyes gleaming
Like the sun—
Never see him blue or pouting
From the day's break to its end.
Makes no difference to him!
"Let's be gay, sir"—
He would say, sir—
"Won't have any
Other way, sir!"
Oh, he's never cross and crusted—
Light of heart and full of vim!
For a ramble far and wide—
Catch the breezes
Fresh and strong
Down the mountain
Swept along—
For we never mind the weather
When we two are side by side.
And I've caught his clear brown eye
Gazing at me,
Mute, appealing—
Telling something,
Yet concealing,
Yes, he'd like to talk! Well, try it—
"Bow, wow, wow," and that's his cry!
Anonymous.
TED
Seal-brown from tail to head.
His name I guess is Theodore,
But I just call him Ted.
I guess he's just a pup;
Pa says he won't be larger
When he is all grown up.
As good as he can be,
He don't seem like a little dog,
He's just like folks to
Ma opens up the bed;
Then I nestle down real cozy
And just make room for Ted
He doesn't fuss or bite,
Just nestles closely up to me
And lays there still all night.
My little Ted and me.
We're just good chums together,
And always hope to be.
Maxine Anna Buck.
LITTLE LOST PUP
For he never barked at a slinking cat,
But stood in the square where the wind blew raw,
With a drooping ear, and a trembling paw,
And a mournful look in his pleading eye,
And a plaintive sniff at the passer-by
That begged as plain as a tongue could sue,
"Oh, Mister, please may I follow you?"
A lorn, wee waif of a tawny brown
Adrift in the roar of a heedless town.
Oh, the saddest of sights in a world of sin
Is a little lost pup with his tail tucked in!
On my own red Bute, who is here no more)
So I whistled clear, and he trotted up,
And who so glad as that small lost pup?
And he fairly shouts when he hears my tread.
Then if things go wrong, as they sometimes do,
And the world is cold, and I'm feeling blue,
He asserts his right to assuage my woes
With a warm, red tongue and a nice, cold nose,
And a silky head on my arm or knee,
And a paw as soft as a paw can be.
He's as full of pranks as a school let out;
For he romps and frisks like a three-months colt,
And he runs me down like a thunder-bolt.
Oh, the blithest of sights in the world so fair
Is a gay little pup with his tail in air!
Anonymous.
MY BRINDLE BULL-TERRIER
With his little screw-tail and his wonderful eyes,
With his white little breast and his white little paws
Which, alas! he mistakes very often for claws;
With his sad little gait as he comes from the fight
When he feels that he hasn't done all that he might;
Oh, so fearless of man, yet afraid of a frog,
My near little, queer little, dear little dog!
He huddles and cuddles, though three summers old.
And forsaking the sunshine, endeavors to rove
With his cold little worriments under the stove!
Yet never despising a lump that is sweet,—
Sits close by my side with his head on my knee
And steals every good resolution from me!
How can I withhold from those worshipping eyes
A small bit of something that stealthily flies
Down under the table and into his mouth
As I tell my dear neighbor of life in the South.
So fearless of man, yet afraid of a frog!
The nearest and queerest and dearest of all
The race that is loving and winning and small;
The sweetest, most faithful, the truest and best
Dispenser of merriment, love and unrest!
Coletta Ryan.
LAUTH
As ever lapt a sheugh or dyke.
His honest, sawnsie, bawsint face
Aye gat him friends in ilka place.
His breast was white, his towsie back
Weel clad wi' coat o' glossy black.
His gawcie tail, wi' upward curl,
Hung ower his hurdies wi' a swurl.
Robert Burns.