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The Shores of the Adriatic
The Austrian Side, The Küstenlande, Istria, and Dalmatia
اقرأ عينة مجانية

The Shores of the Adriatic The Austrian Side, The Küstenlande, Istria, and Dalmatia

بقلم Jackson F Hamilton (Frederick Hamilton)

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THE SHORES OF THE ADRIATIC



THE AUSTRIAN SIDE

THE KÜSTENLANDE, ISTRIA, AND DALMATIA

By F. HAMILTON JACKSON, R.B.A.

Vice-President Of The Institute Of Decorative Designers Cantor Lecturer, Etc.

FULLY ILLUSTRATED WITH PLANS. DRAWINGS BY THE AUTHOR,
AND PHOTOGRAPHS TAKEN SPECIALLY FOR THIS WORK


LONDON JOHN MURRAY, ALBEMARLE STREET, W. 1908

PRINTED BY HAZELL, WATSON AND VINEY, LD., LONDON AND AYLESBURY.

HERZEGOVINIAN WOMEN AT A BAKER'S SHOP IN RAGUSA.
Frontispiece

PREFACE

This volume is complementary to that dealing with the Italian side of the Adriatic, and follows much the same lines. It has not been thought necessary to repeat what appeared there about the sea itself, but some further details on the subject have been added in an introductory chapter. The concluding chapter treats of the influence which the two coasts exerted on each other, and contains some hints as to certain archæological problems of great interest, which deserve fuller and more individual treatment than they can receive in such a work as the present.

In a country which still contains so much that is unfamiliar, so many mediæval survivals in customs and costume, and so much that is fine in scenery, architecture, and the decorative arts, the picturesque aspect of the country has been dwelt upon more than was the case in dealing with the Italian side, and the meticulous description of buildings has to a great extent been abandoned, except in cases where it was necessary for the full understanding of the deductions drawn from existing details. At the same time, matters of archæology have not been neglected, and the rich remains of mediæval goldsmiths' work have received special attention. The costume, the customs, and the folk-lore of the Morlacchi are also treated of in considerable detail.

The determination of the Croat majority to stamp out the Italian language by insisting upon instruction in the schools being given solely in Croat will, in the course of a generation, make Italian a foreign language understood by few; and it seems wise for those who desire to visit Dalmatia to do so soon, while it is still understood and before Italian culture is forgotten.

The present work does not pretend to in any way rival Mr. T.G. Jackson's classic volumes on the architecture of the country, in completeness of historical treatment or architectural detail. Though Sir Gardner Wilkinson had published a book on the country, and the brothers Adam's full description of Diocletian's Palace was well known to connoisseurs, he may be said to have practically discovered Dalmatia for the Englishman; and it is a proof of the excellence of his work that, though twenty years have elapsed since it was published, it has never been surpassed, and its value remains undiminished. To these volumes the author desires to acknowledge his indebtedness, as well as to the "Mittheilungen" of the Austrian Central Commission for the Conservation of Historical Monuments; the "Bullettino di Storia Dalmata," conducted by Mgr. Bulić at Spalato; the "Atti" of the Istrian "Società di Archeologia e Storia Patria," published at Parenzo; and the "Archeografo Triestino," published at Trieste, all chronicling discoveries as they were made, and containing articles giving interesting and reliable information upon the history and antiquities of the coast. In addition, the following works have been consulted:

Freeman's "Subject Lands of Venice"; Munro's "Rambles and Studies in Bosnia and Herzegovina"; Neale's "Travels in Dalmatia"; Villari's "Ragusa"; Benussi's "L'Istria"; Bianchi's "Zara Cristiana" and "Antichità Romane e mediævale di Zara"; Mgr. Bulić's "Guide to Spalato and Salona"; Caprin's "Il Trecento a Trieste," "Alpi Gulie," and "L'Istria noblissima"; Carrara's "La Dalmazia descritta"; Chiudina's "Le Castella di Spalato"; Fabianich's "La Dalmazia nè primi cinque secoli del Cristianesimo"; Fosco's "La Cathedrale di Sebenico"; Franceschi's "L'Istria"; Gelcich's "Memorie storiche delle Bocche di Cattaro" and "Dello Sviluppo civile di Ragusa"; Lago's "Memorie sulla Dalmazia"; Lucio's "History of Dalmatia and Traù"; Ludwig and Molmenti's "Vittore Carpaccio"; Mantegazza's "L'Altra Sponda"; Modrich's "La Dalmazia"; Pasini's "Il Tesoro di S. Marco in Venezia"; Cav. G.B. di Rossi's "La Capsella Argentea africana," &c., and the two series of "Bullettino di Archeologia Cristiana"; Sabalich's "Guida Archeologica di Zaza"; Tamaro's "Le Citta dell' Istria"; and volumes of the Zara "Annuario Dalmatico"; Bamberger's "Blaues Meer und Schwarze Berge"; Danilo's "Dalmatien"; "Die Monarchic in Wort und Bild"; Eitelberger von Edelberg's "Gesammelte Kunsthistorischen Schriften"; Hauser's "Spalato und die monumente Dalmatiens"; Heider's "Mittelaltliche Kunst denkmale des Œsterreichischen Kaiserstaates"; Passarge's "Dalmatien und Montenegro"; Petermann's "Führer durch Dalmatien"; Tomasin's "Die Volkstamme im Gebiete von Triest und in Istrien"; Von Warsberg's "Dalmatien"; and Count Lanckoronski's magnificent monograph of the Cathedral of Aquileia.

A small portion of the matter of this volume has appeared in The Builder and The Guardian, but has been revised and, to a great extent, rewritten. The author's thanks are due to the proprietors for permission to republish these articles. He desires to express his thanks also to the Austrian Government especially, and to the ecclesiastical authorities, for special facilities very kindly afforded him for prosecuting his studies; to the Central Commission, for the loan of clichés of most of the plans; to the directorate of the Archeografo Triestino, for permission to reproduce the plan of the cathedral, Trieste; to the Istrian Archæological Society, for the plan of the three cathedrals of Parenzo, and for permission, very courteously given by the president, Dr. Amoroso, to use anything published by them on the subject; to Mgr. Bulić, Sig. Maionica, Curator of the Museum, Aquileia, and to Sig. Puschi, of the Museum, Trieste, for much information kindly given by word of mouth; and to Mr. Palmer, Librarian of the Art Library, South Kensington, for calling his attention to several books which were exceedingly useful.

The photographs (as in the Italian volume) are from the excellent negatives of Mr. Cooper Ashton, the travelling companion of many foreign archæological expeditions.


CONTENTS

    PAGE   Preface
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href="@public@vhost@g@gutenberg@html@files@30548@[email protected]#Page_v" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">v   Lists of Illustrations and Plans xi-xv I. Introductory Chapter 1 II. The Races and their Customs 6 III. Aquileia 23 IV. Grado 41 V. Grado to Trieste 54 VI. Historical Sketch of Istria 69 VII. Muggia to Pirano 79 VIII. Umaco to Parenzo 104 IX. Parenzo 107 X. To Pola by Sea 127 XI. To Pola by Land 133 XII. Pola 143 XIII. Characteristics of the Istrian Coast 160 XIV. Fiume and Veglia 163 XV. Ossero and Cherso 180 XVI. Historical Sketch of Dalmatia 187 XVII. Arbe 192 XVIII. Zara 205 XIX. Sebenico 245 XX. Traù and the Riviera dei Sette Castelli 262 XXI. Spalato 292 XXII. The Southern Group of Islands 316 XXIII. Ragusa 333 XXIV. The Bocche di Cattaro 369 XXV. The Reciprocal Influences of the Two Shores 397   Index 409


ILLUSTRATIONS

I. FROM PHOTOGRAPHS

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Herzegovinian Women at a Baker's Shop in Ragusa Frontispiece Statue of Venus, Museum, Aquileia 36 Pulpit in the Cathedral, Grado 45 Shipping at Trieste: the Canal, with the Greek Church and Sant' Antonio 57 Pirano, from near the Cathedral 97 Marble Capital of the Sixth Century, Parenzo 113 High-altar, Parenzo, from the South Aisle 116 Wine-boats in the Fiumara Canal, Fiume 163 South Portion of Choir-screen, Cathedral, Veglia 173 The Harbour of Besca Nova 176 Chimneys at Besca Nova 178 Monstrance in Colleggiata, Ossero 184 Smergo Fishermen 186 Ascent to the Ramparts, Zara 205 Carving on Right Jamb of West Door, Cathedral, Traù 272 Interior of the Cathedral, Traù 276 Door of the "Atrio Rotondo", Palace of Diocletian, Spalato 294 Interior of the Cathedral, Spalato 296 Panel from Guvina's Doors of the Cathedral, Spalato 299 Stall-backs in Choir, Cathedral, Spalato 300 A Morlacco Family, between Salona and Clissa 314 Travelling at ease: among the Islands 329 Herzegovinian Charcoal Porter, Gravosa 334 Reliquary of the Head of S. Blaise, Cathedral Treasury, Ragusa 343 Cloister of the Dominican Convent, Ragusa 349 Lavabo in Sacristy of Franciscan Convent, Ragusa 353 Loggia of Rector's Palace, Ragusa 354 Capital from the Loggia, Rector's Palace, Ragusa 355 Æsculapius Capital, Rector's Palace, Ragusa 356 Fountain of Onofrio di La Cava, Ragusa 357 Reliquary of the Head of S. Trifone, Cattaro 384 Albanian Horse-dealers, Cattaro 388

II. FULL-PAGE LINE DRAWINGS

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class="centered"> Narthex of the Cathedral, Aquileia 35 A Corner in Grado 42 The Patriarch's Throne, Cathedral, Grado 46 Choir-screen and Ambo, Muggia Vecchia 81 The "Fontico" and S. Giacorno, Capodistria 90 The Piazza da Ponte, Capodistria 92 The Inner Harbour, Pirano 94 Opus Sectile in the Apse, Cathedral, Parenzo 114 The Atrium and Western Façade, Cathedral, Parenzo 119 View across the Nave, Cathedral, Parenzo 121 An Istrian Farm-house 133 Interior of the Basilica, San Lorenzo in Pasenatico 134 Entrance to the Castle, Pisino 137 An Angle of the Castle, San Vincenti 139 Arch of the Sergii, Pola 145 The Amphitheatre, Pola 146 West Doorway, S. Francesco, Pola 154 Interior of the Cathedral, Veglia 171 In the Harbour, Besca Nova 175 The Main Street, Besca Nova 177 Lussin Grande 181 West Door of the Colleggiata, Ossero 183 The Landing-place, Arbe 193 The Porta Marina, Zara 207 North Door of Western Façade, Cathedral, Zara 220 Apse of S. Crisogono, Zara 230 Entrance to the Town of Nona 239 Eastern End of Cathedral, Sebenico 248 Late Venetian-Gothic Doorway, Sebenico 253 South-east Portion of Choir, Cathedral, Sebenico 254 Belfry of Greek Church, Sebenico 257 The Porta Marina and Custom House, Traù 265 The Porta S. Giovanni, Traù 266
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A Decayed Palace, Traù 282 The Quay, Castel Vecchio 287 The Porta Aurea, Spalato 293 Italian Fruit and Vegetable Boats, Spalato 303 Cloister of S. Francesco, Spalato 305 Osteria at Salona 310 Basilica of the Christian Cemetery, Salona 312 Porta Pile, Ragusa 336 Torre Menze and Fort S. Lorenzo, Ragusa 337 La Sponza and Onofrio's Fountain, Ragusa 359 The Ruined Bastion, Castelnuovo, Bocche di Cattaro 373 Dobrota, Bocche di Cattaro 378 Ciborium of S. Trifone, Cattaro 383 S. Luka, Cattaro 385 The Scuola Nautica, Cattaro 386

III. LINE DRAWINGS IN TEXT

Knocker of the Rector's Palace, Ragusa On Title Antique Statue in the Museum, Aquileia 37 Figure of S. Giusto, Campanile of the Cathedral, Trieste 63 Arco di Riccardo, Trieste 65 West End of the Church, Muggia Vecchia 80 Knocker on Palazzo Tacco, Capodistria 91 Greek Benedictional Cross, Parenzo 117 Sarcophagus of S. Eufemia, Rovigno 130 Wayside Chapel outside San Vincenti 140 Stall on the Wine-quay, Fiume 164 Veglia, showing the Castle Towers 172 Reliquary of the Head of Sant Christopher 196 Arbe, from the Shore 203 Morlacco Girl, Zara 212 Going to Market, Zara 213 Altar of Sant' Anastasia, Zara 225 Reliquary of Sant' Orontius, Zara 226 Reliquary of the Clothes of Our Lord, S. Maria Nuova, Zara
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href="@public@vhost@g@gutenberg@html@files@30548@[email protected]#Page_234" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">234 Costume of Sebenico 257 Late Gothic Lintel at Traù 283 A Quaint Costume, Traù 286 Reliquaries and Chalice, Treasury, Spalato Cathedral 297 Morse in the Treasury, Spalato Cathedral 298 Porta Maggiore, Lesina 319 West Door of the Cathedral, Curzola 326 Head Reliquary in Cathedral, Ragusa 345 Reliquary of the Jaw of S. Stephen of Hungary 346 A Corner of the Walls, Cattaro 388 Montenegrins in the Market, Cattaro 392 Early Greek Ship, from Millingen's Vases Tailpiece

IV. PLANS AND SECTIONS

Plan of the Cathedral, Aquileia 28 Plan of the Cathedral, Trieste 60 Plan of Pulpit, Muggia Vecchia 82 Plan of the Three Basilicas, Parenzo 109 Plan of S. Maria Formosa, Pola 148 Plans of S. Donate, Zara 214 Plans and Section of S. Lorenzo, Zara Between pages 216-217 Plan of Foundations discovered on the Riva Nuova, Zara 218 Plan of the Cathedral, Zara 223 Plan of Cathedral Crypt, Zara 224 Plan of S. Nicolò, Nona 242 Plan and Sections, S. Barbara, Traù 268 Plan of the Cathedral, Traù 271 Plan of Cathedral and Campanile, Spalato 295 Plan of the Dominican Convent, Ragusa 348 Plan and Elevation of one Bay of Cloister, Dominican Convent, Ragusa 352 Plan of La Sponza, Ragusa 358 Plan of the Cathedral, Cattaro 381 Map of Istria and Dalmatia At end of book


I

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INTRODUCTORY CHAPTER

The two shores of the Adriatic are totally different in their natural characteristics; the western being almost islandless and destitute of harbours, while the eastern is fringed by an almost continuous chain of islands and possesses several magnificent harbours which communicate with the open sea by narrow channels easily fortified, the rocks rising precipitously from the water along the greater part of the coast, whereas on the Italian side there is an equally continuous strip of alluvial plain between the foothills and the sea.

The Adriatic was once bounded by a kind of ridge stretching from Monte Gargano to Albania. North of this line the depth is much less than in the Ionian Sea. When the surface of the earth sank, the Dalmatian islands were formed by the letting in of the sea. The depth near Parenzo is about 120 ft.; in the Quarnero, near Fiume, 195 ft.; between Cherso and Arbe, 335 ft.; and south-west of the island Zuri (some 24 miles from the mainland), about 700 ft. Depths as great as 335 ft. to 490 ft. are, however, not very common within nine miles of the mainland. In the Bocche di Cattaro the depth near the mouth is 165 ft., but half a mile west of the Punta d'Ostro, 335 ft. North of the line from Monte Gargano to Pelagosa, Cazza, and Curzola it is never as much as 780 ft.; south-east of this line the bottom sinks so much that between Cattaro and Brindisi it reaches a depth of over 5,000 ft. The tide is scarcely perceptible, and the currents are very slight. The land is still sinking, as is proved by the Roman sarcophagi found beneath the water at Vranjic and the submerged roads between Aquileia and Grado; while there are records of the destruction of ancient towns from sudden subsidences, as that of Cissa, near Rovigno. The subsidence has been calculated as about a yard in 1,000 years. Cluverius proves from Ptolemy that in antiquity the name Adriatic only applied to that part of the gulf which lay to the north of a line between Monte Gargano and Durazzo. A passage of Strabo, describing the people of Epirus, runs: "The Adriatic being ended, the Ionian commences, the first shore of which is in the neighbourhood of Epidamnus and Apollonia." When Venice conquered Durazzo the limits of the Adriatic were extended, and it was thenceforth called the Gulf of Venice. In 1859 the almost incredible fact is recorded that it was frozen for several days!

The Austrian provinces which lie along the coast are, commencing at the north, the Küstenlande, Istria, and Dalmatia. In the first the Julian Alps form a great boundary wall to the plain of the Isonzo, from which the ground rises between Monfalcone and Nabresina to the stony district of the Karst. The Istrian ranges are spurs from this lofty plateau, the chain culminating in Monte Maggiore, north-west of Fiume. All these heights belong to the Julian Alps. Beyond Fiume, southwards, there are three principal mountain chains, all of which have much the same formation of limestone, pale brownish or grey in colour, with fossils and streaks of other colours. The first is the Dinaric Alps or Velebits, a continuation of the Julian Alps. These separate Dalmatia from Bosnia as far as Imoschi, where they enter Herzegovina, finally joining the Montenegrin chain. The chain of the shore commences on the left bank of the Kerka and extends to the Narenta, which cuts it. It runs as far as Trebinje, beyond the river. The Montenegrin mountains, which are so impressive above the Bocche di Cattaro, joining with those of the Herzegovina, make the third chain. The islands and rocks in the sea appear to be submarine branches of the littoral chain; the strata lie in the same direction—in the North Dalmatian islands to the north-west, in the Southern to the west. On the peninsula of Sabbioncello they lie partly in one and partly in the other direction. The former connection between the islands and the mainland is proved by the remains of rhinoceros, horse, and stag in the diluvial bone breccias of Lesina, and the survival of the jackal in Giuppana, Curzola, and Sabbioncello. Geologists hold that the deeply cut bays of Sabbioncello and Gravosa, as well as of the Bocche di Cattaro, and the step-shaped sinkings of the northern and eastern limestone mountains towards the Adriatic basin are signs of the tearing away of the islands from the mainland, perhaps through the destruction of the permeable strata.

These generally show in their forms the craggy and stony character of the Dinaric Alps, rising perpendicularly from the water on the side of the prevailing wind, and without vegetation. On the other side are softer hills and plains with southern vegetation, the aromatic scents from which are carried by the breeze. There are about twenty large islands, some of which are over 30 miles long; but the number may be raised to a hundred by counting in the small ones. They are generally in groups or chains, though some are isolated. The water is generally deep up to the shore, so there are very few sandbanks.

The greater portion of the naked surface of the land is formed of limestone and dolomites, which are closely related: there are also, on the lower levels, grey or red sands, among which schistous loams of uniform colour predominate. These two formations stretch from one end of the province to the other in sloping beds. They are interrupted here and there by loam and schistous clay and horizontal beds of a kind of limestone: below these are lignites and chalky limestone, in which shells are found belonging to a later formation. The oldest formations are the volcanic mountains near Knin and on Lissa. Next follow the trias strata, as under the Velebits and westwards from Sinj, then the sandstone beds, the different eocene beds and alluvial strata, as in the plain of Dernis, north of the Vrana Lake, by Nona and Imoski. The principal characteristic of the Karst district (to which Dalmatia belongs geologically) is the way the water flows, sometimes above, sometimes under ground. Where the woods were cut down to supply the Romans and Venetians with material for constructing their fleets, and where natural afforestation has been stopped by the feeding of sheep and goats, the red earth has either been washed away by the rains or blown away by the winds, so that it is only in the hollows that cultivation can be carried on.

The bitter north wind, the Bora, is the curse of the district. In the island of Arbe it sometimes blows even in June and July, stripping the vineyards as if hundreds of men had been at work, and carrying the salt spray all over the island, to the great detriment of vegetation. It is sometimes strong enough to upset pedestrians, and it is said that if it were not for it, there would be neither winter nor cold in the Dalmatian littoral. On the heights winter begins in November and lasts till April, with heavy snowfalls; but on the coast spring begins in February, and winter only at the beginning of December. The summer, which commences in May, is usually rainless, with the heat tempered by sea-breezes, though at the end of August heavy rains commence, and in autumn the frequent changes of temperature are dangerous. The flora consists of nearly 2,500 species, described by Visiani in his "Flora Dalmatica." The aquatic flora contains nearly 700 varieties, many of the seaweeds being exclusively Dalmatian. Views on the coast of Ragusa, or at Castelnuovo, in the Bocche, resemble those of Sardinia and Sicily. On one side may be seen green meadows, fruit trees, flowing water, cornfields, beechwoods, &c.; on the other, olive groves, thickets of arbutus, hedge plants the height of a tree, myrtles, and bay; on the naked rock aloes grow and the opuntia; in gardens, dwarf and date-palms, unprotected cycas revoluta, and orange and lemon trees; and wide valleys are filled with lofty carob

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trees—so close are the boundaries between the flora of middle Europe and of the Mediterranean. Almonds flower in December, and peas and beans are often gathered at Christmas. At Cannosa the date-palm ripens its fruit, and flowers are always to be seen. The Euphorbia Dendroides grows as high as in Crete, and rosemary bushes are frequently up to the shoulder of a man. In August the Syrian hibiscus is violet-red and the scarlet-red arbutus fruit hangs till Christmas. On Monte Marjan, near Spalato, where Diocletian had his parks, the sheltered aspect creates a tropical climate. Wild aloes grow 6 ft. high, and in midwinter numbers of field flowers may be picked as if it were spring.

II

THE RACES AND THEIR CUSTOMS

The people of Istria and Dalmatia are a very mixed race, as might be expected from the history of the countries. On these shores and islands were Greek colonies and Roman municipia, which have left their trace in the names of places and families. Greek colonies were at Issa (Lissa), Pharia (Lesina), Epetium (Stobreč), Tragurium (Traù), Melita (Meleda), Corcyra (Curzola), Buta (Budua), and Ambrachia (Brazza), to name some of those which have survived as towns to the present day. Roman family names occur especially round Spalato, such as Lutia (Lucio), Cæpia (Cippico), Valeria (Valeri), Junia (Giunio), Coceia (Coceich), Marcia (Marce), Cassia (Cassio), Cælia (Celio), and Statilia (Statileo). Byzantine names testify to the rule of Byzantium, such as Paleologo, Lascaris, Andronico, Grisogono, Catacumano. In Istria there is a considerable admixture of German blood; on the rocks of Zara the Crusaders abandoned sick Frenchmen; whilst thither and to Spalato also came Ghibellines in exile. Franks, Croats, Bosniaks, Hungarians, Genoese, Neapolitans, and above all, Venetians have held sway over portions of the coast at different times. Families of Hungarian and Bosnian gentlemen established the free commune of Poglizza; exiles from Spain, Jews, for the most part driven out in 1492, established themselves at Spalato and Ragusa; Lombards descended upon the coasts and islands; and Venetians commenced to establish themselves in Dalmatia in the eleventh century, Istria coming even earlier more or less under their influence. In 1552, in the Council of Zara, out of seventeen noble families more than two-thirds were of Italian descent; and at Lesina the proportion was even greater. At Zara the Italians still preponderate, but the Slav element is in the majority in the greater part of Dalmatia, and even in the country parts of Istria. There are also many French, Hungarians, Bosniaks, Herzegovinians, Germans, Swiss, and gypsies, the Slav majority increasing towards the south.

In Istria the present inhabitants may be divided into Italians, Roumanians, and Slavs: to the last division belong the Morlacchi, the Tschitsches, Slovens, and Croats. The Italians are the most intelligent portion of the population, and are craftsmen, large occupiers of land, merchants, and sailors. They are the descendants of those who were subjects of Venice from the fourteenth century till the fall of the Republic. The Slovens were in Istria as early as the eighth century, and Paulus Diaconus mentions them as being near Cividale. Records exist of Croats raids in the tenth century, whilst further south there were two great immigrations—the first, in the seventh century, by the "Belocroats," called by Porphyrogenitus, Croats, from the banks of the Elbe, descendants of whom may to-day be found in the islands; and the second, in the fourteenth century, by the people of Rascia, who now inhabit much of the interior and are known as "Morlacchi," a name derived from the Slav "Mauro vlach," the black Wallachs.

According to Lucio, who refers to William of Tyre, all Dalmatians used the Roman language until 1200. After the Croats came down, the name of "Dalmatian," strictly speaking, belonged only to the cities of Zara, Traù, Spalato, and Ragusa, to the western islands of Dalmatia, and to Lissa and Lagosta—Eastern Dalmatia was a Servian province; Western, a Croatian. It is known that Slavs came in 1463 to Salvore, in 1526 to the district of Rovigno, in 1549 to the district of Cittanova, Montona, Parenzo, and Pola, in 1595 to Fontane, in 1624 and 1634 (the plague years) to Fillipano, 1647 to near Pola, and 1650 to Peroi, near Fasano. Those now there came from the Bocche and Montenegro, settled in 1658-1659 by Doge Giovanni Pesaro, after the great plague. The women still wear the ancient costume. The Slavs are most numerous between Dragogna and Trieste. Procopius gives an interesting description of them worth quoting: "The two nations of the Autars and the Slavs know no monarchical government; but from ancient times live freely in common fashion. They take all questions of great importance or difficulty to a common national council. The customs of the two nations are alike in everything else. These barbarians believe, by an article of faith transmitted from their ancestors, that, among many, there is one sole master of all things, whom they look upon as the author of the thunder; and to him they sacrifice bulls and other victims. They do not know what the goddess Fortune may be, nor believe that she has any influence on human affairs. When they feel themselves threatened by death, either by illness or wounds given in battle, they are told to promise a sacrifice to God if they escape the danger. Then, if they soon get about again, they fulfil the vow, firmly persuaded that by it they have recovered their health. They offer worship to woods, to nymphs, and other genii, immolating victims to them, and prophesying in the act. They live in rough huts far away from each other, and often change the situation. The greater part of them fight on foot, armed with shield and with darts, but without corslet. Some of them do not wear their ordinary clothes in battle, but draperies which scarcely reach to the thigh, and so they present themselves to the enemy. They all speak the same barbarous tongue, nor differ much in appearance, but are all tall and powerful. The colour of the flesh and the hair is neither vermilion nor brown, but reddish. They live a somewhat fatiguing life, somewhat neglected and uncultivated, like the Massagetae, and, like them, on sordid food. They are not cunning, nor evildoers, but follow the customs of the Huns in sacking and rapine. They possess vast lands and occupy the greater part of the further bank of the Danube." They have retained many characteristics of an earlier age, though not of the period of Procopius.

The men are tall and muscular, with strongly marked features. Their eyes are generally either grey or blue, the forehead broad and prominent, the teeth white and strong, the hair sometimes blonde, but ranging through all shades to black, and the countenance intelligent and expressive. The boys herd the flocks barefoot and half naked, so that their skin is always bronzed, and the men generally have bare breasts. Their sight and hearing are remarkably keen, and in Dalmatia they can make themselves heard from one hill to another, a feat which is partly owing to the quality of the air. Their excellent health enables them to support all kinds of hardships; they sleep out of doors (covering the head), except in winter, at which season they stay a good deal by the fire, though they may be seen in the city with icicles on their hairy chests. They have neither stoves, chimneys, nor glass in the windows. A case of a monk has been recorded, who, at the age of 105, made watches and read with the naked eye, ate and drank, walked and "wept" like a boy of twenty. The costume is distinctive and, with slight variations, is worn throughout Dalmatia. In Istria there

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are considerable differences both in colour and form. "The Morlacco in full dress has on his head the kapa, a cap of scarlet cloth, with black embroidery on the border and hanging fringe on one side; in some districts bordering on Bosnia a rich band of silk or coloured wools is twisted round it. Over the skirt of rough linen (the kosulja), open to show the breast, is the krozet, a waistcoat crossed on the breast with flat buttons of silver, or tin, and embroidery; it is bound to the sides with a girdle (pas) made of red strings. The trousers (benevrechi) are of a coarse blue cloth fitting to the legs and very tight at the calf, below which they are split up and fastened by sponje, copper or silver hooks. The stockings (nazubei) are of wool of various patterns. The shoes (opanci) have a sole of ox-leather and uppers of strips of dried sheeps' skin (opute); a longer oputa passes several times round the ankle and holds the shoe firm; it turns up at the toe and looks quite Oriental. Instead of the krozet, or over it, some wear the jacerma, a sleeveless red cloth jacket, covered in front with little discs of tin (siliki), or large balls of silver (toke), or by rows of coins. And over the pas they have the pasnjaca, a band of red leather covering part of the abdomen, with various divisions, in which they used to carry their rich arms, pistols, knives, &c., now filled with the pipe, pipe-cleaner, britva, a very small scimitar with a bone handle, and a small knife in a sheath. Finally, there is the koporan, a jacket with sleeves of blue cloth, with embroidery on the elbows and back; but few Morlacchi wear it.

"The women have a large handkerchief (jačmak) on their heads, embroidered on the borders; instead of the kosulja, or above it, they have the oplece—that is, the coverer of the shoulders; it is closed at the neck, embroidered on the breast, and on the ample sleeves also. Round the neck is the gerdan, several strings of glass beads of different colours; it is bound at the stomach by the litar, a long band of leather a couple of inches wide covered with little tin discs and very heavy. From the litar hang the britva and a lot of keys, by chains, which are sometimes costly. The gown (vustan) is of blue cloth, but in summer of linen, reaching to the middle of the calf. The apron (prejaca, or, in Venetian, travesa) is always a chef-d'œuvre of workmanship, which the Morlacca thinks a deal of. The footwear is composed of three parts: bicve, of blue cloth reaching up to the knee, tightly laced up with little hooks, and finishing at the ankle in a ring; over them the true stockings (nazubei) of rough wool, with patterns in vivid colours and opanci, or filare, like the men's. The girl does not have the litar; on her head is no jačmak, but a red cloth cap, sparkling with antique or modern coins of silver, and occasionally of gold. In some places the girl has on her bosom the gendar, several rows of coins which hang from the neck, sometimes below the stomach, tinkling at every step; this is her dowry, and sometimes worth as much as £50. When she is married she puts off the gendar and sparkling kapa. The men used to have a pigtail, of which they were very proud. The wife used to comb it twice a month, anoint it with butter, and tie up the end with ribbons and amulets. It was the only time when a Morlacco addressed his wife affectionately. In barracks and in prison the hair is cut, so the pigtail is rarely seen now. To complete the toilet the torba and torbak must be mentioned: the first of red wool, with embroidery, worn by both men and women on the back, laced round the shoulders; the second generally of skin, worn only by the men, and hanging crosswise by a broad band of leather on the left hip."

I have given this detailed description of the costume (quoted from Signor Modrich's "Dalmazia"), thinking it would be of interest; but descriptions of the costumes as they appear to the ordinary traveller will be found in the sections dealing with the various places on the coast.

The Dalmatians are very fond of music and are constantly singing. They have a proverb: "He who sings thinks not of evil." Tomaseo thought their folk-songs richer than those of any other nation, ranging as they do over all manner of subjects. They are generally heroical or amorous in character, divided into short verses and sung in two parts; the bass delivers a kind of recitative, and the baritone joins in, the long final note with which each finishes dying away in a full chord. It is extraordinary how serious the men are over it, even when singing over their wine, in which they sometimes exceed. At Traù one Sunday afternoon we saw a party of eight or ten sitting round a table in a café as serious as if at a funeral, with wine before them, and enjoying their melancholy music. On this occasion the alto part was flat, and the effect was not as good as it is out of doors. Later we came across more than one group of four, standing where two streets met, and singing without looking at each other. In the narrow ancient streets the notes sounded quite in character with the surroundings and with the quaint dresses of the singers. Modrich says that they use the svirala, a kind of bagpipe with two canes, one with four and the other with three holes, and suggests that the long-drawn terminating notes of the songs are in imitation of its sound; but we neither saw nor heard this instrument, all the singing being unaccompanied. The principal occupations of the people are agriculture, cattle-raising, and fishing, or sea-faring. They are exceedingly religious, devoted to church and priest, and observe the great festivals with feasting and rejoicing, and with ceremonies many of which are evidently survivals of heathen observances. The greatest festival is Christmas. In preparation all clothes are washed and mended, house and yard cleaned, and better and richer food than they usually have is provided. On the Eve they work hard; before sunrise house and yard are decked with bay or olive branches or some other evergreen, which they think protects from lightning. On this day the sun, which the ancient Slavs worshipped, woke from sleep, as one may say, and the days began to lengthen perceptibly.

The father of the sun was Perun, the thunder-god. To this god the oak was dedicated. In the folk-songs he is replaced by S. Elias, and to this day a great log of oak is placed on the fire on Christmas Eve, and kindled for the preparation of the evening meal. It burns all night and the whole of the following day, and in many places is kept smouldering for eight days. The customs observed are as follows. The head of the family bares his head and says: "Blessed be thou, O log; God preserve thee!" and sprinkles wine upon it crosswise. Then corn is thrown over it, and he invokes every blessing from heaven for the health of those belonging to the house, present or absent, for the success of domestic undertakings, and for the harvest, to which the others present reply "Amen," fire off guns in sign of joy, and say: "Welcome to the evening of the log." Then they sit down to table in the kitchen, even if other rooms are available, which suggests a survival of the practice of eating by the ancient family altar, the hearth. In the centre of the table are three candles twisted together in honour of the Trinity, lighted, and stuck into a great loaf ornamented with ivy. This loaf is afterwards broken up and given to the sheep and cows when bringing forth, or when sick. A little of every kind of food is thrown on to the burning log. If there are three logs (as in some places), the right-hand one must be the biggest—the Father,

صفحة 10
the Son to the left, and the Spirit in the middle, the aspersion being made in this order. Boccaccio, in the "Genealogy of the Gods," refers to a similar custom in his day in Florence, evidently the survival, or transmutation, of some heathen rite. After supper the hymn "Es wurde geboren der Himmels König von der unbefleckten Jungfrau Maria" is sung, and then the young people usually play Christmas games. Little houses are made of flour or bran, with a piece of money in one, which belongs to the person who selects that house. On Christmas Day they visit neighbours and relations, married daughters come with husband and children to the midday meal, bringing two loaves—one of finer quality for the mother, one of the usual kind as big as possible for the father. During the octave groups of young people (and sometimes of men also) go singing carols from house to house, and are rewarded with money and wine in return for wishing the donors a rich wine, olive, and fruit crop. On New Year's Day the three tapers of Christmas Eve are re-lighted. Before drinking at the meal the head of the house uses the following formula: "I wish you a good New Year; may you enjoy it in health and happiness, neither offend God, nor lose your soul, but have every tender joy and celestial glory." Then he drinks in undiluted wine three times, and blesses those present in the name of the Father, Son, and Spirit, and pours the remainder of the wine on the candles to extinguish them. If by chance one remains alight it is considered an augury of long life to the person in front of whom it stands. The holy water of the Vigil of the Epiphany, called "water of the Three Kings," and used by the priests to bless every dwelling, is preserved to sprinkle the fields and the sick also, and is thought to be specific against the temptations of the devil at the hour of death. It is said to remain uncorrupted for as long as twenty-five years. Children go about on New Year's Day with a branch of rosemary stuck in an apple in which are kreuzer or ten-kreuzer pieces, wishing good fortune and collecting gifts. In Trieste and some of the Istrian towns, girls and boys go about throughout the octave of Epiphany with little lanterns, kneel on the steps of the houses, sing a song in honour of the three Holy Kings, and then, knocking, ask for money. The song tells how Christ was born poor, lived poor, and died on the Cross, and then goes on to wish friendly donors as many angels to take them to heaven as a sieve has holes; for the hard-hearted as many devils to take them as nails stuck in the door! In some neighbourhoods children are taken into the vineyards on Innocents' Day, when they strike the vines with switches and sing: "Bear, bear fruit, pretty vine, else will I cut thy head off."

Great preparations are made for Easter, when young lambs and turkeys are slain, which the folk-songs tell us used to be offered to the sun-god. Roasted lamb, cooked eggs, cheese, and bread and salt are carried early to the church to be blessed by the priest. When the bearers return, the table is blessed by the head of the family, and God thanked for the well-completed Lenten fast, after which they sit cheerfully down to their meal, burning all fragments left, since the food has been blessed, and taking care not to let anything fall to the ground. In Lent, and during other fasts, they eat neither flesh nor eggs, nor any kind of milk food. They have a saying that it is less culpable to kill a person in vendetta than to eat rich food in Lent. S. John the Baptist's Day is one of their principal feasts. On the Eve the shepherds light fires on all the hills. On the morning they swim for the first time in the year, or wash from head to foot, and also wash all their animals. The girls and boys make garlands of flowers and broom, set them on their heads, and dance "with devotional joy." This is no doubt part of the ancient heathen festival of midsummer. Another festival which has nothing to do with the Church is the "Fasching" or "Pust," on Monday during Carnival. Groups of masked male dancers go through the villages with horns on their heads, or with bells at their girdles weighing several pounds, in one hand a strong stick, in the other a bag of ashes. They dance, jest, fight with other bands, and throw ashes over the women and children who run away. One of them generally carries a clothed figure like a man—the "Pust"—which next day, or on Ash Wednesday, is burnt or buried. This is a relic of the heathen custom of destroying Morana or Mora, the goddess of night, of darkness, winter, and death, who, the country-folk say, sits on men at night and drinks their blood, and of Mrak (twilight), her helper, who brings little children to her by twilight. The priest, who used to be an oracle to his flock, was asked first to every festivity, and consulted in every difficulty. "The priest says so" put an end to all questioning. With their religious feeling, superstition goes hand in hand. They believe in vampires, nightmares, witches, and "Vilen." The vampire is an evil spirit which appears by night to frighten men, in the guise of a lately dead man or woman "who had not lived piously." It is a human skin filled with blood, covered with a shroud, and shows itself at crossways and on bridges, in caves and graveyards, but also rattles window-shutters and throws down tiles from the roof. It is not safe to call to it; if it reaches out to any one three times that is taken as a sign that it is a good spirit from purgatory asking for help. For protection a thorn-stick is carried, with which the vampire is thrust through. The "Alp" (the nightmare) is an evil old maid who sits on the back or breast of sleepers, holds their hands and feet, and stops their mouth so that they cannot cry for help; therefore they never sleep on the back, but on the right side, and keep near the bed an open bottle-gourd, of which the "Alp" or "Mora" is afraid. It generally wears a white dress and black bodice, with a white veil over loose hair. Witches only appear in bad weather, and hold their assemblies under walnut-trees or on certain hills. Excessive hail is supposed to be their work. They can be killed by firing with three grains of corn and the Paschal wax-candle at the lightning before the thunder sounds. If this can be done, the witch dies. "Vilen" are maidens with horses' hoofs. They are found in caves and collect in woods, at the sources of streams or springs. The name comes from the Slav "bijela," the white; they are not regarded as evil spirits. In the neighbourhood of Spalato they think that new-born children, if strong and handsome, are likely to be taken away by "Vilen," and therefore watch the infants most carefully till they are baptized. These maidens busy themselves with rope-making, spinning, and gold and silver embroidery, and have the power of changing stones and coal to gold and silver. In summer, when hail falls on the vineyards, peasants may still be seen to turn to the black clouds and throw up salt and shredded garlic. It is said that the devil can be seen if one stand at the church door in such weather with a priest, treading with the right foot upon the priest's right. He is like a great dragon spreading his claws and reaching to the upper clouds from the earth; but the priests never allow the trial, for fear the man should die of fright at the sight. This reminds one of the Chinese and Japanese storm-dragon.