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قراءة كتاب There's Pippins and Cheese to Come
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There's Pippins and Cheese to Come
salvation in it. You may remember the lamentable child somewhere in Dickens, who because of an abrupt and distressing accident, had a sandwich in its hand but no mouth to put it in. Or perhaps you recall the cook of the Nancy Bell and his grievous end. The poor fellow was stewed in his own stew-pot. It was the Elderly Naval Man, you recall—the two of them being the ship's sole survivors on the deserted island, and both of them lean with hunger—it was the Elderly Naval Man (the villain of the piece) who "ups with his heels, and smothers his squeals in the scum of the boiling broth."
And yet by looking on these torsos of the haberdasher, one is not brought to thoughts of sad mortality. Their joy is so exultant. And all the things that they hold dear—canes, gloves, silk hats, and the newer garments on which fashion makes its twaddle—are within reach of their armless sleeves. Had they fingers they would be smoothing themselves before the glass. Their unbodied heads, wherever they may be, are still smiling on the world, despite their divorcement. Their tongues are still ready with a jest, their lips still parted for the anchovy to come.
A few days since, as I was thinking—for so I am pleased to call my muddy stirrings—what manner of essay I might write and how best to sort and lay out the rummage, it happened pat to my needs that I received from a friend a book entitled "The Closet of Sir Kenelm Digby Knight Opened." Now, before it came I had got so far as to select a title. Indeed, I had written the title on seven different sheets of paper, each time in the hope that by the run of the words I might leap upon some further thought. Seven times I failed and in the end the sheets went into the waste basket, possibly to the confusion of Annie our cook, who may have mistaken them for a reiterated admonishment towards the governance of her kitchen—at the least, a hint of my desires and appetite for cheese and pippins.
"The Closet of Sir Kenelm Digby Opened" is a cook book. It is due you to know this at once, otherwise your thoughts—if your nature be vagrant—would drift towards family skeletons. Or maybe the domestic traits prevail and you would think of dress-clothes hanging in camphorated bags and a row of winter boots upon a shelf.
I am disqualified to pass upon the merits of a cook book, for the reason that I have little discrimination in food. It is not that I am totally indifferent to what lies on the platter. Indeed, I have more than a tribal aversion to pork in general, while, on the other hand, I quicken joyfully when noodles are interspersed with bacon. I have a tooth for sweets, too, although I hold it unmanly and deny it as I can. I am told also—although I resent it—that my eye lights up on the appearance of a tray of French pastry. I admit gladly, however, my love of onions, whether they come hissing from the skillet, or lie in their first tender whiteness. They are at their best when they are placed on bread and are eaten largely at midnight after society has done its worst.
A fine dinner is lost within me. A quail is but an inferior chicken—a poor relation outside the exclusive hennery. Terrapin sits low in my regard, even though it has wallowed in the most aristocratic marsh. Through such dinners I hack and saw my way without even gaining a memory of my progress. If asked the courses, I balk after the recital of the soup. Indeed, I am so forgetful of food, even when I dine at home, that I can well believe that Adam when he was questioned about the apple was in real confusion. He had or he had not. It was mixed with the pomegranate or the quince that Eve had sliced and cooked on the day before.
A dinner at its best is brought to a single focus. There is one dish to dominate the cloth, a single bulk to which all other dishes are subordinate. If there be turkey, it should mount from a central platter. Its protruding legs out-top the candles. All other foods are, as it were, privates in Caesar's army. They do no more than flank the pageant. Nor may the pantry hold too many secrets. Within reason, everything should be set out at once, or at least a gossip of its coming should run before. Otherwise, if the stew is savory, how shall one reserve a corner for the custard? One must partition himself justly—else, by an over-stowage at the end, he list and sink.
I am partial to picnics—the spreading of the cloth in the woods or beside a stream—although I am not avid for sandwiches unless hunger press me. Rather, let there be a skillet in the company and let a fire be started! Nor need a picnic consume the day. In summer it requires but the late afternoon, with such borrowing of the night as is necessary for the journey home. You leave the street car, clanking with your bundles like an itinerant tinman. You follow a stream, which on these lower stretches, it is sad to say, is already infected with the vices of the city. Like many a countryman who has come to town, it has fallen to dissipation. It shows the marks of the bottle. Further up, its course is cleaner. You cross it in the mud. Was it not Christian who fell into the bog because of the burden on his back? Then you climb a villainously long hill and pop out upon an open platform above the city.
The height commands a prospect to the west. Below is the smoke of a thousand suppers. Up from the city there comes the hum of life, now somewhat fallen with the traffic of the day—as though Nature already practiced the tune for sending her creatures off to sleep. You light a fire. The baskets disgorge their secrets. Ants and other leviathans think evidently that a circus has come or that bears are in the town. The chops and bacon achieve their appointed destiny. You throw the last bone across your shoulder. It slips and rattles to the river. The sun sets. Night like an ancient dame puts on her jewels:
And now that I have climbed and won this height,
I must tread downward through the sloping shade
And travel the bewildered tracks till night.
Yet for this hour I still may here be stayed
And see the gold air and the silver fade
And the last bird fly into the last light.
By these confessions you will see how unfit I am to comment on the old cook book of Sir Kenelm Digby. Yet it lies before me. It may have escaped your memory in the din of other things, that in the time when Oliver Cromwell still walked the earth, there lived in England a man by the name of Kenelm Digby, who was renowned in astrology and alchemy, piracy, wit, philosophy and fashion. It appears that wherever learning wagged its bulbous head, Sir Kenelm was of the company. It appears, also, that wherever the mahogany did most groan, wherever the possets were spiced most delicately to the nose, there too did Sir Kenelm bib and tuck himself. With profundity, as though he sucked wisdom from its lowest depth, he spouted forth on the transmutation of the baser metals or tossed you a phrase from Paracelsus. Or with long instructive finger he dissertated on the celestial universe. One would have thought that he had stood by on the making of it and that his judgment had prevailed in the larger problems. Yet he did not neglect his trencher.
And now as time went on, the richness of the food did somewhat dominate his person. The girth of his wisdom grew no less, but his body fattened. In a word, the good gentleman's palate came to vie with his intellect. Less often was he engaged upon some dark saying of Isidore of Seville. Rather, even if his favorite topic astrology were uppermost about the table, his eye travelled to the pantry on every change of dishes. His fingers, too, came to curl most delicately on his fork. He used it like an epicure, poking his viands apart for sharpest scrutiny. His nod upon a compote was much esteemed.
Now mark his further decline! On an occasion—surely the old rascal's head is