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قراءة كتاب The Mystery of the Boule Cabinet: A Detective Story
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The Mystery of the Boule Cabinet: A Detective Story
The Project Gutenberg EBook of The Mystery Of The Boule Cabinet by Burton Egbert Stevenson
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Title: The Mystery Of The Boule Cabinet A Detective Story
Author: Burton Egbert Stevenson
Release Date: November 12, 2003 [EBook #10067] [Date last updated: February 27, 2005]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE MYSTERY OF THE BOULE CABINET ***
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THE MYSTERY OF THE BOULE CABINET
A Detective Story
BY
BURTON E. STEVENSON
With Illustrations by THOMAS FOGARTY
1911
To
A.B.M.
Fellow-Sherlockian
CONTENTS
I A CONNOISSEUR'S VAGARY II THE FIRST TRAGEDY III THE WOUNDED HAND IV THE THUNDERBOLT V GRADY TAKES A HAND VI THE WOMAN IN THE CASE VII ROGERS GETS A SHOCK VIII PRECAUTIONS IX GUESSES AT THE RIDDLE X PREPARATIONS XI THE BURNING EYES XII GODFREY IS FRIGHTENED XIII A DISTINGUISHED CALLER XIV THE VEILED LADY XV THE SECRET OF THE UNKNOWN FRENCHMAN XVI PHILIP VANTINE'S CALLER XVII ENTER M. ARMAND XVIII I PART WITH THE BOULE CABINET XIX "LA MORT!" XX THE ESCAPE XXI GODFREY WEAVES A ROMANCE XXII "CROCHARD, L'INVINCIBLE!" XXIII WE MEET M. PIGOT XXIV THE SECRET OF THE CABINET XXV THE MICHAELOVITCH DIAMONDS XXVI THE FATE OF M. PIGOT XXVII THE LAST ACT OF THE DRAMA XXVIII CROCHARD WRITES AN EPILOGUE
ILLUSTRATIONS
CLUTCHING AT HIS THROAT, HE HALF-TURNED AND FELL
"I GRABBED HER AGAIN, AND JUST THEN MR. VANTINE OPENED THE DOOR AND CAME OUT INTO THE HALL."
"A MOMENT LATER M. FÉLIX ARMAND WAS SHOWN IN"
WITH HIS BACK TO THE DOOR, STOOD A MAN RIPPING SAVAGELY AWAY THE STRIPS OF BURLAP
CHAPTER I
A CONNOISSEUR'S VAGARY
"Hello!" I said, as I took down the receiver of my desk 'phone, in answer to the call.
"Mr. Vantine wishes to speak to you, sir," said the office-boy.
"All right," and I heard the snap of the connection.
"Is that you, Lester?" asked Philip Vantine's voice.
"Yes. So you're back again?"
"Got in yesterday. Can you come up to the house and lunch with me to-day?"
"I'll be glad to," I said, and meant it, for I liked Philip Vantine.
"I'll look for you, then, about one-thirty."
And that is how it happened that, an hour later, I was walking over toward Washington Square, just above which, on the Avenue, the old Vantine mansion stood. It was almost the last survival of the old régime; for the tide of business had long since overflowed from the neighbouring streets into the Avenue and swept its fashionable folk far uptown. Tall office and loft buildings had replaced the brownstone houses; only here and there did some old family hold on, like a sullen and desperate rear-guard defying the advancing enemy.
Philip Vantine was one of these. He had been born in the house where he still lived, and declared that he would die there. He had no one but himself to please in the matter, since he was unmarried and lived alone, and he mitigated the increasing roar and dust of the neighbourhood by long absences abroad. It was from one of these that he had just returned.
I may as well complete this pencil-sketch. Vantine was about fifty years of age, the possessor of a comfortable fortune, something of a connoisseur in art matters, a collector of old furniture, a little eccentric—though now that I have written the word, I find that I must qualify it, for his only eccentricity was that he persisted, in spite of many temptations, in remaining a bachelor. Marriageable women had long since ceased to consider him; mothers with maturing daughters dismissed him with a significant shake of the head. It was from them that he got the reputation of being an eccentric. But his reasons for remaining single in no way concerned his lawyers—a position which our firm had held for many years, and the active work of which had come gradually into my hands.
It was not very arduous work, consisting for the most part of the drawing of leases, the collecting of rents, the reinvestment of funds, and the adjustment of minor differences with tenants—all of which were left to our discretion. But occasionally it was necessary to consult our client on some matter of unusual importance, or to get his signature to some paper, and, at such times, I always enjoyed the talk which followed the completion of the business; for Vantine was a good talker, with a knowledge of men and of the world gained by much travel and by a detached, humourous and penetrating habit of mind.
He came forward to meet me, as I gave his man my hat and stick, and we shook hands heartily. I was glad to see him, and I think he was glad to see me. He was looking in excellent health, and brown from the voyage over.
"It's plain to see that the trip did you good," I said.
"Yes," he agreed; "I never felt more fit. But come along; we can talk at table. There's a little difficulty I want you to untangle for me." I followed him upstairs to his study, where a table laid for two had been placed near a low window.
"I had lunch served up here," Vantine explained, as we sat down, "because this is the only really pleasant room left in the house. If I didn't own that plot of ground next door, this place would be impossible. As it is, I can keep the sky-scrapers far enough away to get a little sunshine now and then. I've had to put in an air filter, too; and double windows in the bedrooms to keep out the noise; but I dare say I can manage to hang on."
"I can understand how you'd hate to move into a new house," I said.
Vantine made a grimace.
"I couldn't endure a new house. I'm used to this one—I can find my way about in it; I know where things are. I've grown up here, you know; and, as a man gets older, he values such associations more and more. Besides, a new house would mean new fittings, new furniture—"
He paused and glanced about the room. Every piece of furniture in it was the work of a master.
"I suppose you found some new things while you were away?" I said.
"You always do. Your luck's proverbial."
"Yes—and it's that I wanted to talk to you about, I brought back six or eight pieces; I'll show them to you presently. They are all pretty good, and one is a thing of beauty. It's more than that—it's an absolutely unique work of art. Only, unfortunately, it isn't mine."
"It isn't yours?"
"No; and I don't know whose it is. If I did, I'd go buy it. That's what I want you to do for me. It's a Boule cabinet—the most exquisite I ever saw."
"Where did it come from?" I questioned, more and