The Project Gutenberg eBook, The Works of Charles and Mary Lamb, Volume 2, by Charles Lamb, et al, Edited by E. V. Lucas

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Title: The Works of Charles and Mary Lamb, Volume 2

Author: Charles Lamb

Release Date: November 30, 2003 [eBook #10343]

Language: English

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THE WORKS OF CHARLES AND MARY LAMB, VOLUME 2

ELIA; and THE LAST ESSAYS OF ELIA

BY

CHARLES LAMB

EDITED BY

E.V. LUCAS

[Illustration]

WITH A FRONTISPIECE

INTRODUCTION

This volume contains the work by which Charles Lamb is best known and upon which his fame will rest—Elia and The Last Essays of Elia. Although one essay is as early as 1811, and one is perhaps as late as 1832, the book represents the period between 1820 and 1826, when Lamb was between forty-five and fifty-one. This was the richest period of his literary life.

The text of the present volume is that of the first edition of each book—Elia, 1823, and The Last Essays of Elia, 1833. The principal differences between the essays as they were printed in the London Magazine and elsewhere, and as they were revised for book form by their author, are shown in the Notes, which, it should be pointed out, are much fuller in my large edition. The three-part essay on "The Old Actors" (London Magazine, February, April, and October, 1822), from which Lamb prepared the three essays; "On Some of the Old Actors," "The Artificial Comedy of the Last Century," and "The Acting of Munden," is printed in the Appendix as it first appeared. The absence of the "Confessions of a Drunkard" from this volume is due to the fact that Lamb did not include it in the first edition of The Last Essays of Elia. It was inserted later, in place of "A Death-Bed," on account of objections that were raised to that essay by the family of Randal Norris. The story is told in the notes to "A Death-Bed." The "Confessions of a Drunkard" will be found in Vol. I.

In Mr. Bedford's design for the cover of this edition certain Elian symbolism will be found. The upper coat of arms is that of Christ's Hospital, where Lamb was at school; the lower is that of the Inner Temple, where he was born and spent many years. The figures at the bells are those which once stood out from the façade of St. Dunstan's Church in Fleet Street, and are now in Lord Londesborough's garden in Regent's Park. Lamb shed tears when they were removed. The tricksy sprite and the candles (brought by Betty) need no explanatory words of mine.

E.V.L.

CONTENTS

APPENDIX TEXT NOTE PAGE PAGE

The South-Sea House 1 342
Oxford in the Vacation 8 345
Christ's Hospital Five and Thirty Years Ago 14 350
The Two Races of Men 26 355
New Year's Eve 31 358
Mrs. Battle's Opinions on Whist 37 361
A Chapter on Ears 43 363
All Fools' Day 48 367
A Quaker's Meeting 51 367
The Old and the New Schoolmaster 56 369
Valentine's Day 63 370
Imperfect Sympathies 66 370
Witches, and other Night-Fears 74 372
My Relations 80 373
Mackery End, in Hertfordshire 86 375
Modern Gallantry 90 377
The Old Benchers of the Inner Temple 94 379
Grace Before Meat 104 384
My First Play 110 385
Dream-Children; A Reverie 115 388
Distant Correspondents 118 389
The Praise of Chimney-Sweepers 124 390
A Complaint of the Decay of Beggars in the Metropolis 130 392
A Dissertation upon Roast Pig 137 395
A Bachelor's Complaint of the Behaviour of Married
  People 144 397
On Some Old Actors 150 397
On the Artificial Comedy of the Last Century 161 399
On the Acting of Munden 168 400

THE LAST ESSAYS OF ELIA TEXT NOTE PAGE PAGE

Preface, by a Friend of the late Elia 171 402
Blakesmoor in H——shire 174 405
Poor Relations 178 408
Stage Illusion 185 408
To the Shade of Elliston 188 409
Ellistoniana 190 410
Detached Thoughts on Books and Reading 195 411
The Old Margate Hoy 201 415
The Convalescent 208 416
Sanity of True Genius 212 416
Captain Jackson 215 416
The Superannuated Man 219 417
The Genteel Style in Writing 226 420
Barbara S—— 230 421
The Tombs in the Abbey 235 423
Amicus Redivivus 237 424
Some Sonnets of Sir Philip Sydney 242 426
Newspapers Thirty-five Years Ago 249 428
Barrenness of the Imaginative Faculty in the
    Productions of Modern Art 256 433
Rejoicings upon the New Year's Coming of Age 266 436
The Wedding 271 436
The Child Angel: a Dream 276 437
A Death-Bed 279 437
Old China 281 438
Popular Fallacies—
    I. That a Bully is always a Coward 286 440
   II. That Ill-gotten Gain never Prospers 287 440
  III. That a Man must not Laugh at