man, called a heart.

In order to run no further risk of losing the mysterious liquid the skeptical Don Juan replaced it in the drawer of the little Gothic table. At this solemn moment he heard a tumult in the corridor. There were confused voices, stifled laughter, light footsteps, the rustle of silk, in short, the noise of a merry troop trying to collect itself in some sort of order. The door opened and the prince, the seven women, the friends of Don Juan and the singers, appeared, in the fantastic disorder of dancers overtaken by the morning, when the sun disputes the paling light of the candles. They came to offer the young heir the conventional condolences.

"Oh, oh, is poor Don Juan really taking this death seriously?" said the prince in la Brambilla's ear.

"Well, his father was a very good man," she replied.

Nevertheless, Don Juan's nocturnal meditations had printed so striking an expression upon his face that it commanded silence. The men stopped, motionless. The women, whose lips had been parched with wine, threw themselves on their knees and began to pray. Don Juan could not help shuddering as he saw this splendor, this joy, laughter, song, beauty, life personified, doing homage thus to Death. But in this adorable Italy religion and revelry were on such good terms that religion was a sort of debauch and debauch religion. The prince pressed Don Juan's hand affectionately, then all the figures having given expression to the same look, half-sympathy, half-indifference, the phantasmagoria disappeared, leaving the chamber empty. It was, indeed, a faithful image of life! Going down the stairs the prince said to la Rivabarella:

"Heigho! who would have thought Don Juan a mere boaster of impiety? He loved his father, after all!"

"Did you notice the black dog?" asked la Brambilla.

"He is immensely rich now," sighed Bianca Cavatolini.

"What is that to me?" cried the proud Veronese, she who had broken the comfit dish.

"What is that to you?" exclaimed the duke. "With his ducats he is as much a prince as I am!"

At first Don Juan, swayed by a thousand thoughts, wavered toward many different resolutions. After having ascertained the amount of the wealth amassed by his father, he returned in the evening to the death chamber, his soul puffed up with a horrible egoism. In the apartment he found all the servants of the household busied in collecting the ornaments for the bed of state on which "feu monseigneur" would lie to-morrow—a curious spectacle which all Ferrara would come to admire. Don Juan made a sign and the servants stopped at once, speechless and trembling.

"Leave me alone," he said in an altered voice, "and do not return until I go out again."

When the steps of the old servant, who was the last to leave, had died away on the stone flooring, Don Juan locked the door hastily, and, sure that he was alone, exclaimed:

"Now, let us try!"

The body of Bartholomeo lay on a long table. To hide the revolting spectacle of a corpse whose extreme decrepitude and thinness made it look like a skeleton, the embalmers had drawn a sheet over the body, which covered all but the head. This mummy-like figure was laid out in the middle of the room, and the linen, naturally clinging, outlined the form vaguely, but showing its stiff, bony thinness. The face already had large purple spots, which showed the urgency of completing the embalming. Despite the skepticism with which Don Juan was armed, he trembled as he uncorked the magic phial of crystal. When he stood close to the head he shook so that he was obliged to pause for a moment. But this young man had allowed himself to be corrupted by the customs of a dissolute court. An idea worthy of the Duke of Urbino came to him, and gave him a courage which was spurred on by lively curiosity. It seemed as if the demon had whispered the words which resounded in his heart: "Bathe an eye!" He took a piece of linen and, after having moistened it sparingly with the precious liquid, he passed it gently over the right eyelid of the corpse. The eye opened!

"Ah!" said Don Juan, gripping the flask in his hand as we clutch in our dreams the branch by which we are suspended over a precipice.

He saw an eye full of life, a child's eye in a death's head, the liquid eye of youth, in which the light trembled. Protected by beautiful black lashes, it scintillated like one of those solitary lights which travelers see in lonely places on winter evenings. It seemed as if the glowing eye would pierce Don Juan. It thought, accused, condemned, threatened, judged, spoke—it cried, it snapped at him! There was the most tender supplication, a royal anger, then the love of a young girl imploring mercy of her executioners. Finally, the awful look that a man casts upon his fellow-men on his way to the scaffold. So much life shone in this fragment of life that Don Juan recoiled in terror. He walked up and down the room, not daring to look at the eye, which stared back at him from the ceiling and from the hangings. The room was sown with points full of fire, of life, of intelligence. Everywhere gleamed eyes which shrieked at him.

"He might have lived a hundred years longer!" he cried involuntarily when, led in front of his father by some diabolical influence, he contemplated the luminous spark.

Suddenly the intelligent eye closed, and then opened again abruptly, as if assenting. If a voice had cried, "Yes," Don Juan could not have been more startled.

"What is to be done?" he thought

He had the courage to try to close this white eyelid, but his efforts were in vain.

"Shall I crush it out? Perhaps that would be parricide?" he asked himself.

"Yes," said the eye, by means of an ironical wink.

"Ah!" cried Don Juan, "there is sorcery in it!"

He approached the eye to crush it. A large tear rolled down the hollow cheek of the corpse and fell on Belvidéro's hand.

"It is scalding!" he cried, sitting down.

This struggle had exhausted him, as if, like Jacob, he had battled with an angel.

At last he arose, saying: "So long as there is no blood—"

Then, collecting all the courage needed for the cowardly act, he crushed out the eye, pressing it in with the linen without looking at it. A deep moan, startling and terrible, was heard. It was the poor spaniel, who died with a howl.

"Could he have been in the secret?" Don Juan wondered, surveying the faithful animal.

Don Juan was considered a dutiful son. He raised a monument of white marble over his father's tomb, and employed the most prominent artists of the time to carve the figures. He was not altogether at ease until the statue of his father, kneeling before Religion, imposed its enormous weight on the grave, in which he had buried the only regret that had ever touched his heart, and that only in moments of physical depression.

On making an inventory of the immense wealth amassed by the old Orientalist, Don Juan became avaricious. Had he not two human lives in which he should need money? His deep, searching gaze penetrated the principles of social life, and he understood the world all the better because he viewed it across a tomb. He analyzed men and things that he might have done at once with the past, represented by history, with the present, expressed by the law, and with the future revealed by religion. He took soul and matter, threw them into a crucible, and found nothing there, and from that time forth he became Don Juan.

Master of the illusions of life he threw himself—young and beautiful—into life; despising the world, but seizing the