purpose.

He subsided into his chair and smoked with half-closed eyes that yet saw everything.

But the shudder had established itself in his being, and, whether he would or not, it kept repeating itself. As a town, far up some inland river, feels the pressure of the distant sea, so he became aware that mighty forces from somewhere beyond his ken were urging themselves up against his soul in this smoky little room. He began to feel exceedingly ill at ease.

And as the music filled the air his mind began to clear. Like a lifted veil there rose up something that had hitherto obscured his vision. The words of the priest at the railway inn flashed across his brain unbidden: "You will find it different." And also, though why he could not tell, he saw mentally the strong, rather wonderful eyes of that other guest at the supper-table, the man who had overheard his conversation, and had later got into earnest talk with the priest. He took out his watch and stole a glance at it. Two hours had slipped by. It was already eleven o'clock.

Schliemann, meanwhile, utterly absorbed in his music, was playing a solemn measure. The piano sang marvellously. The power of a great conviction, the simplicity of great art, the vital spiritual message of a soul that had found itself—all this, and more, were in the chords, and yet somehow the music was what can only be described as impure—atrociously and diabolically impure. And the piece itself, although Harris did not recognise it as anything familiar, was surely the music of a Mass—huge, majestic, sombre? It stalked through the smoky room with slow power, like the passage of something that was mighty, yet profoundly intimate, and as it went there stirred into each and every face about him the signature of the enormous forces of which it was the audible symbol. The countenances round him turned sinister, but not idly, negatively sinister: they grew dark with purpose. He suddenly recalled the face of Bruder Kalkmann in the corridor earlier in the evening. The motives of their secret souls rose to the eyes, and mouths, and foreheads, and hung there for all to see like the black banners of an assembly of ill-starred and fallen creatures. Demons—was the horrible word that flashed through his brain like a sheet of fire.

When this sudden discovery leaped out upon him, for a moment he lost his self-control. Without waiting to think and weigh his extraordinary impression, he did a very foolish but a very natural thing. Feeling himself irresistibly driven by the sudden stress to some kind of action, he sprang to his feet—and screamed! To his own utter amazement he stood up and shrieked aloud!

But no one stirred. No one, apparently, took the slightest notice of his absurdly wild behaviour. It was almost as if no one but himself had heard the scream at all—as though the music had drowned it and swallowed it up—as though after all perhaps he had not really screamed as loudly as he imagined, or had not screamed at all.

Then, as he glanced at the motionless, dark faces before him, something of utter cold passed into his being, touching his very soul.... All emotion cooled suddenly, leaving him like a receding tide. He sat down again, ashamed, mortified, angry with himself for behaving like a fool and a boy. And the music, meanwhile, continued to issue from the white and snakelike fingers of Bruder Schliemann, as poisoned wine might issue from the weirdly fashioned necks of antique phials.

And, with the rest of them, Harris drank it in.

Forcing himself to believe that he had been the victim of some kind of illusory perception, he vigorously restrained his feelings. Then the music presently ceased, and every one applauded and began to talk at once, laughing, changing seats, complimenting the player, and behaving naturally and easily as though nothing out of the way had happened. The faces appeared normal once more. The Brothers crowded round their visitor, and he joined in their talk and even heard himself thanking the gifted musician.

But, at the same time, he found himself edging towards the door, nearer and nearer, changing his chair when possible, and joining the groups that stood closest to the way of escape.

"I must thank you all tausendmal for my little reception and the great pleasure—the very great honour you have done me," he began in decided tones at length, "but I fear I have trespassed far too long already on your hospitality. Moreover, I have some distance to walk to my inn."

A chorus of voices greeted his words. They would not hear of his going,—at least not without first partaking of refreshment. They produced pumpernickel from one cupboard, and rye-bread and sausage from another, and all began to talk again and eat. More coffee was made, fresh cigars lighted, and Bruder Meyer took out his violin and began to tune it softly.

"There is always a bed upstairs if Herr Harris will accept it," said one.

"And it is difficult to find the way out now, for all the doors are locked," laughed another loudly.

"Let us take our simple pleasures as they come," cried a third. "Bruder Harris will understand how we appreciate the honour of this last visit of his."

They made a dozen excuses. They all laughed, as though the politeness of their words was but formal, and veiled thinly—more and more thinly—a very different meaning.

"And the hour of midnight draws near," added Bruder Kalkmann with a charming smile, but in a voice that sounded to the Englishman like the grating of iron hinges.

Their German seemed to him more and more difficult to understand. He noted that they called him "Bruder" too, classing him as one of themselves.

And then suddenly he had a flash of keener perception, and realised with a creeping of his flesh that he had all along misinterpreted—grossly misinterpreted all they had been saying. They had talked about the beauty of the place, its isolation and remoteness from the world, its peculiar fitness for certain kinds of spiritual development and worship—yet hardly, he now grasped, in the sense in which he had taken the words. They had meant something different. Their spiritual powers, their desire for loneliness, their passion for worship, were not the powers, the solitude, or the worship that he meant and understood. He was playing a part in some horrible masquerade; he was among men who cloaked their lives with religion in order to follow their real purposes unseen of men.

What did it all mean? How had he blundered into so equivocal a situation? Had he blundered into it at all? Had he not rather been led into it, deliberately led? His thoughts grew dreadfully confused, and his confidence in himself began to fade. And why, he suddenly thought again, were they so impressed by the mere fact of his coming to revisit his old school? What was it they so admired and wondered at in his simple act? Why did they set such store upon his having the courage to come, to "give himself so freely," "unconditionally" as one of them had expressed it with such a mockery of exaggeration?

Fear stirred in his heart most horribly, and he found no answer to any of his questionings. Only one thing he now understood quite clearly: it was their purpose to keep him here. They did not intend that he should go. And from this moment he realised that they were sinister, formidable and, in some way he had yet to discover, inimical to himself, inimical to his life. And the phrase one of them had used a moment ago—"this last visit of his"—rose before his eyes in letters of flame.

Harris was not a man of action, and had never known in all the course of his career what it meant to be in a situation of real danger. He was not necessarily a coward, though, perhaps, a man of untried nerve. He realised at last plainly that he was in a very awkward predicament indeed, and that he had to deal with men who were utterly in earnest. What their intentions were he only vaguely guessed. His mind, indeed, was too confused for definite ratiocination, and he was