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قراءة كتاب The Moving Picture Boys at Panama; Or, Stirring Adventures Along the Great Canal

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‏اللغة: English
The Moving Picture Boys at Panama; Or, Stirring Adventures Along the Great Canal

The Moving Picture Boys at Panama; Or, Stirring Adventures Along the Great Canal

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دار النشر: Project Gutenberg
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at his ease. He was rapidly recovering, not only from the fright, but from the effects of the blow on the head which had caused the cut, and rendered him unconscious for a moment.

"It sure was a narrow squeak," declared Hank again. "I don't want any closer call. I couldn't move to save myself, I was so dumbfounded, and the carriage would have toppled down in another, second if you boys hadn't come along and hauled it back."

"We saw you pass Mr. Baker's house," explained Blake, "and we came after you on the motor cycle. Tried to get ahead of you, but the old machine laid down on us."

"But we got here in time," added Joe.

"You did indeed! I can not thank you enough," put in the Spaniard, as Joe and Blake both classed him. "You have saved my life, and some day I hope not only to repay the favor, but to show how grateful I am in other ways. I am a stranger in this part of your fine country, but I expect to be better acquainted soon. But where is our horse?" he asked quickly, not seeming to understand what had happened. "How are we to continue our journey?" and he looked at his driver.

"We're at the end of it now, in more ways than one," Hank answered, with a smile. "You're just where you wanted to go, though not in the style I calculated on taking you."

"But I do not comprehend, sir," said the Spaniard, in rather puzzled accents. "I have engaged you to take me to a certain place. There is an accident. We go through a fence with a resounding crash—Ah! I can hear that smash yet!" and he put his hands to his ears in a somewhat dramatic manner.

"Then everything is black. Our horse disappears, and—"

"He's down there, if you want to know where he disappeared to," broke in Hank, practically.

"It is no matter—if he is gone," went on the Spaniard. "But I do not comprehend—assimilate—no, comprehend—that is it. I do not comprehend what you mean when you say we are at our journey's end."

"I'll tell you," exclaimed Hank, as he glanced at Joe and Blake in a manner that caused them to wonder. "You said you wanted to find—"

"Pardon me—my card, gentlemen!" and the stranger extended a rectangle of white on which was engraved the name Vigues Alcando.

Blake took it, and, as he did so, from the pocket whence the Spaniard had extracted the card, there fell a letter. Joe picked it up, but, to his surprise it was addressed to himself and Blake jointly, and, in the upper left hand corner was the imprint of the Film Theatrical Company.

"Why—why," began Joe. "This is for us! Look, Blake!"

"For you! That letter for you?" cried Mr. Alcando. "Are you the moving picture boys?"

"That's what they call us," answered Joe. "This is Blake Stewart, and I'm his chum, Joe Duncan."

"Is it possible—is it possible!" cried Mr. Alcando. "And you have saved my life! Why—I—I—er—I—Oh! To think of this happening so! You are—you are—!" He put his hands to his head and seemed to sway.

"Look out! He's going to fall!" warned Blake, springing forward to catch the Spaniard.

 

 

 

 

CHAPTER IV

A DELAYED LETTER

But Mr. Alcando, to Americanize his name, did not faint. After reeling uncertainly for a moment, he obtained command of his muscles, straightened up, and stood rigid.

"I—I beg your pardons," he said, faintly, as though he had committed some blunder. "I—I fear I am not altogether myself."

"Shouldn't wonder but what you were a bit played out," put in Hank. "What we've just gone through with was enough to knock anyone out, to say nothing of the crack you got on the head. Maybe we'd better get a doctor?" and his voice framed a question, as he looked at Joe and Blake.

"No, no!" hastily exclaimed the Spaniard, for he was of that nationality, though born in South America, as the boys learned later.

"I do not require the services of a physician," went on Mr. Alcando, speaking rapidly. "I am perfectly all right now—or, I shall be in a few moments. If I had a drink of water—"

His voice trailed off feebly, and he looked about rather helplessly.

"There used to be a spring hereabouts," said Hank, "but I haven't been this way in some time, and—"

"I know where it is!" interrupted Blake. He and Joe, with a training that had made it necessary for them to "size up," and know intimately their surroundings, for use in taking moving pictures, had sensed the location of a bubbling spring of pure water along the road on their first visit to it. "It's right over here; I'll get some," Blake went on.

"If you will be so kind," spoke the Spaniard, and he extended a collapsible drinking cup.

Blake lost little time in filling it, and soon after drinking Mr. Alcando appeared much better.

"I am sorry to give all this trouble," the Spaniard went on, "but I have seemed to meet with considerable number of shocks to-day. First there was the runaway, which I certainly did not expect, and then came the sudden stop—a stop most fortunate for us, I take it," and he glanced, not without a shudder, in the direction of the gulch where the dead horse lay.

"And then you pulled us back from the brink—the brink of death," he went on, and his voice had in it a tone of awe, as well as thankfulness. "I can not thank you now—I shall not try," he went on. "But some time, I hope to prove—

"Oh, what am I saying!" he broke in upon himself. "I never dreamed of this. It is incomprehensible. That I should meet you so, you whom I—"

Once more his hands went to his head with a tragic gesture, and yet it did not seem that he was in physical pain. The cut on his head had stopped bleeding.

"It is too bad! Too bad! And yet fate would have it so!" he murmured after a pause. "But that it should turn in such a queer circle. Well, it is fate—I must accept!"

Joe and Blake looked at each other, Blake with slightly raised eyebrows, which might mean an implied question as to the man's sanity. Then the moving picture boys looked at Hank, who had driven them about on several excursions before they bought the motor cycle.

Hank, who stood a little behind the Spaniard, shrugged his shoulders, and tapped his head significantly.

"But I must again beg your pardon," said Mr. Alcando quickly. "I most certainly am not myself this day. But it is the surprise of meeting you whom I came to seek. Now, if you will pardon me," and he looked at the letter, addressed to Blake and Joe jointly—which epistle had been handed to him after it had been picked up from the ground.

"And were you really looking for us?" asked Joe, much puzzled.

"I was—for both of you young gentlemen. My friend the driver here can testify to that."

"That's right," said Hank. "This gentleman came in on the New York express, and went to our livery stable. He said he wanted to come out to Baker's farm and meet you boys.

"I happened to be the only one around at the time," Hank went on, "and as I knew the road, and knew you boys, I offered to bring him out. But I wish I'd had some other horse. I sure didn't count on Rex running away.

"And when I found I couldn't stop him, and knew we were headed for the broken bridge—well, I wanted to jump out, but I didn't dare. And I guess you felt the same way," he said to Mr. Alcando.

"Somewhat, I must confess," spoke the Spaniard, who, as I have said, used very good English, though with an odd accent, which I shall not attempt to reproduce.

"And then came the smash," went on Hank, "and I didn't expect, any more than he did, that you fellows would come to our rescue. But you did, and now, Mr. Alcando, you can deliver your letter."

"And these really are the young gentlemen whom I seek?" asked the Spaniard. "Pardon me, I do not in the least doubt your word," he added with a formal bow, "but it seems so strange."

"We are the moving picture boys," answered Blake with a smile,

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