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قراءة كتاب The Book-Bills of Narcissus An Account Rendered by Richard Le Gallienne

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The Book-Bills of Narcissus
An Account Rendered by Richard Le Gallienne

The Book-Bills of Narcissus An Account Rendered by Richard Le Gallienne

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دار النشر: Project Gutenberg
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corner at the far end of the shop, where his desk and arm-chair, tripod of that new philosophy, stood: so I turned to a neighbouring shelf to fill the time. At first I did not notice his visitor; but as, in taking down this book and that, I had come nearer to the talkers, I was struck with something familiar in the voice of the stranger. It came upon me like an old song, and looking up—why, of course, it was Narcissus!

The letter N does not make one of the initials on the Gladstone bag which he had with him on that occasion, and which, filled with books, lay open on the floor close by; nor does it appear on any of those tobacco-pouches, cigar-cases, or handkerchiefs with which men beloved of fair women are familiar. And Narcissus might, moreover, truthfully say that it has never appeared upon any manner of stamped paper coming under a certain notable Act.

To be less indulgent to a vice from which the Reader will, I fear, have too frequent occasion to suffer in these pages, and for which he may have a stronger term than digression, let me at once say that Narcissus is but the name Love knew him by, Love and the Reader; for that name by which he was known to the postman—and others—is no necessity here. How and why he came to be so named will appear soon enough.

Yes! it was the same old Narcissus, and he was wielding just the same old magic, I could see, as in our class-rooms and playgrounds five years before. What is it in him that made all men take him so on his own terms, made his talk hold one so, though it so often stumbled in the dark, and fell dumb on many a verbal cul-de-sac? Whatever it is, Samuel felt it, and, with that fine worshipful spirit of his—an attitude which always reminds me of the elders listening to the boy Jesus—was doing that homage for which no beauty or greatness ever appeals to him in vain. What an eye for soul has Samuel! How inevitably it pierces through all husks and excrescences to the central beauty! In that short talk he knew Narcissus through and through; three years or thirty years could add but little. But the talk was not ended yet; indeed, it seemed like so many of those Tithefields talks, as if in the 'eternal fitness of things' it never could, would, or should end. It was I at last who gave it pause, and—yes! indeed, it was he. We had, somehow, not met for quite three years, chums as we had been at school. He had left there for an office some time before I did, and, oddly enough, this was our first meeting since then. A purchaser for one of those aforesaid treatises on farriery just then coming in, dislodged us; so, bidding Samuel good-bye—he and Narcissus already arranging for 'a night'—we obeyed a mutual instinct, and presently found ourselves in the snuggery of a quaint tavern, which was often to figure hereafter in our sentimental history, though probably little in these particular chapters of it. The things 'seen done at "The Mermaid "' may some day be written in another place, where the Reader will know from the beginning what to expect, and not feel that he has been induced to buy a volume under false pretences.

 

 

 

 

CHAPTER III

IN WHICH NARCISSUS OPENS HIS 'GLADSTONE'

Though it was so long since we had met—is not three years indeed 'so long' in youth?—we had hardly to wait for our second glass to be again en rapport. Few men grow so rapidly as Narcissus did in those young days, but fewer still can look back on old enthusiasms and superannuated ideals with a tenderness so delicately considerate. Most men hasten to witness their present altitude by kicking away the old ladders on the first opportunity; like vulgar lovers, they seek to flatter to-day at the expense of yesterday. But Narcissus was of another fibre; he could as soon have insulted the memory of his first love.

So, before long, we had passed together into a sweet necropolis of dreams, whither, if the Reader care, I will soon take him by the hand. But just now I would have him concern himself with the afternoon of which I write, in that sad tense, the past present. Indeed, we did not ourselves tarry long among the shades, for we were young, and youth has little use for the preterite; its verbs are wont to have but two tenses. We soon came up to the surface in one, with eyes turned instinctively on the other.

Narcissus' bag seemed, somehow, a symbol; and I had caught sight of a binding or two as it lay open in Tithefields that made me curious to see it open again. He was only beginning to collect when we had parted at school, if 'collect' is not too sacred a word: beginning to buy more truly expresses that first glutting of the bookish hunger, which, like the natural appetite, never passes in some beyond the primary utilitarian stage of 'eating to live,' otherwise 'buying to read.' Three years, however, works miracles of refinement in any hunger that is at all capable of culture; and it was evident, when Narcissus did open his 'Gladstone,' that it had taken him by no means so long to attain that sublimation of taste which may be expressed as 'reading to buy.' Each volume had that air—of breeding, one might almost say—by which one can always know a genuine bouquin at a glance; an alluvial richness of bloom, coming upon one like an aromatic fragrance in so many old things, in old lawns, in old flowers, old wines, and many another delicious simile. One could not but feel that each had turned its golden brown, just as an apple reddens—as, indeed, it had.

I do not propose to solemnly enumerate and laboriously describe these good things, because I hardly think they would serve to distinguish Narcissus, except in respect of luck, from other bookmen in the first furor of bookish enthusiasm. They were such volumes as Mr. Pendennis ran up accounts for at Oxford. Narcissus had many other points in common with that gentleman. Such volumes as, morning after morning, sadden one's breakfast-table in that Tantalus menu, the catalogue. Black letter, early printed, first editions Elizabethan and Victorian, every poor fly ambered in large paper, etc. etc.; in short, he ran through the gamut of that craze which takes its turn in due time with marbles, peg-tops, beetles, and foreign stamps—with probably the two exceptions of Bewick, for whom he could never batter up an enthusiasm, and 'facetiae.' These latter needed too much camphor, he used to say.

His two most cherished possessions were a fine copy of the Stultitiae Laus, printed by Froben, which had once been given by William Burton, the historian, to his brother Robert, when the latter was a youngster of twenty; and a first edition of one of Walton's lives, 'a presentation copy from the author.' The former was rich with the autographs and marginalia of both brothers, and on the latter a friend of his has already hung a tale, which may or may not be known to the Reader. In the reverent handling of these treasures, two questions inevitably forced themselves upon me: where the d——l Narcissus, an apprentice, with an allowance that would hardly keep most of us in tobacco, had found the money for such indulgences; and how he could find in his heart to sell them again so soon. A sorrowful interjection, as he closed his bag, explained all:—

'Yes!' he sighed, 'they have cost me thirty pounds, and guess how much I have been offered for them?'

I suggested ten.

'Five,' groaned my poor friend. 'I tried several to get that. "H'm," says each one, indifferently turning the most precious in his hand, "this would hardly be any use to me; and this I might have to keep months before I could sell. That I could make you an offer for; what have you thought of for it?" With a great tugging at your heart, and well-nigh in tears, you name the absurdest minimum. You had given five; you halve it—surely you can get that! But "O no! I can give nothing like that figure. In that case it is no use to talk of it." In despair you cry, "Well, what will you

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