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قراءة كتاب The Atlantic Monthly, Volume 06, No. 36, October, 1860 A Magazine Of Literature, Art, And Politics

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‏اللغة: English
The Atlantic Monthly, Volume 06, No. 36, October, 1860
A Magazine Of Literature, Art, And Politics

The Atlantic Monthly, Volume 06, No. 36, October, 1860 A Magazine Of Literature, Art, And Politics

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دار النشر: Project Gutenberg
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pebbly bed, sometimes gleaming into the sunshine, sometimes hidden deep in verdure, and here and there eddying at the foot of high and precipitous cliffs. This beautiful estate of Ballochmyle is still held by the family of Alexanders, to whom Burns's song has given renown on cheaper terms than any other set of people ever attained it. How slight the tenure seems! A young lady happened to walk out, one summer afternoon, and crossed the path of a neighboring farmer, who celebrated the little incident in four or five warm, rude,—at least, not refined, though rather ambitious,—and somewhat ploughman-like verses. Burns has written hundreds of better things; but henceforth, for centuries, that maiden has free admittance into the dream-land of Beautiful Women, and she and all her race are famous! I should like to know the present head of the family, and ascertain what value, if any, they put upon the celebrity thus won.

We passed through Catrine, known hereabouts as "the clean village of Scotland." Certainly, as regards the point indicated, it has greatly the advantage of Mauchline, whither we now returned without seeing anything else worth writing about.

There was a rain-storm during the night, and, in the morning, the rusty, old, sloping street of Mauchline was glistening with wet, while frequent showers came spattering down. The intense heat of many days past was exchanged for a chilly atmosphere, much more suitable to a stranger's idea of what Scotch temperature ought to be. We found, after breakfast, that the first train northward had already gone by, and that we must wait till nearly two o'clock for the next. I merely ventured out once, during the forenoon, and took a brief walk through the village, in which I have left little to describe. Its chief business appears to be the manufacture of snuff-boxes. There are perhaps five or six shops, or more, including those licensed to sell only tea and tobacco; the best of them have the characteristics of village-stores in the United States, dealing in a small way with an extensive variety of articles. I peeped into the open gateway of the churchyard, and saw that the ground was absolutely stuffed with dead people, and the surface crowded with gravestones, both perpendicular and horizontal. All Burns's old Mauchline acquaintance are doubtless there, and the Armours among them, except Bonny Jean, who sleeps by her poet's side. The family is now extinct in Mauchline.

Arriving at the railway-station, we found a tall, elderly, comely gentleman walking to and fro and waiting for the train. He proved to be a Mr. Alexander,—it may fairly be presumed the Alexander of Ballochmyle, a blood-relation of the lovely lass. Wonderful efficacy of a poet's verse, that could shed a glory from Long Ago on this old gentleman's white hair! These Alexanders, by-the-by, are not an old family on the Ballochmyle estate; the father of the lass having made a fortune in trade, and established himself as the first landed proprietor of his name in these parts. The original family was named Whitefoord.

Our ride to Ayr presented nothing very remarkable; and, indeed, a cloudy and rainy day takes the varnish off the scenery, and causes a woful diminution in the beauty and impressiveness of everything we see. Much of our way lay along a flat, sandy level, in a southerly direction. We reached Ayr in the midst of hopeless rain, and drove to the King's Arms Hotel. In the intervals of showers I took peeps at the town, which appeared to have many modern or modern-fronted edifices; although there are likewise tall, gray, gabled, and quaint-looking houses in the by-streets, here and there, betokening an ancient place. The town lies on both sides of the Ayr, which is here broad and stately, and bordered with dwellings that look from their windows directly down into the passing tide.

I crossed the river by a modern and handsome stone bridge, and recrossed it, at no great distance, by a venerable structure of four gray arches, which must have bestridden the stream ever since the early days of Scottish history. These are the "Two Briggs of Ayr," whose midnight conversation was overheard by Burns, while other auditors were aware only of the rush and rumble of the wintry stream among the arches. The ancient bridge is steep and narrow, and paved like a street, and defended by a parapet of red freestone, except at the two ends, where some mean old shops allow scanty room for the pathway to creep between. Nothing else impressed me hereabouts, unless I mention, that, during the rain, the women and girls went about the streets of Ayr barefooted to save their shoes.

The next morning wore a lowering aspect, as if it felt itself destined to be one of many consecutive days of storm. After a good Scotch breakfast, however, of fresh herrings and eggs, we took a fly, and started at a little past ten for the banks of the Doon. On our way, at about two miles from Ayr, we drew up at a road-side cottage, on which was an inscription to the effect that Robert Burns was born within its walls. It is now a public-house; and, of course, we alighted and entered its little sitting-room, which, as we at present see it, is a neat apartment, with the modern improvement of a ceiling. The walls are much over-scribbled with names of visitors, and the wooden door of a cupboard in the wainscot, as well as all the other wood-work of the room, is cut and carved with initial letters. So, likewise, are two tables, which, having received a coat of varnish over the inscriptions, form really curious and interesting articles of furniture. I have never (though I do not personally adopt this mode of illustrating my humble name) felt inclined to ridicule the natural impulse of most people thus to record themselves at the shrines of poets and heroes.

On a panel, let into the wall in a corner of the room, is a portrait of Burns, copied from the original picture by Nasmyth. The floor of this apartment is of boards, which are probably a recent substitute for the ordinary flag-stones of a peasant's cottage. There is but one other room pertaining to the genuine birthplace of Robert Burns: it is the kitchen, into which we now went. It has a floor of flag-stones, even ruder than those of Shakspeare's house,—though, perhaps, not so strangely cracked and broken as the latter, over which the hoof of Satan himself might seem to have been trampling. A new window has been opened through the wall, towards the road; but on the opposite side is the little original window, of only four small panes, through which came the first daylight that shone upon the Scottish poet. At the side of the room, opposite the fireplace, is a recess, containing a bed, which can be hidden by curtains. In that humble nook, of all places in the world, Providence was pleased to deposit the germ of the richest human life which mankind then had within its circumference.

These two rooms, as I have said, make up the whole sum and substance of Burns's birthplace: for there were no chambers, nor even attics; and the thatched roof formed the only ceiling of kitchen and sitting-room, the height of which was that of the whole house. The cottage, however, is attached to another edifice of the same size and description, as these little habitations often are; and, moreover, a splendid addition has been made to it, since the poet's renown began to draw visitors to the way-side ale-house. The old woman of the house led us through an entry, and showed a vaulted hall, of no vast dimensions, to be sure, but marvellously large and splendid as compared with what might be anticipated from the outward aspect of the cottage. It contained a bust of Burns, and was hung round with pictures and engravings, principally illustrative of his life and poems. In this part of the house, too, there is a parlor, fragrant with tobacco-smoke; and, no doubt, many a noggin of whiskey is here quaffed to the memory of the bard, who professed to draw so much of his inspiration from that potent

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