could be seen the far-off phosphorescence of the city. He had not stirred from the seat where he had fallen stupified. This time he could no longer doubt, the catastrophe was coming, was upon them already. Madame Clerambault begged him to go to bed, but he would not listen to her. His thought was in ruins; he could distinguish nothing steady or constant, could not see any order, or follow an idea, for the walls of his inward dwelling had fallen in, and through the dust which rose, it was impossible to see what remained intact. He feared there was nothing left but a mass of suffering, at which he looked with dull eyes, unconscious of his falling tears. Maxime did not come home, carried away by the excitement at Paris.

Madame Clerambault had gone to bed, but about one o'clock she came and persuaded him to come up to their room, where he lay down; but when Pauline had fallen asleep—anxiety made her sleepy—he got up and went into the next room. He groaned, unable to breathe; his pain was so close and oppressive, that he had no room to draw his breath. With the prophetic hyper-sensitiveness of the artist, who often lives in tomorrow with more intensity than in the present moment, his agonised eyes and heart foresaw all that was to be. This inevitable war between the greatest nations of the world, seemed to him the failure of civilisation, the ruin of the most sacred hopes for human brotherhood. He was filled with horror at the vision of a maddened humanity, sacrificing its most precious treasures, strength, and genius, its highest virtues, to the bestial idol of war. It was to him a moral agony, a heart-rending communion with these unhappy millions. To what end? And of what use had been all the efforts of the ages? His heart seemed gripped by the void; he felt he could no longer live if his faith in the reason of men and their mutual love was destroyed, if he was forced to acknowledge that the Credo of his life and art rested on a mistake, that a dark pessimism was the answer to the riddle of the world.

He turned his eyes away in terror, he was afraid to look it in the face, this monster who was there, whose hot breath he felt upon him. Clerambault implored,—he did not know who or what—that this might not be, that it might not be. Anything rather than this should be true! But the devouring fact stood just behind the opening door…. Through the whole night he strove to close that door …

At last towards morning, an animal instinct began to wake, coming from he did not know where, which turned his despair towards the secret need of finding a definite and concrete cause, to fasten the blame on a man, or a group of men, and angrily hold them responsible for the misery of the world. It was as yet but a brief apparition, the first faint sign of a strange obscure, imperious soul, ready to break forth, the soul of the multitude … It began to take shape when Maxime came home, for after the night in the streets of Paris, he fairly sweated with it; his very clothes, the hairs of his head, were impregnated. Worn out, excited, he could not sit down; his only thought was to go back again. The decree of mobilisation was to come out that day, war was certain, it was necessary, beneficial; some things must be put an end to, the future of humanity was at stake, the freedom of the world was threatened. "They" had counted on Jaurès' murder to sow dissension and raise riots in the country they meant to attack, but the entire nation had risen to rally round its leaders, the sublime days of the great Revolution were re-born …Clerambault did not discuss these statements, he merely asked: "Do you think so? Are you quite sure?" It was a sort of hidden appeal. He wanted Maxime to state, to redouble his assertions. The news Maxime had brought added to the chaos, raised it to a climax, but at the same time it began to direct the distracted forces of his mind towards a fixed point, as the first bark of the shepherd's dog drives the sheep together.

Clerambault had but one wish left, to rejoin the flock, rub himself against the human animals, his brothers, feel with them, act with them…. Though exhausted by sleeplessness, he started, in spite of his wife, to take the train for Paris with Maxime. They had to wait a long time at the station, and also in the train, for the tracks were blocked, and the cars crowded; but in the common agitation Clerambault found calm. He questioned and listened, everybody fraternised, and not being sure yet what they thought, everyone felt that they thought alike. The same questions, the same trials menaced them, but each man was no longer alone to stand or fall, and the warmth of this contact was reassuring. Class distinctions were gone; no more workmen or gentlemen, no one looked at your clothes or your hands; they only looked at your eyes where they saw the same flame of life, wavering before the same impending death. All these people were so visibly strangers to the causes of the fatality, of this catastrophe, that their innocence led them like children to look elsewhere for the guilty. It comforted and quieted their conscience. Clerambault breathed more easily when he got to Paris. A stoical and virile melancholy had succeeded to the agony of the night. He was however only at the first stage.

The order for general mobilisation had just been affixed to the doors of the Mairies. People read and re-read them in silence, then went away without a word. After the anxious waiting of the preceding days, with crowds around the newspaper booths, people sitting on the sidewalk, watching for the news, and when the paper was issued gathering in groups to read it, this was certainty. It was also a relief. An obscure danger, that one feels approaching without knowing when or from where, makes you feverish, but when it is there you can take breath, look it in the face, and roll up your sleeves. There had been some hours of deep thought while Paris made ready and doubled up her fists. Then that which swelled in all hearts spread itself abroad, the houses were emptied and there rolled through the streets a human flood of which every drop sought to melt into another.

Clerambault fell into the midst and was swallowed up. All at once. He had scarcely left the station, or set his foot on the pavement. Nothing happened; there were no words or gestures, but the serene exaltation of the flood flowed into him. The people were as yet pure from violence; they knew and believed themselves innocent, and in these first hours when the war was virgin, millions of hearts burned with a solemn and sacred enthusiasm. Into this proud, calm intoxication there entered a feeling of the injustice done to them, a legitimate pride in their strength, in the sacrifices that they were ready to make, and pity for others, now parts of themselves, their brothers, their children, their loved ones. All were flesh of their flesh, closely drawn together in a superhuman embrace, conscious of the gigantic body formed by their union, and of the apparition above their heads of the phantom which incarnated this union, the Country. Half-beast, half-god, like the Egyptian Sphinx, or the Assyrian Bull; but then men saw only the shining eyes, the feet were hid. She was the divine monster in whom each of the living found himself multiplied, the devouring Immortality where those about to die wished to believe they would find life, super-life, crowned with glory. Her invisible presence flowed through the air like wine; each man brought something to the vintage, his basket, his bunch of grapes;—his ideas, passions, devotions, interests. There was many a nasty worm among the grapes, much filth under the trampling feet, but the wine was of rubies and set the heart aflame;—Clerambault gulped it down greedily.

Nevertheless he was not entirely metamorphosed, for his soul was not altered, it was only forgotten; as soon as he was alone he could hear it moaning, and for this reason he avoided solitude. He persisted in