قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 10, No. 283, November 17, 1827

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The Mirror of Literature, Amusement, and Instruction
Volume 10, No. 283, November 17, 1827

The Mirror of Literature, Amusement, and Instruction Volume 10, No. 283, November 17, 1827

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THE MIRROR
OF
LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL 10. No. 283.] SATURDAY, NOVEMBER 17, 1827. [PRICE 2d.

HADDON HALL.

The locomotive facility with which the aid of our graphic department enables us to transport our readers, (for we have already sent them to Sydney,) is somewhat singular, not to say ludicrous; and would baffle the wand of Trismegistus, or the cap of Fortunatus himself. Thus, during the last six weeks we have journeyed from the Palace at Stockholm (No. 277) to that of Buckingham, in St. James's Park, (278;) thence to Brambletye, in the wilds of Sussex, (279;) to Hamlet's Garden at Elsineur, (280;) then to the deserts of Africa, and Canterbury, (281;) in our last, (282,) we introduced our readers to the palatial splendour of the Regent's Park; and our present visit is to Haddon Hall, in Derbyshire, one of the palaces of olden time, whose stupendous towers present a strong contrast with the puny palace-building of later days, and the picturesque beauty of whose domain pleasingly alternates with the verdant pride of the Regent's Park.

Haddon is situate about one mile south-east of Bakewell, and is one of the most curious and perfect of the old castellated mansions of this country. It stands on a gentle hill, in the midst of thick woods overhanging the Wye, which winds along the valley at a great depth beneath. The house consists of two courts; in the centre building behind which is the great hall, with its butteries and cellars. Over the door of the great porch, leading to the hall, are two coats of arms cut in stone; the one is those of Vernon, the other of Fulco de Pembridge, lord of Tong, in Shropshire, whose daughter and heir married Sir Richard Vernon, and brought him a great estate. In one corner of the hall is a staircase, formed of large blocks of stone, leading to the gallery, about 110 feet in length and 17 in width, the floor of which is said to have been laid with boards cut out of one oak, which grew in the park. In different windows are the arms of England in the garter, surmounted with a crown; and those of Rutland impaling Vernon with its quarterings in the garter; and these of Shrewsbury. In the east window of the Chanel adjoining were portraits of many of the Vernon family, but a few years ago the heads were stolen from them. A date of Mi esimo ccccxxvii. is legible. In the north window the name Edwardus Vernon and his arms remain; and in a south window is Willmus Trussel. In the chapel also stands a Roman altar, dug up near Bakewell.

All the rooms (except the gallery) were hung with loose arras, a great part of which still remains; and the doors were concealed every where behind the hangings, so that the tapestry was to be lifted up to pass in or out. The doors being thus concealed, are of ill-fashioned workmanship; and wooden bolts, rude bars, &c. are their only fastenings. Indeed, most of the rooms are dark and uncomfortable; yet this place was for ages the seat of magnificence and hospitality. It was at length quitted by its owners, the Dukes of Rutland, for the more splendid castle of Belvoir, in Lincolnshire.

For many generations Haddon was the seat of the Vernons, of whom Sir George, the last heir male, who lived in the time of queen Elizabeth, gained the title of king of the Peak, by his generosity and noble manner of living. His second daughter and heir married John Manners, second son of the first Earl of Rutland, which title descended to their posterity in 1641. For upwards of one hundred years after the marriage, this was the principal residence of the family; and so lately as the time of the first Duke of Rutland, (so created by queen Anne,) seven score servants were maintained, and during twelve days after Christmas, the house was "kept open."

A few years before the death of Mrs. Radcliffe, the writer of "The Mysteries of Udolpho," and several other romances, a tourist, in noticing Haddon Hall, (and probably supposing that Mrs. R. had killed heroes enough in her time,) asserted that it was there that Mrs. R. acquired her taste for castle and romance, and proceeded to lament that she had, for many years, fallen into a state of insanity, and was under confinement in Derbyshire. Nor was the above traveller unsupported in her statement, and some sympathizing poet apostrophized Mrs. R. in an "Ode to Terror." But the fair romance-writer smiled at their pity, and had good sense enough to refrain from writing in the newspapers that she was not insane. The whole was a fiction, (no new trick for a fireside tourist,) for Mrs. Radcliffe had never seen Haddon Hall.

In the "Bijou" for 1828, an elegant annual, on the plan of the German pocket-books, (to which we are indebted for the present engraving,) are a few stanzas to Haddon Hall, which merit a place in a future number of the MIRROR.


POETICAL LOVE-LETTER.

(For the Mirror.)

The sweeper of New Haven College, in New England, lately becoming a widower, conceived a violent passion for the relict of his deceased Cambridge brother, which he expressed in the following strain:—

Mistress A—y.

To you I fly,

You only can relieve me;

To you I turn,

For you I burn,

If you will but believe me.

Then, gentle dame,

Admit my flame,

And grant me my petition:

If you deny,

Alas! I die

In pitiful condition.

Before the news

Of your poor spouse

Had reached our New Haven,

My dear wife died,

Who was my bride,

In anno eighty-seven.

Then being free,

Let's both agree

To join our hands—for I do

Boldly aver

A widower

Is fittest for a widow.

You may be sure

'Tis not your dow'r

I make this flowing version;

In those smooth lays

I only praise

The glories of your person.

For the whole that

Was left to Mat,

Fortune to me has granted

In equal store,

Nay, I have more.

What Mathew always wanted.

No teeth, 'tis true,

You have to shew;

The young think teeth inviting—

But, silly youths,

I love those mouths

Where there's no fear of biting.

A leaky eye,

That's never dry,

These woeful times is fitting;

A wrinkled face

Adds solemn grace

To folks devout at meeting.

A furrow'd brow,

Where corn might grow,

Such fertile soil is seen in't,

A long hook nose,

Though scorn'd by foes,

For spectacles convenient.

Thus to go on,

I could

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