قراءة كتاب Punch, or the London Charivari, Volume 156, Jan. 1, 1919

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Punch, or the London Charivari, Volume 156, Jan. 1, 1919

Punch, or the London Charivari, Volume 156, Jan. 1, 1919

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دار النشر: Project Gutenberg
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faithfully,

ADMINISTRATOR Q.M.A.A.C.


From a description of our infantry's arrival in Cologne:—

"Then came more Fusiliers, the Lancashire Fusiliers and the Royal Dublin Fusiliers, and after them battalions from all parts of the British Isles.... It was wonderfully thrilling to go from one bridge to the other, from skirl of pipes to the triumphant swing of 'John Peel,' and then to the 'Maple Leaf For Ever.'"

Times.

And what did the Dublins play? "Erin on the Rhine"?


THE 1919 MODEL.

THE 1919 MODEL.

MR. PUNCH. "THEY'VE GIVEN YOU A FINE NEW MACHINE, MR. PREMIER, AND YOU'VE GOT PLENTY OF SPIRIT; BUT LOOK OUT FOR BUMPS."


Enthusiastic Civilian.—"WELL, HOW ARE YOU ENJOYING YOURSELF, MATE?"

Mons Veteran.—"MIDDLIN'."

Enthusiastic Civilian.—"OH, YOU'VE GOT TO GET USED TO IT. OF COURSE AT FIRST IT SEEMS A BIT BRUTAL."


THE WATCH DOGS.

LXXIX.

My dear Charles,—Old Bowdler has been brooding again on that idea of a brief for the defence in the forthcoming trial of the ex-Kaiser. He rather fancies himself cross-examining with courtesy but firmness some Generalissimo or other, or reducing to tears by an eloquent speech a court packed with everybody who is anybody, and in both cases having the eyes of Europe upon him and the ears of America hanging on his next word. After all, barristers will be barristers and, when they are, your ordinary man is no match for 'em. It took another man of his own kind to knock the conceit out of the idea.

Lack of precedent was no difficulty to Bowdler's learned opponent. A ready imagination made up. To hear him talk you would think he had spent his life assisting at the trials of ex-Kaisers. He described the whole affair as if it had already taken place. Thus:—

The culprit, he assumed, is on bail, though not, of course, on his own recognizances. First, attention is called to the case by Counsel for the Prosecution rising early in the sitting and asking his Lordship if he might mention the case of WILLIAM HOHENZOLLERN, next on his Lordship's list.

"William who?" asks the Clerk of Assize.

"WILLIAM HOHENZOLLERN," answers counsel: "H-O-H-E-N-Z-O-double L-E-R-N."

A titter is heard at the idea of a man going about with a name like that. His Lordship, regarding it as a nuisance rather than a joke, threatens to have the court cleared. A juryman in waiting in the gallery seizes the opportunity to ask, if anyone is to be turned out, might it be himself.

Counsel goes on to mention the case. "A complicated case of false pretences, my Lord——," he begins. But his solicitor plucks at his gown and points out to him that he is confusing his briefs. Counsel apologises to the Court and asks leave to refresh his memory. In a passionate whisper to his solicitor he asks who is this Hohenzollern man, anyway, and why the devil does he want to be mentioned before his time? Enlightened, he explains to the Court that the accused has got some money together for a dock defence and would like an opportunity to instruct his counsel more fully.

His Lordship refuses a postponement; Hohen-what's-his-name should have thought of this before. His Lordship has every confidence in counsel's ability to pick up the facts as the case proceeds. If counsel's personal convenience is involved that is another matter. But as for Zohenhollern—["Hohenzollern, my Lord"]—he cannot expect particular treatment; and that will do, thank you.

The ushers start calling out for him to surrender to his bail: "Hohenzollern! Hhhohenzollern! Owen Zollern!" re-echoes throughout the building. "Zollern—O-N!" is heard faintly in the far distance. No one notices that a gentleman with a fierce moustache has already made his dramatic entry and is trying to push his way into the dock....

He is stood up with half-a-dozen other prisoners, so that one jury may be sworn for the lot. It is desired that each prisoner should be identified with his name as it is called. WILLIAM HOHENZOLLERN, whichever he may be, is asked to bold up his hand. An old man in corduroys, who wears a dirty handkerchief round his neck for collar and cravat, and is charged with feloniously stealing, taking and carrying away his forty-first pair of boots and is also a bit 'ard of 'earing, insists that he is the man. As nothing will persuade him that he is not, the Clerk of Assize leaves it to the warders to decide which of the two is which. After all it is a small point.

The case is called on and WILLIAM is left in sole possession of the dock. This is his moment, thinks he. With set features he stands forward and assumes the most important attitude possible.

"Are you WILLIAM HOHENZOLLERN?" asks the Clerk of Assize.

There is a pause. "I am," says he.

Everyone turns to have a look at him. Feeling that he is thoroughly impressing everyone WILLIAM fixes a commanding eye on the judge, compelling, as he supposes, his utmost attention.

"Let's adjourn for lunch," says the judge....

When at last the case gets to its hearing (so far as anything at all can be heard over the small talk in front of the dock and the shuffle of impatient feet behind it) a novel point arises. A witness refers to the War. "What war?" asks his Lordship. Counsel thinks he can explain, but WILLIAM isn't for letting him. "Will you keep silence?" says the Judge to WILLIAM. "You must call evidence to prove that there was a war," he says to counsel.

WILLIAM faints upon realising that Armageddon, his masterpiece, was such that judicial knowledge wasn't aware of it....

Witness after witness is called; barrister after barrister, in the bar beneath the dock rail, goes to sleep. WILLIAM, after shaking off the stupor caused by the awful disregard of his personality, begins to murmur incoherently. The warder taps him on the shoulder. WILLIAM, who has never even conceived of being tapped by anybody, bursts out with an exclamation. The worst thing which has ever happened to him in his life then happens. Bowdler, Bowdler of all the un-imperial and un-godlike people in this world, turns to WILLIAM to rebuke him in a stern whisper, telling him that he is doing himself no good and concluding his remarks with "My man"....

The trial proceeds, WILLIAM being speechless with rage. In his ears is ringing a Hymn of Hate—hate of everybody in the court, but particularly of Bowdler. Every time he can get his brain to work and his tongue to work with it, he leans forward to breathe some drastic utterance at his defending counsel. Bowdler remains detached. WILLIAM (late Kaiser) has to realise as a cold fact that here is a wretched mortal daring to sharpen a pencil while he is being addressed by the ALL-HIGHEST. The ALL-HIGHEST reaches over the dock rail to thump the wretched mortal's wretched head....

Bowdler rises deliberately. There is a hush. He is going to say something important. WILLIAM feels that at last the world is sane and duly attentive to him again. Bowdler submits that the state of mind of the accused person (accused person!) should be inquired into.

The judge very readily acquiesces; anything to get rid of the fellow. The prison doctor swears that he has never seen a lunatic if this isn't one. An assertive juryman, who

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