tag="{http://www.w3.org/1999/xhtml}a">"The world was a sea, billowing with mountains"

PROLOGUE

On a great ship a woman sailed away from the Old World, wishing to forget. In her mind was the thought of a far-off place toward which she was travelling. There were no figures in this mental picture. She painted it as a mere flowery background; for she was very tired of people.

In the New World, a man lived and worked, and dreamed—when he had time.

Between this woman and this man lay six thousand miles of land and sea. They were two, among many millions, and they did not know of each other's existence. There was no visible reason why they ever should know, or why they should ever meet. Yet, sometimes when the moon shone on the sea, the woman said to herself that the bright path paving the water with gold seemed to lead on and on beyond the horizon, as if it might go all the way to the Golden Gate. And the Golden Gate is the Port of Adventure, where every unexpected thing can happen.

"Nick thought her adorable in her gray motor bonnet"

I. IN A GARDEN

"I wonder what makes Nick so late?" Carmen Gaylor thought, hovering in the doorway between the dim, cool hall and the huge veranda that was like an out-of-doors drawing-room.

Though she spoke English well—almost as well as if she had not been born in Spain and made her greatest successes in the City of Mexico—Carmen thought in Spanish, for her heart was Spanish, and her beauty too.

She was always handsome, but she was beautiful as she came out into the sunset gold which seemed meant for her, as stage lights are turned on for the heroine of a play; and there was something about Carmen which suggested strong drama. Even the setting in which she framed herself was like an ideal scene for a first act.

The house was not very old, and not really Spanish, but it had been designed by an architect who knew Carmen, with the purpose of giving a Spanish effect. He had known exactly the sort of background to suit her, a background as expensive as picturesque; a millionaire husband had paid for it. There were many verandas and pergolas, but this immense out-of-doors room had wide archways instead of pillars, curtained with white and purple passion flowers; and the creamy stucco of the house-wall, and the ruddy Spanish tiles, which already looked mellow with age, were half hidden with climbing roses and grapevines.

Three shallow steps of pansy-coloured bricks went all the length of the gallery, descending to a terrace floored with the same brick, which held dim tints of purple, old rose, gray and yellow, almost like a faded Persian rug.

When Carmen had looked past the fountain across the lawn, down the path cut between pink oleanders, where the man she expected ought to appear, she trailed her white dress over terrace and grass to peer under the green roof of the bamboo forest. It was like a temple with tall pillars of priceless jade that supported a roof of the same gray-green, starred in a vague pattern with the jewels of sunset. Carmen did not see the beauty of the magic temple, though she was conscious of her own. She hated to think that Nick Hilliard should keep her waiting, and there was cruelty in the clutch she made at a cluster of orange blossoms as she passed a long row of trees in terra-cotta pots on the terrace. Under the bamboos she scattered a handful of creamy petals on the golden brown earth, and rubbed them into the ground with the point of her bronze shoe. Then she held up her hand to her face, to smell the sweetness crushed out of the blossoms.

Why didn't Nick come?

There was a short cut leading from the land which she had selected off her own immense ranch to sell to Nick Hilliard, and this way he sometimes took if he were in a hurry. But she knew that he loved the path between the pink walls of oleander, and preferred to come by it, though it was longer. He ought to have been with her at least ten minutes ago, for she had asked him to come early. She had said in the letter which she gave old Simeon Harp to take to Nick, "This is your last night. There are a great, great many things I want to talk to you about." But there was only one thing about which she wished Nick Hilliard to talk to her, and there were two reasons why she expected him to talk of it to-night.

One reason was, because he was going East, and planned to be gone a month, a dreadful plan which she feared and detested. The second reason concerned the anniversary of a certain event. Some people would have called the event a tragedy, but to Carmen it had made life worth living. Other people's tragedies were shadowy affairs to her, if she had not to suffer from them.

It was one of her pleasures to dress beautifully, in a style that might have seemed exaggerated on a different type of woman, and would have been extravagant for any except the mistress of a fortune. But never had Carmen taken more pains than to-night, when she expected only one guest. Her white chiffon and silver tissue might have been a wedding gown. She adored jewellery, and had been almost a slave to her love for it, until she began to value something else more—something which, unfortunately, her money could not buy, though she hoped and prayed her face might win it. She had quantities of diamonds, emeralds, and rubies—her favourite stones—but instinct had told her that even one would spoil the effect she wished to make to-night. She wore only a long rope of pearls, which would have suited a bride; and as she stood in the shadow of her bamboo temple, the pearls drank iridescent lights: green from the jade-coloured trees, pink from roses trailing over arbours, and gold from the California poppies thick among the grass.

Of course, any one of many reasonable things might have happened to delay Nick. He was busy, busier even than when he had been foreman of the Gaylor ranch a year ago, but Carmen could not bear to think that he would let mere reasonable things keep him away from her, just this night of all others. For exactly a year—a year to-day, a year this morning, so it was already more than a year—she had ceased to be a slave, and she had had everything she wanted, except one thing. Perhaps she had that too, yet she was not sure: and she could hardly wait to be sure. Nobody but Nick could make her so, and he ought to be in joyful haste to do it. He was not cold blooded. One could not look at Nick and think him that, yet to her he sometimes seemed indifferent. Carmen made herself believe that it was his respect which held him back. How desperately she wanted to know! Yet there was a strange pleasure in not knowing, such as she might never feel again, when she was sure.

Suddenly, far off, there was a rustling in the bamboo forest. A figure like a shadow, but darker than other shadows, moved in the distance. Carmen's heart jumped. She took a step forward, then stopped. It was not Nick Hilliard after all, but old Simeon Harp, the squirrel poisoner, coming from the direction of Nick's ranch, bringing her a message, maybe. She felt she could not possibly bear it if Nick were not coming, and she hated him at the bare thought that he might send an excuse at the last moment.

"What is it, Sim?" she called out sharply, as the queer, gnarled figure of the old man hobbled nearer.

"Nothing, my lady," Simeon Harp answered in the husky voice of one who is or has been a drunkard. "Nothing, only I was over at Nick's finishin' up a bit of my work, and he said, would I tell you he was sorry to be late. He's had somebody with him all afternoon, and no time to pack till just now. But he'll be along presently."

Harp was an