him; it rises within his soul, a well of joy unending.

Hence it is that the consciousness of this mystery, resolved into the form of art, expresses itself usually (or always) by symbols, by the part put for the whole. Now and then, as in the case of Dante, as it was with the great romance-cycle of the Holy Graal, we have a sense of completeness. With the vision of the Angelic Rose and the sentence concerning that Love which moves the sun and the other stars there is the shadow of a catholic survey of all things; and so in a less degree it is as we read of the translation of Galahad. Still, the Rose and the Graal are but symbols of the eternal verities, not those verities themselves in their essences; and in these later days when we have become clever—with the cleverness of the Performing Pig—it is a great thing to find the most obscure and broken indications of the things which really are. There is the true enchantment of true romance in the Don Quixote—for those who can understand—but it is delivered in the mode of parody and burlesque; and so it is with the extraordinary fantasy, "The Ghost-Ship," which gives its name to this collection of tales. Take this story to bits, as it were; analyse it; you will be astonished at its frantic absurdity: the ghostly galleon blown in by a great tempest to a turnip-patch in Fairfield, a little village lying near the Portsmouth Road about half-way between London and the sea; the farmer grumbling at the loss of so many turnips; the captain of the weird vessel acknowledging the justice of the claim and tossing a great gold brooch to the landlord by way of satisfying the debt; the deplorable fact that all the decent village ghosts learned to riot with Captain Bartholomew Roberts; the visit of the parson and his godly admonitions to the Captain on the evil work he was doing; mere craziness, you will say?

Yes; but the strange thing is that as, in spite of all jocose tricks and low-comedy misadventures, Don Quixote departs from us with a great light shining upon him; so this ghost-ship of Richard Middleton's, somehow or other, sails and anchors and re-sails in an unearthly glow; and Captain Bartholomew's rum that was like hot oil and honey and fire in the veins of the mortals who drank of it, has become for me one of the nobilium poculorum of story. And thus did the ship put forth from the village and sail away in a great tempest of wind—to what unimaginable seas of the spirit!

The wind that had been howling outside like an outrageous dog had all of a sudden turned as melodious as the carol-boys of a Christmas Eve.

We went to the door, and the wind burst it open so that the handle was driven clean into the plaster of the wall. But we didn't think much of that at the time; for over our heads, sailing very comfortably through the windy stars, was the ship that had passed the summer in landlord's field. Her portholes and her bay-window were blazing with lights, and there was a noise of singing and fiddling on her decks. "He's gone," shouted landlord above the storm, "and he's taken half the village with him!" I could only nod in answer, not having lungs like bellows of leather.

I declare I would not exchange this short, crazy, enchanting fantasy for a whole wilderness of seemly novels, proclaiming in decorous accents the undoubted truth that there are milestones on the Portsmouth Road.

Arthur Machen.

The Ghost-Ship

Fairfield is a little village lying near the Portsmouth Road about half-way between London and the sea. Strangers who find it by accident now and then, call it a pretty, old-fashioned place; we who live in it and call it home don't find anything very pretty about it, but we should be sorry to live anywhere else. Our minds have taken the shape of the inn and the church and the green, I suppose. At all events we never feel comfortable out of Fairfield.

Of course the Cockneys, with their vasty houses and noise-ridden streets, can call us rustics if they choose, but for all that Fairfield is a better place to live in than London. Doctor says that when he goes to London his mind is bruised with the weight of the houses, and he was a Cockney born. He had to live there himself when he was a little chap, but he knows better now. You gentlemen may laugh—perhaps some of you come from London way—but it seems to me that a witness like that is worth a gallon of arguments.

Dull? Well, you might find it dull, but I assure you that I've listened to all the London yarns you have spun tonight, and they're absolutely nothing to the things that happen at Fairfield. It's because of our way of thinking and minding our own business. If one of your Londoners were set down on the green of a Saturday night when the ghosts of the lads who died in the war keep tryst with the lasses who lie in the church-yard, he couldn't help being curious and interfering, and then the ghosts would go somewhere where it was quieter. But we just let them come and go and don't make any fuss, and in consequence Fairfield is the ghostiest place in all England. Why, I've seen a headless man sitting on the edge of the well in broad daylight, and the children playing about his feet as if he were their father. Take my word for it, spirits know when they are well off as much as human beings.

Still, I must admit that the thing I'm going to tell you about was queer even for our part of the world, where three packs of ghost-hounds hunt regularly during the season, and blacksmith's great-grandfather is busy all night shoeing the dead gentlemen's horses. Now that's a thing that wouldn't happen in London, because of their interfering ways, but blacksmith he lies up aloft and sleeps as quiet as a lamb. Once when he had a bad head he shouted down to them not to make so much noise, and in the morning he found an old guinea left on the anvil as an apology. He wears it on his watch-chain now. But I must get on with my story; if I start telling you about the queer happenings at Fairfield I'll never stop.

It all came of the great storm in the spring of '97, the year that we had two great storms. This was the first one, and I remember it very well, because I found in the morning that it had lifted the thatch of my pigsty into the widow's garden as clean as a boy's kite. When I looked over the hedge, widow—Tom Lamport's widow that was—was prodding for her nasturtiums with a daisy-grubber. After I had watched her for a little I went down to the "Fox and Grapes" to tell landlord what she had said to me. Landlord he laughed, being a married man and at ease with the sex. "Come to that," he said, "the tempest has blowed something into my field. A kind of a ship I think it would be."

I was surprised at that until he explained that it was only a ghost-ship and would do no hurt to the turnips. We argued that it had been blown up from the sea at Portsmouth, and then we talked of something else. There were two slates down at the parsonage and a big tree in Lumley's meadow. It was a rare storm.

I reckon the wind had blown our ghosts all over England. They were coming back for days afterwards with foundered horses and as footsore as possible, and they were so glad to get back to Fairfield that some of them walked up the street crying like little children. Squire said that his great-grandfather's great-grandfather hadn't looked so dead-beat since the battle of Naseby, and he's an educated man.

What with one thing and another, I should think it was a week before we got straight again, and then one afternoon I met the landlord on the green and he had a worried face. "I wish you'd come and have a look at that ship