real existence. And at that very moment, singularly enough, my eye caught sight of her moving past the window, going silently along the gravel path. I watched her, a sudden new sensation gripping me. "There goes a prisoner," my thought instantly ran, "one who wishes to escape, but cannot."

What brought the outlandish notion, heaven only knows. The house was of her own choice, she was twice an heiress, and the world lay open at her feet. Yet she stayed—unhappy, frightened, caught. All this flashed over me, and made a sharp impression even before I had time to dismiss it as absurd. But a moment later explanation offered itself, though it seemed as far-fetched as the original impression. My mind, being logical, was obliged to provide something, apparently. For Mrs. Franklyn, while dressed to go out, with thick walking-boots, a pointed stick, and a motor-cap tied on with a veil as for the windy lanes, was obviously content to go no farther than the little garden paths. The costume was a sham and a pretence. It was this, and her lithe, quick movements that suggested a caged creature—a creature tamed by fear and cruelty that cloaked themselves in kindness—pacing up and down, unable to realize why it got no farther, but always met the same bars in exactly the same place. The mind in her was barred.

I watched her go along the paths and down the steps from one terrace to another, until the laurels hid her altogether; and into this mere imagining of a moment came a hint of something slightly disagreeable, for which my mind, search as it would, found no explanation at all. I remembered then certain other little things. They dropped into the picture of their own accord. In a mind not deliberately hunting for clues, pieces of a puzzle sometimes come together in this way, bringing revelation, so that for a second there flashed across me, vanishing instantly again before I could consider it, a large, distressing thought. I can only describe vaguely as a Shadow.

Dark and ugly, oppressive certainly it might be described, with something torn and dreadful about the edges that suggested pain and strife and terror. The interior of a prison with two rows of occupied condemned cells, seen years ago in New York, sprang to memory after it— the connection between the two impossible to surmise even. But the "certain other little things" mentioned above were these: that Mrs. Franklyn, in last night's dinner talk, had always referred to "this house," but never called it "home"; and had emphasized unnecessarily, for a well-bred woman, our "great kindness" in coming down to stay so long with her. Another time, in answer to my futile compliment about the "stately rooms," she said quietly, "It is an enormous house for so small a party; but I stay here very little, and only till I get it straight again." The three of us were going up the great staircase to bed as this was said, and, not knowing quite her meaning, I dropped the subject. It edged delicate ground, I felt. Frances added no word of her own. It now occurred to me abruptly that "stay" was the word made use of, when "live" would have been more natural. How insignificant to recall! Yet why did they suggest themselves just at this moment …?

And, on going to Frances's room to make sure she was not nervous or lonely, I realized abruptly, that Mrs. Franklyn, of course, had talked with her in a confidential sense that I, as a mere visiting brother, could not share. Frances had told me nothing. I might easily have wormed it out of her, had I not felt that for us to discuss further our hostess and her house merely because we were under the roof together, was not quite nice or loyal.

"I'll call you, Bill, if I'm scared," she had laughed as we parted, my room being just across the big corridor from her own. I had fallen asleep, thinking what in the world was meant by "getting it straight again."

And now in my antechamber to the library, on the second morning, sitting among piles of foolscap and sheets of spotless blotting-paper, all useless to me, these slight hints came back and helped to frame the big, vague Shadow I have mentioned. Up to the neck in this Shadow, almost drowned, yet just treading water, stood the figure of my hostess in her walking costume. Frances and I seemed swimming to her aid. The Shadow was large enough to include both house and grounds, but farther than that I could not see…. Dismissing it, I fell to reading my purloined book again. Before I turned another page, however, another startling detail leaped out at me: the figure of Mrs. Franklyn in the Shadow was not living. It floated helplessly, like a doll or puppet that has no life in it. It was both pathetic and dreadful.

Any one who sits in reverie thus, of course, may see similar ridiculous pictures when the will no longer guides construction. The incongruities of dreams are thus explained. I merely record the picture as it came. That it remained by me for several days, just as vivid dreams do, is neither here nor there. I did not allow myself to dwell upon it. The curious thing, perhaps, is that from this moment I date my inclination, though not yet my desire, to leave. I purposely say "to leave."

I cannot quite remember when the word changed to that aggressive, frantic thing which is escape.

Chapter V

We were left delightfully to ourselves in this pretentious country mansion with the soul of a villa. Frances took up her painting again, and, the weather being propitious, spent hours out of doors, sketching flowers, trees and nooks of woodland, garden, even the house itself where bits of it peered suggestively across the orchards. Mrs. Franklyn seemed always busy about something or other, and never interfered with us except to propose motoring, tea in another part of the lawn, and so forth. She flitted everywhere, preoccupied, yet apparently doing nothing. The house engulfed her rather. No visitor called. For one thing, she was not supposed to be back from abroad yet; and for another, I think, the neighborhood—her husband's neighborhood—was puzzled by her sudden cessation from good works. Brigades and temperance societies did not ask to hold their meetings in the big hall, and the vicar arranged the school-treats in another's field without explanation. The full-length portrait in the dining room, and the presence of the housekeeper with the "burnt" back hair, indeed, were the only reminders of the man who once had lived here. Mrs. Marsh retained her place in silence, well-paid sinecure as it doubtless was, yet with no hint of that suppressed disapproval one might have expected from her. Indeed there was nothing positive to disapprove, since nothing "worldly" entered grounds or building. In her master's lifetime she had been another "brand snatched from the burning," and it had then been her custom to give vociferous "testimony" at the revival meetings where he adorned the platform and led in streams of prayer. I saw her sometimes on the stairs, hovering, wandering, half-watching and half-listening, and the idea came to me once that this woman somehow formed a link with the departed influence of her bigoted employer. She, alone among us, belonged to the house, and looked at home there. When I saw her talking —oh, with such correct and respectful mien—to Mrs. Franklyn, I had the feeling that for all her unaggressive attitude, she yet exerted some influence that sought to make her mistress stay in the building forever —live there. She would prevent her escape, prevent "getting it straight again," thwart somehow her will to freedom, if she could. The idea in me was of the most fleeting kind. But another time, when I came down late at night to get a book from the library antechamber, and found her sitting in the hall—alone—the impression left upon me was the reverse of fleeting. I can never forget the vivid, disagreeable effect it produced upon me. What was she doing