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قراءة كتاب Punch, or the London Charivari, Volume 153, August 15, 1917
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Punch, or the London Charivari, Volume 153, August 15, 1917
id="pgepubid00013">THE HUMILIATION OF THE PALFREY.
Where is she now, the pride of the battalion,
That ambled always at the Colonel's side,
A fair white steed, like some majestic galleon
Which takes deliberate the harbour tide,
So soft, so slow, she scarcely seems to stir?
And that, indeed, was very true of her
Who was till late, so kind her character,
The only horse the Adjutant could ride.
Ever she led the regiment on its journeys,
And held sweet converse with the Colonel's gee:
Of knights, no doubt, and old heroic tourneys,
And how she bare great ladies o'er the lea;
And on high hill-sides, when the men felt dead,
Far up the height they viewed her at the head,
A star of hope, and shook themselves, and said,
"If she can do it, dammit, so can we!"
But where is now my Adjutantial palfrey?
In front no longer but in rear to-day,
Behind the bicycles, and not at all free
To be familiar with the General's gray,
She walks in shame with all those misanthropes,
The sad pack-animals who have no hopes
But must by men be led about on ropes,
Condemned till death to carry S.A.A.,
And bombs, and beef, and officers' valises;
And I at eve have marked my wistful mare
By thronging dumps where cursing never ceases
And rations come, for oft she brings them there,
Patient, aloof; and when the shrapnel dropp'd
And the young mules complained and kicked and hopp'd,
She only stood unmoved, with one leg propp'd,
As if she heard it not or did not care;
Or heard, maybe, but hoped to get a Blighty;
For on her past she lately seemed to brood
And dreamed herself once more among the mighty,
By grooms beloved and reverently shoed;
But now she has no standing in the corps,
And Death itself would hardly be a bore,
Save that, although she carries me no more,
'Tis something still to carry up my food.
A.P.H.
THE WAR-NOTE IN EXAMINATIONS.
Extract from Smith Minor's Scripture paper:—
"And when Jephthah saw his daughter coming to meet him he was very much upset. But he had to keep to his vow, so he gave her two months' leave and then he killed her."
Quoting a European statesman, saying the war would be won by the last 500,000 bushels of what, Mr. Hoover said."—New York Times.
We trust Mr. HOOVER will hurry up with his peroration.
"I feel that I might claim almost a special kinship with Baron Sonnino, because I believe his mother was a Welsh lady."
"Weekly Dispatch" Report of Premier's Speech.
"Baron Sonnino, by the way, who is of half-Scottish extraction, speaks English perfectly. How many of the master minds at our Foreign Office speak Italian perfectly?"
"Weekly Dispatch" Secret History of the Week.
But in fairness to the "master minds" it should be remembered that few of them have the advantage of a Scotch father and a Welsh mother.
Hospital Wardmaid (Who Has Shown the New Matron Into Her Room).—"WELL, I MUST SAY I HOPE YOU'VE COME TO STAY. YOU'LL BE THE SIXTH MATRON I'VE TRAINED."
AT THE PLAY.
"THE BETTER 'OLE."
I must congratulate Mr. CHARLES COCHRAN on his courage in transforming the Oxford Music-hall into a home of "the legitimate," and still more on his good fortune in securing for the initiation of his new venture the play which Captain BRUCE BAIRNSFATHER and Captain ARTHUR ELIOT have written round the adventures of "Old Bill." In form it resembles a revue, but I prefer to call it a play, because it possesses a plot, distinct if slight—an encumbrance banned by most revue producers; and because it contains an abundance of honest spontaneous fun. The authors start with the advantage, if it be an advantage, that the principal characters are already familiar to the audience through the medium of Captain BAIRNSFATHER's popular drawings; but they have not been content with reproducing their well-known, now almost hackneyed, adventures, but have added many others which are new and yet "come into the picture."
Their greatest piece of luck was in finding a comedian exactly fitted to fill the part of the humble hero. Mr. ARTHUR BOURCHIER as Old Bill is absolutely "it." His make-up is perfect; he might have stepped out of the drawing, or sat for it, whichever you please. But, much more than that, he seems to have exactly realised the sort of man Old Bill probably is in real life—slow-speaking and stolid in manner, yet with a vein of common-sense underlying his apparent stupidity; much addicted to beer and other liquids, but not brutalized thereby; and, while often grousing and grumbling, nevertheless possessed almost unconsciously of a strong sense of duty and an undaunted determination to see it through. It is a tribute to the essential truthfulness of Captain BAIRNSFATHER'S conception and Mr. BOURCHIER'S acting that one comes away from The Better 'Ole feeling that there must be thousands of Old Bills at the Front fighting for our freedom.
Admirable work is done, too, by Mr. TOM WOOTTWELL as Bert, the incorrigible amorist, for whom each new girl is "the only girl," and who has an apparently inexhaustible supply of identity-discs to leave with them as "sooveneers"; and by Mr. SINCLAIR COTTER as Alf, the cynical humourist—"Where were you eddicated, Eton or Harrod's?" is one of his best mots—who spends most of his time in wrestling with an automatic cigar-lighter. I think it would be only poetical justice if in the concluding scene, when Old Bill comes into his own, the authors were for once to allow Alf to succeed in lighting his "fag."
Of the many ladies who add charm to the entertainment I can only mention Miss EDMÉE DORMEUIL, who as Victoire has an important share in the plot and saves Old Bill's life; Miss GOODIE REEVE, who sings some capital songs; and Miss PEGGY DORAN, who looks bewitching as an officer of the Woman Workers' Corps. The music, arranged by Mr. HERMAN DAREWSKI, is catchy and not uncomfortably original: and the scenery, designed by Captain BAIRNSFATHER, gives one, I should say, as good an idea of the trenches as one can get without going there. In fine I would parody Old Bill and say, "If you knows of a better show, go to it!"
L.
Perfect Stranger (To Jones, Who Has Not Forgotten Willie's Birthday). "AIN'T YOU ASHAMED TO GO BATTING THESE DAYS?"
TO A MODERN MUSE.
O Metaphasia, peerless maid,
How can I fitly sing
The priceless decorative aid
To dialogue you bring,

