ordinary patrons." Would that be sufficient excuse?

The book was easy to find, and Gretchen put herself to no particular difficulty—but nevertheless, Professor Bridwell's thanks were profuse. He consulted the book—which could not leave the library—for an hour or more. On departing he returned the book to the counter. He inclined his head, with the now-familiar flop of his curly hair, and said, "I do hope to have the pleasure again, Miss Haviland."

Gretchen watched from Miss Sadie's desk as he departed through the foyer and down the steps leading out. She closed her eyes for a moment and sat quietly after he had left—simply savoring the moment. A faint scent lingered behind him: a distinctive cologne that left quite a favorable impression on her.

Gretchen attended a short afternoon concert on campus. It was the last student recital of the season, and she had heard tell of the program: the afternoon was to open with mazurkas by Chopin and a selection of those divine "Transcendental Etudes" by Liszt—she could not stay away. Chopin was an aperitif, followed by a few mildly diverting piano works by students. Then, she sat breathless and transported—utterly transported, halfway to tears upon a bed of clouds—through the etudes of Liszt. In particular she had never heard the "Harmonies du Soir" more beautifully rendered.

After an intermission, which she spent simply sitting quietly, pondering the exquisite delicacies of Liszt's piano writing, the second part of the concert opened with Vivaldi's "The Four Seasons", performed by an intimate ensemble rather than with the full complement of strings. The performers were students, to be sure, but she found it delightful nonetheless. When the "Autumn" season opened, she even felt a sudden chill in the air—the performance was so wonderfully effective—and she pulled her shawl more tightly around her shoulders. She chanced then to look across the audience, and thought that several rows down, in front of her, she saw Professor Bridwell. She had no idea he liked concerts; in fact, she realized that she knew nothing whatever about him. She was positive it was the professor—even from the back, there was no mistaking his curly hair. At once she realized that he rather resembled portraits of Hector Berlioz. He sat upright, almost leaning forward in a posture that seemed ready to rise in an instant. She fancied that could she but see his handsome face, his eyes would be closed, as he was carried away by the music, blown upon Vivaldi's autumn wind. Why she was looking at the audience rather than at the orchestra she really did not know—she forced her gaze away from the professor's back and tried to concentrate again upon the music. But her effort was unsuccessful.

When the concert was ended, Gretchen fairly ran to the exit, and stood there at the door, looking back across the auditorium. Yes, it was he, she saw finally. He was coming up the aisle and she glimpsed his face among the swarm of bodies. He appeared to be alone; he spoke to nobody. She stepped out of the way and kept looking across the audience, as if seeking someone else. He soon arrived, and when he walked past, she turned and looked at him, as if suddenly noticing him for the first time.

His smile was as delightful as always. "Good evening, Miss Haviland," he said, with a tone of warmth.

"Good evening, Professor." Gretchen thought that he slowed for a second or two, but she felt acutely embarrassed to be observing him too closely, and looked away toward the crowd again. He continued walking.

When the professor had passed, Gretchen let out her breath slowly. Into the thick of the crowd she plunged, and went out through the lobby. Evening had come on and it was dark outside. Vast hordes were dispersing across the plaza, pouring from the auditorium. As she stepped into the bitterly chill air and started down the stairs, a voice hailed her from behind.

"Are you alone, then, Miss Haviland?"

Gretchen whirled around at the sound of the professor's voice, in time to see him laugh briefly. He was standing just outside the doors, facing outward, his greatcoat pulled tightly around himself.

Gretchen went to stand on the step below. "Actually, yes," she replied, looking up. "I am alone. I came by myself on a whim."

"It's quite chilly this evening," he said, stepping down once. They started down the stairs beside each other. "Would you fancy a cup of coffee, by chance, before making your way home?"

Gretchen smiled. He certainly had a forward manner; but she found it refreshing, and—after all, she had really been seeking him, had she not? "Why, that sounds like a delightful diversion, Professor. I believe I shall."

With that, they set off together across the plaza. Gretchen started immediately upon a likely topic of conversation: the concert they had just attended. It was instantly evident that Professor Bridwell had found the Liszt etudes as breathtaking as she had. And during the Vivaldi, as well, he agreed that he had felt a sudden chill at precisely the same time as she.

"The ensemble did well," she concluded. "I suppose that is the way Vivaldi would have heard the work too—none of these large, modern orchestras quite out of proportion to the delicacy of the music."

"The modern orchestra," stated the professor, "is well enough suited for modern works, but really, the intimacy required for performing earlier works—as Vivaldi for instance—is really lost in the great crowd of strings."

"Agreed."

Presently they came to the campus gates and found their way to a small café. Seated at a tiny marble table, they had a delightful tête-à-tête, and found much to agree upon regarding both the performance, and the subject of music in general. Though he had not quite her madness for Liszt, he agreed with Gretchen's assessment of the "Transcendental Etudes"—divinely inspired, and, like much of Liszt's work, nearly beyond the reach of mortals.

Gretchen was on her second coffee and feeling rather giddy. She could hardly hold her cup steady, and she finally set it down with a laugh.

"Do you play an instrument, Professor?" she asked, pushing her cup away with one hand.

"Well, I would not so much call it playing the instrument," he answered, "as playing _at_ the instrument."

"I see," she laughed. "Rather the way I play _at_ the viola—though I daresay you speak of Liszt's writing as if you have some experience with it."

The professor seemed rather at a loss for an instant. He glanced away over Gretchen's shoulder, but recalled himself quickly and lifted his cup to his lips, meeting her eyes again. "I do admit I have _tried_." He set his cup down while reaching into his vest pocket, as if searching for something. "But really," he continued, "I haven't the technique. How about yourself, Miss Haviland? I take it you do rather well yourself, upon the viola."

Gretchen blushed, realizing that she must have sounded boastful just then. The professor seemed not to have taken it in stride—she realized that this must have accounted for his momentary loss for words. "Well," she said then, settling herself forward upon her chair. "At one time—when I was quite young, you understand—I fancied I would perform upon the instrument. But..."

"Ah." Professor Bridwell smiled. "Then, other interests swept you away, no doubt. But still you play?" He had pulled a silver cigarette case from his vest pocket, and he turned it over in his fingers.

"Oh, indeed." Gretchen sighed deeply. "I suppose, with all modesty set aside, I was adequate on the instrument—but adequacy in a performer is hardly to be tolerated..." Before he could reply, she rushed onward, feeling her face flush. "I certainly do not practice with any regularity of late!"

Professor Bridwell laughed. "I daresay—at our time of life—leisure hours seem so unobtainable..." He looked at his cigarette case, polishing it with a thumb. Seeming to think better of smoking just then, however, he returned