circumstances.

In the exterior of Mozart there was nothing remarkable; he was small in person, and had a very agreeable countenance, but it did not discover the greatness of his genius at the first glance. His eyes were tolerably large and well shaped, more heavy than fiery in the expression; when he was thin they were rather prominent. His sight was always quick and strong; he had an unsteady abstracted look, except when seated at the piano-forte, when the whole form of his visage was changed. His hands were small and beautiful, and he used them so softly and naturally upon the piano-forte, that the eye was no less delighted than the ear. It was surprising that he could grasp so much as he did in the bass. His head was too large in proportion to his body, but his hands and feet were in perfect symmetry, of which he was rather vain. The stunted growth of Mozart's body may have arisen from the early efforts of his mind; not, as some suppose, from want of exercise in childhood—for then he had much exercise—though at a later period the want of it may have been hurtful to him. Sophia, a sister-in-law of Mozart, who is still living, relates: "he was always good-humoured, but very abstracted, and in answering questions seemed always to be thinking of something else. Even in the morning when he washed his hands, he never stood still, but would walk up and down the room, sometimes striking one heel against the other; at dinner he would frequently make the ends of his napkin fast, and draw it backwards and forwards under his nose, seeming lost in meditation, and not in the least aware of what he did." He was fond of animals, and in his amusements delighted with any thing new; at one time of his life with riding, at another with billiards.

The Selector;
AND
LITERARY NOTICES OF
NEW WORKS.

A PORTRAIT, BY MISS LANDON.