half intoxicated, has just drawn a cork, and is addressing the bottle, his only comfort, while his daughter is delicately putting it aside and looking with entreaty at her father.

"The harassed wife is putting back the daughter, unwilling to deprive the man she loves, of what, though a baneful consolation, is still one; while the little, shoeless boy with his hoop, is regarding his father with that strange wonder, with which children look at the unaccountable alteration in features and expression, that takes place under the effects of intoxication.

"Three pawnbroker's duplicates, one for the child's shoes, 1s. 6d., one for the wedding ring, 5s., and one for the wife's necklace, 7l., lie at the feet of the father, with the Sporting Magazine; for drunkards generally part with the ornaments or even necessaries of their wives and children before they trespass on their own.

"At the opposite corner lies curled up the Head Constable, hid away under his bed-curtain, which he had for a robe, and slyly looking, as if he hoped nobody would betray him. By his side is placed a table, with the relics of a luxurious enjoyment, while a washing tub as a wine cooler, contains, under the table, Hock, Champagne, Burgundy, and a Pine.

"Directly over the sergeant, on the wall, are written, 'The Majesti of the Peepel for ever—huzza!'—'No military at Elections!' and 'No Marshal!'—on the standards to the left, are 'Confusion to Credit, and no fraudulent Creditors.' In the window are a party with a lady smoking a hookah; on the ledge of the window, "Success to the detaining Creditor!" —At the opposite window is a portrait of the Painter, looking down on the extraordinary scene with great interest—underneath him is, 'Sperat infestis.'

"On a board under the lady smoking, is written the order of the Lord Mayor, enjoining Peace, as follows:—

"Banco Regis,
Court House, July 16,
In the Sixth year of the
Reign of GEORGE IV.

"Peremptorily ordered—

"That the Special Constables and Headboroughs of this ancient Bailwick do take into custody all Persons found in any way committing a breach of the Peace, during the Procession of Chairing the Members returned to represent this Borough.

"SIR ROBERT BIRCH, (Collegian) Lord Mayor.

"'A New Way to pay Old Debts,'—is written over the first turnkey; and below it, 'N.B. A very old way, discovered 3394 years B.C.;' and in the extreme distance, over a shop, is—'Dealer in every thing genuine.'

"While the man beating the long drum, at the opposite end, another the cymbals, and the third blowing a trumpet, with the windows all crowded with spectators, complete the composition, with the exception of the melancholy victim behind the High Sheriff.

"I recommend the contemplation of this miserable creature, once a gentleman, to all advocates of imprisonment for debt. First rendered reckless by imprisonment—then hopeless—then sottish—and, last of all, from utter despair of freedom, insane! Round his withered temples is a blue ribbon, with 'Dulce est pro Patriâ mori,' (it is sweet to die for one's country); for he is baring his breast to rush on the bayonets of the guards, a willing sacrifice, as he believes, poor fellow, for a great public principle. In his pocket he has three pamphlets, 'On Water Drinking, or The Blessings of Imprisonment for Debt,'—and Adam Smith's 'Moral Essays.'—Ruffles hang from his wrists, the relics of former days, rags cover his feeble legs, one foot is naked, and his appearance is that of a decaying being, mind and body."

Such is Mr. Haydon's "Explanation" of his own Picture; and it only remains for us to give the reader some idea of its most prominent beauties. As a whole, it is very superior to the "Election," highly as we were disposed to rate the merits of that performance. The style is masterly throughout, and every shade of the colouring has all the depth and richness which characterize works of real genius. There is a spirit in every touch which differs as much from the softened and soulless compositions of certain modern artists, as does the florid architecture of the ancients from the starved proportions of these days, or the rich and graceful style of the Essayists from the fabrications of little, self-conceited biographers. In short, the whole scene is dashed off in the first style of art; the subject and humour are all over English—true to nature, and so forcible as to seize on the attention of the most listless beholder.

We must notice a few of the details. The three guards are foremost in the picture, and in merit; the struggle in their countenances between discipline and a sense of the ludicrous scene before them is admirably represented; as well as the little urchin with his tin sword. The centre figure of the High Sheriff, with his tattered and faded finery of office, is equally clever; but the skill with which the artist has contrived to express his forced mirth, and mopstick bravado, is still more forcible. The troubled countenance of the Lord Mayor is an excellent portrait of the indignation of little authority when perturbed by men of greater place. The faces of the turnkey and the sergeant are likewise admirable; and that of the soldier looking towards the latter for orders, is like an excellent piece of byplay in the farce. The drunken patriot, behind the High Sheriff, is well entitled to the attention which the artist, in his explanation, suggests; but the spectator must not dwell too long on this sorrowful wreck of fallen nature. The group in the foreground of the right hand corner, is an episode which must not be omitted, for it corresponds with the fine portrait in the same situation in the "Election" picture. The reckless dissipation of the fine, young fox-hunter, the half intoxicated chuckle with which he holds the bottle, the grief of his daughter and wife, and the little shoeless boy with his hoop, are finely contrasted with the rich humour and extravagant burlesque of all around them. The slyness of the Head Constable, in the left hand corner, half smothered in his mock robes, is expressively told; and the painter is a capital likeness.

From the success of Mr. Haydon in the particular line of art requisite for scenes of real humour, it is not unlikely that his execution of the first picture, the "Election" may prove one of the most fortunate events in his professional career, and turn out to be one of the "sweet uses of adversity," by eliciting talent which he probably did not believe himself to possess. Much as we admire this style of art, we can but deplore that purchasers cannot be found for such pictures as his Entry into Jerusalem, and Judgment of Solomon, both which, with two others, are exhibited in the room with the Chairing of the Members. Out of the scores of new churches which are yearly completed, surely some altar-pieces might be introduced with propriety; and when we consider the peculiar influence which such scenes as those chosen by Mr. Haydon are known to possess over the human heart, we do not think their entire exclusion from modern churches contributes to their devotional character.

Such pictures are intended for better purposes than mere seclusion in large galleries and mansions, of which there are but comparatively few in England; and it is always with regret that we see these noble efforts of art in such profitless situations. Occasionally a nobleman, or parochial taste, introduces a valuable painted window, and sometimes an altarpiece into a church; but we wish the practice were more general.

RETROSPECTIVE GLEANINGS

ENGLAND IN THE DAYS OF GOOD "QUEEN BESS."

The misery and mendicity which prevailed in this country before the provisions of the poor laws in the time of Elizabeth became duly enforced, might be proved by the