قراءة كتاب Lectures on Art

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Lectures on Art

Lectures on Art

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دار النشر: Project Gutenberg
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[Transcriber's Note: Footnotes have been renumbered and moved to the end.]

Lectures on Art

By

Washington Allston

Edited by Richard Henry Dana, Jr.

MDCCCL.

Preface by the Editor.

Upon the death of Mr. Allston, it was determined, by those who had charge of his papers, to prepare his biography and correspondence, and publish them with his writings in prose and verse; a work which would have occupied two volumes of about the same size with the present. A delay has unfortunately occurred in the preparation of the biography and correspondence; and, as there have been frequent calls for a publication of his poems, and of the Lectures on Art he is known to have written, it has been thought best to give them to the public in the present form, without awaiting the completion of the whole design. It may be understood, however, that, when the biography and correspondence are published, it will be in a volume precisely corresponding with the present, so as to carry out the original design.

I will not anticipate the duty of the biographer by an extended notice of the life of Mr. Allston; but it may be interesting to some readers to know the outline of his life, and the different circumstances under which the several pieces in this volume were written.

WASHINGTON ALLSTON was born at Charleston, in South Carolina, on the 5th of November, 1779, of a family distinguished in the history of that State and of the country, being a branch of a family of the baronet rank in the titled commonalty of England. Like most young men of the South in his position at that period, he was sent to New England to receive his school and college education. His school days were passed at Newport, in Rhode Island, under the charge of Mr. Robert Rogers. He entered Harvard College in 1796, and graduated in 1800. While at school and college, he developed in a marked manner a love of nature, music, poetry, and painting. Endowed with senses capable of the nicest perceptions, and with a mental and moral constitution which tended always, with the certainty of a physical law, to the beautiful, the pure, and the sublime, he led what many might call an ideal life. Yet was he far from being a recluse, or from being disposed to an excess of introversion. On the contrary, he was a popular, high-spirited youth, almost passionately fond of society, maintaining an unusual number of warm friendships, and unsurpassed by any of the young men of his day in adaptedness to the elegancies and courtesies of the more refined portions of the moving world. Romances of love, knighthood, and heroic deeds, tales of banditti, and stories of supernatural beings, were his chief delight in his early days. Yet his classical attainments were considerable, and, as a scholar in the literature of his own language, his reputation was early established. He delivered a poem on taking his degree, which was much admired in its day.

On leaving college, he returned to South Carolina. Having determined to devote his life to the fine arts, he sold, hastily and at a sacrifice, his share of a considerable patrimonial estate, and embarked for London in the autumn of 1801. Immediately upon his arrival, he became a student of the Royal Academy, of which his countryman, West, was President, with whom he formed an intimate and lasting friendship. After three years spent in England, and a shorter stay at Paris, he went to Italy, where he spent four years devoted exclusively to the study of his art. At Rome began his intimacy with Coleridge. Among the many subsequent expressions of his feeling toward this great man, none, perhaps, is more striking than the following extract from one of his letters:--"To no other man do I owe so much, intellectually, as to Mr. Coleridge, with whom I became

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