قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 19, No. 535, February 25, 1832

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The Mirror of Literature, Amusement, and Instruction
Volume 19, No. 535, February 25, 1832

The Mirror of Literature, Amusement, and Instruction Volume 19, No. 535, February 25, 1832

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دار النشر: Project Gutenberg
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Borgia, (enraged.)—Both wounded—yet both living!

Concini.—What avails the blood I have drawn, while a drop remains.

Borgia.—O! were I but beside thee! Enter Vitry, followed by the Guards walking slowly. He holds the young Count de la Pene by the hand; the boy leads his sister.

Vitry, (a pistol in his hand.)—Well, my child, which is your father?

Count de la Pene.—Oh! protect him, sir,—that is he leaning against the pillar.

Vitry, (aloud.)—Draw tip—remain at that gate—Guards! (The Guards advance with lanterns and flambeaux.) Sir, I arrest you—your sword.

Concini, (thrusting at him.)—Take it. (Vitry fires his pistol—Du Hallier, D'Ornano, and Person fire at the same time—Concini falls dead.)

The malice of Du Luynes, the inveterate enemy of the D'Ancres, and afterwards the minion of Louis, contrives that the Maréchale, in her way to execution, shall be conducted to this scene, where her husband lies dead, on the spot which had been stained with the blood of Henry, like Caesar at the foot of Pompey's statue; and the play concludes with her indignant and animated denunciation of this wretch, who stands calm and triumphant, while the Maréchale exacts from her son, over the body of Concini, an oath of vengeance against the destroyer of her house.


THE MARTYR-STUDENT.

I am sick of the bird,

And its carol of glee;

It brings the voices heard

In boyhood back to me:

Our old village hall,

Our church upon the hill,

And the mossy gates—all

My darken'd eyes fill.

No more gladly leaping

With the choir I go,

My spirit is weeping

O'er her silver bow:

From the golden quiver

The arrows are gone,

The wind from Death's river

Sounds in it alone!

I sit alone and think

In the silent room.

I look up, and I shrink

From the glimmering gloom.

O, that the little one

Were here with her shout!—

O, that my sister's arm

My neck were roundabout!

I cannot read a book,

My eyes are dim and weak;

To every chair I look—

There is not one to speak!

Could I but sit once more

Upon that well-known chair,

By my mother, as of yore,

Her hand upon my hair!

My father's eyes seeking,

In trembling hope to trace

If the south wind had been breaking

The shadows from my face;—

How sweet to die away

Beside our mother's hearth,

Amid the balmy light

That shone upon our birth!

A wild and burning boy,

I climb the mountain's crest,

The garland of my joy

Did leap upon my breast;

A spirit walk'd before me

Along the stormy night,

The clouds melted o'er me,

The shadows turn'd to light.

Among my matted locks

The death-wind is blowing;

I hear, like a mighty rush of plumes,

The Sea of Darkness flowing!

Upon the summer air

Two wings are spreading wide;

A shadow, like a pyramid,

Is sitting by my side!

My mind was like a page

Of gold-wrought story,

Where the rapt eye might gaze

On the tale of glory;

But the rich painted words

Are waxing faint and old,

The leaves have lost their light,

The letters their gold!

And memory glimmers

On the pages I unrol,

Like the dim light creeping

Into an antique scroll.

When the scribe is searching

The writing pale and damp,

At midnight, and the flame

Is dying in the lamp.

Fraser's Magazine.


The Selector;

AND LITERARY NOTICES OF NEW WORKS.


THE ITALIAN REPUBLICS.

M.J.C.L. De Sismondi, has, to suit the plan of the Cabinet Cyclopaedia, endeavoured to include in one of its volumes—a summary of Italian history from the fall of the Roman empire to the end of the Middle Age—a period of about six and a half centuries. What a succession of stirring scenes does this volume present; what fields of bloody action; what revelry of carnage; what schemes of petty ambition; what trampling on necks, what uncrowning of heads; what orgies of fire, sword, famine, and slaughter; what overtoppling of thrones, and unseating of rulers; what pantings after freedom; what slavery of passion; what sunny scenes of fortune to be shaded with melancholy pictures of desolation and decay—are comprised in these few pages of the history of a comparatively small portion of the world for a short period—a narrow segment of the cycle of time. What Sismondi so ably accomplished in sixteen volumes, he has here comprised in one. He tells us that he could sacrifice episodes and details without regret. The present is not, however, an abridgment of his great work, "but an entirely new history, in which, with my eyes fixed solely on the free people of the several Italian states, I have studied to portray their first deliverance, their heroism, and their misfortunes."

We quote a few sketchy extracts.

Last Struggle of Rome for Liberty.

"1453. Stefano Porcari, a Roman noble, willing to profit by the interregnum which preceded the nomination of Nicholas V., to make the Roman citizens demand the renewal and confirmation of their ancient rights and privileges, was denounced to the new pope as a dangerous person; and, so far from obtaining what he had hoped, he had the grief to see the citizens always more strictly excluded from any participation in public affairs. Those were entrusted only to prelates, who, being prepared for it neither by their studies nor sentiments, suffered the administration to fall into the most shameful disorder.

"In an insurrection of the people in the Piazza Navona, arising from a quarrel, which began at a bull-fight, Stefano Porcari endeavoured to direct their attention to a more noble object, and turn this tumult to the advantage of liberty. The pope hastily indulged all the fancies of the people, with respect to their games or amusements; but firmly rejected all their serious demands, and exiled Porcari to Bologna. The latter hoped to obtain by conspiracy what he had failed to accomplish by insurrection. There were not less than 400 exiled Roman citizens: he persuaded them all to join him, and appointed them a rendezvous at Rome, for the 5th of January, 1453, in the house of his brother-in-law. Having escaped the vigilance of the legate of Bologna, he proceeded there himself, accompanied by 300 soldiers, whom he had enlisted in his service. The whole band was assembled on the night of the appointed 5th of January; and Stefano Porcari was haranguing them, to prepare them for the attack of the capitol,—in which he reckoned on re-establishing the senate of the Roman republic,—when, his secret having been betrayed, the house was surrounded with troops, the doors suddenly forced, and the conspirators overcome by numbers before their arms had been distributed. Next morning, the body

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