قراءة كتاب Punch, or the London Charivari, Volume 153, July 18, 1917
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Punch, or the London Charivari, Volume 153, July 18, 1917
I am glad to say, and it pleased me to think that Jim, having had his wink, was at least sure of his winkle.
I remember another old friend of mine—John Madden—he made a hit in that ill-fated play, A Little Bit Off the Top—who had an extraordinary passion for shell-fish. I have often seen him seated on Southend Pier eating shrimps out of a paper-bag. By the way, I ought to add that he always purchased the shrimps in town and travelled down with them.
Poor John, he might still be eating shrimps to-day if he hadn't caught a chill throwing off his sable coat during a rehearsal at the "Lane."
Talking of fur coats, Florence Montgomery, who flourished in the early eighties, and took the town by storm singing, "Let me share your umbrella," in tights, had a perfect passion for them. She had one for every day in the week, as she laughingly told me once. She vanished suddenly, and everybody thought she had eloped with the Russian Duke B—— (he had been paying her marked attention), but it turned out afterwards that she had married a dustman.
I met him casually at one of the yearly dinners given to this hardworking body of men—a most affable person he was too and deeply interested in the chemical properties of manure—and it came out. Some people might have thought a marriage like this a bit of a hygienic risk, but Florence always had a heart of gold.
I have often thought this possession to be a particular attribute of the theatrical profession. Bessie Bean, the "Cocoa Queen," possessed it in a marked degree. I remember we called her the "Cocoa Queen" because she always fancied "a drop of something comforting" just before the curtain went up on the Third Act. Only, unfortunately, it wasn't cocoa.
Arthur Batchen, manager of the Fly-by-Night Theatre and one of the best fellows that ever breathed, told me once he thought the soda must get into Bessie's legs. But her dresser was positive about her instructions always to forget the soda. So I don't think it can have been that.
I remember too—
[For the continuation of this interesting series of reminiscences see to-morrow's Evening Cues.]
A LOST LEADER.
(Or, Thoughts on Trek.)
The men are marching like the best;
The waggons wind across the lea;
At ten to two we have a rest,
We have a rest at ten to three;
I ride ahead upon my gee
And try to look serene and gay;
The whole battalion follows me,
And I believe I've lost the way.
Full many a high-class thoroughfare
My erring map does not disclose,
While roads that are not really there
The same elaborately shows;
And whether this is one of those
It needs a clever man to say;
I am not clever, I suppose,
And I believe I've lost the way.
The soldiers sing about their beer;
The wretched road goes on and on;
There ought to be a turning here,
But if there was the thing has gone;
Like some depressed automaton
I ask at each estaminet;
They say, "Tout droit," and I say "Bon,"
But I believe I've lost the way.
I dare not tell the trustful men;
They think me wonderful and wise;
But where will be the legend when
They get a shock of such a size?
And what about our brave Allies?
They wanted us to fight to-day;
We were to be a big surprise—
And I believe I've lost the way.
The Dawn of Peace?
"The Commissioners of H.M. Works, &c., are prepared to receive tenders for the supply of:
(a) Floor polish during a period of six or 12 months from 1st August, 1917.
(b) Arm chairs."—Daily Telegraph.
From an interview with an eminent playwright regarding a new farce:—
"Has my face a war object? Certainly it has, a very definite though an indirect one."—Liverpool Echo.
If it hadn't been so old a joke, we should have guessed that the author has a strong cast in his eye.
"A Chaplain Wanted, for private chapel in the Highlands. There is plenty of stalking for a good shot, also there is fishing, shooting, and golf. A chaplain is wanted who can drive a motor-car. Terms £1, travelling expenses are paid, and there are rooms provided."—Daily Telegraph.
Yet there are still people who write to the newspapers demanding "Liberty for the Church."

Mother. "OH, MARY, WHY DO YOU WIPE YOUR MOUTH WITH THE BACK OF YOUR HAND?"
Mary. "'COS IT'S SO MUCH CLEANER THAN THE FRONT."
"SHIPS THAT PASS IN THE NIGHT."
I, who before these lines appear (or don't)
Must face the Board reviewing my diseases,
Am fluttered, as the sentient soul is wont,
Thinking how rum the case of me and these is;
We'll come together—just because it pleases
Some higher Pow'r—and then for ever part.
Not having learnt each other's views on Art,
Nor in our only chat got really heart to heart.
They'll sound my heart, it's true, but in a way ...
Perhaps they'll ask me if I've had enteric;
But can I tell them that I've writ a play
And have a nephew who is atmospheric?
Or that my people meant me for a cleric
(But Satan didn't)? or even that I shan't
Be left much money by my maiden aunt?—
These are the human links that bind us, but I can't.
Nor can I hope to get behind the mask
That shrouds from me their human cares and graces.
"Is your name William?" I shall want to ask,
And burn to know if this one bets on races,
Or that one has a pretty taste in braces,
Or if a third, who only says, "Just so,"
Beneath his tunic has a heart aglow
With treasured words of praise dropped by his golfing pro.
We'll part, we'll part! Nor with a soulful cry
Will one strong human citadel surrender.
M.O.'s who dandle babes no less than I
Will leave me cold; M.O.'s who have a tender
Passion for my own type of sock-suspender
Won't utter it. Though on my heaving breast
They lean their heads, they'll lean them uncaressed;
We'll part, nor overstep the auscultation test.
"AMERICA'S BLOCKADE.
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