beliefs which govern the Mahabharata epic and provide the clue to Krishna's role. Its prime subject is a feud between two families, a feud which racks and finally destroys them. At the same time, it is very much more. Prior to the events narrated in the text, Vishnu has already undergone seven incarnations, taking the forms of a fish, tortoise, boar and man-lion and later those of Vamana the dwarf, Parasurama ('Rama with the Axe'), and finally, the princely Rama. In each of these incarnations he has intervened and, for the time being, rectified the balance. During the period covered by the epic, he undergoes an eighth incarnation and it is in connection with this supremely vital intervention that Krishna appears.

To understand the character which now unfolds, we must briefly consider the central story of the Mahabharata. This is narrated in the most baffling and stupendous detail. Cumbrous names confront us on every side while digressions and sub-plots add to the general atmosphere of confusion and complexity. It is idle to hope that this vast panorama can arouse great interest in the West and even in India it is unlikely that many would now approach its gigantic recital with premonitions of delight. It is rather as a necessary background that its main outlines must be grasped, for without them Krishna's character and career can hardly be explained.

The epic begins with two rival families each possessed of a common ancestor, Kuru, but standing in bitter rivalry to each other. Kuru is succeeded by his second son, Pandu, and later by Dhritarashtra, his first son but blind. Pandu has five sons, who are called Pandavas after him, while Dhritarashtra has a hundred sons called Kauravas after Kuru, their common grandfather. As children the two families grow up at the same court, but almost immediately jealousies arise which are to have a deadly outcome. Hatred begins when in boyish contests the Pandavas outdo the Kauravas. The latter resent their arrogance and presently their father, the blind king, is persuaded to approve a plot by which the five Pandavas will be killed. They are to sleep in a house which during the night will be burnt down. The plot, however, miscarries. The house is burnt, but unbeknown to the Kauravas, the five brothers escape and taking with them their mother, Kunti, go for safety to the forest. Here they wander for a while disguised as Brahmans or priests but reach at last the kingdom of Panchala. The King of Panchala has a daughter, Draupadi, whose husband is to be chosen by a public archery competition. Arjuna, one of the five brothers, wins the contest and gains her as bride. The Pandavas, however, are polyandrous and thus, on being married to one brother, Draupadi is also married to the other four. At the wedding the Pandavas disclose their identities. The Kauravas learn that they are still alive and in due course are reconciled. They reinstate the Pandavas and give them half the kingdom. Before Arjuna, however, can profit from the truce, he infringes by accident his elder brother's privacy by stumbling on him while he is with their common wife. As a consequence he violates a standing agreement and has no alternative but to go into exile for twelve years. Arjuna leaves the court, visits other lands, acquires a new wife and makes a new alliance. In other respects, all is well and the two families look forward to many years of peaceful co-existence.

The fates, however, seem determined on their destruction. The leader of the Pandavas is their eldest brother, Yudhisthira. He conquers many other lands and is encouraged to claim the title, 'ruler of the world.' The claim is made at a great sacrifice accompanied by a feast. The claim incenses the Kauravas and once again the ancient feud revives. Themselves expert gamblers, they challenge Yudhisthira to a contest by dice. Yudhisthira stupidly agrees and wagering first his kingdom, then his brothers and finally his wife, loses all and goes again into exile. With him go the other Pandavas, including Arjuna who has since returned. For twelve years they roam the forests, brooding on their fate and planning revenge. When their exile ends, they at once declare war. Both sides seek allies, efforts at peacemaking are foiled and the two clash on the battle-field of Kurukshetra. For eighteen days the battle rages till finally the Pandavas are victorious. Their success, however, is at an appalling cost. During the contest all five Pandavas lose their sons. The hundred sons of their rival, the blind king Dhritarashtra, are dead and with a sense of tragic futility, the epic ends.

It is as an actor in this tangled drama that Krishna appears. Alongside the Pandavas and the Kauravas in Northern India is a powerful people, the Yadavas. They live by grazing cattle but possess towns including a capital, the city of Dwarka in Western India. At this capital resides their ruler or king and with him is a powerful prince, Krishna. This Krishna is related to the rival families, for his father, Vasudeva, is brother of Kunti, the Pandavas' mother. From the outset, therefore, he is placed in intimate proximity to the chief protagonists. For the moment, however, he himself is not involved and it is only after the Pandavas have gone into exile and reached the kingdom of Panchala that he makes his entrance. The occasion is the archery contest for the hand of Draupadi. Krishna is there as an honoured guest and when Arjuna makes the winning shot, he immediately recognizes the five Pandavas as his kinsmen although as refugees they are still disguised as Brahmans. When the assembled princes angrily protest at Draupadi's union with a Brahman, and seem about to fight, Krishna intervenes and persuades them to accept the decision. Later he secretly meets the Pandavas and sends them wedding presents. Already, therefore, he is fulfilling a significant role. He is a powerful leader, a relative of the central figures and if only because the feud is not his own, he is above the conflict and to some extent capable of influencing its outcome.

His next appearance brings him closer still to the Pandavas. When Arjuna is exiled for his breach of marriage etiquette, he visits Krishna in his city of Dwarka. A great festival is held and in the course of it Arjuna falls in love with Krishna's sister, Subhadra. Krishna favours the marriage but advises Arjuna to marry her by capture. Arjuna does so and by becoming Krishna's brother-in-law cements still further their relationship.

This friendship has one further consequence, for, after Arjuna has completed his exile and returned to the Pandava court, Krishna visits him and the two go into the country for a picnic. 'After a few days, Arjuna said to Krishna, "The summer days have come. Let us go to the River Jumna, amuse ourselves with some friends and come back in the evening." Krishna replied, "I would like that very much. Let us go for a bathe." So Arjuna and Krishna set out with their friends. Reaching a fine spot fit for pleasure and overgrown with trees, where several tall houses had been built, the party went inside. Food and wine, wreaths of flowers and fragrant perfumes were laid out and at once they began to frolic at their will. The girls in the party with delightful rounded haunches, large breasts and handsome eyes began to flirt as Arjuna and Krishna commanded. Some played about in the woods, some in the water, some inside the houses. And Draupadi and Subhadra who were also in the party gave the girls and women costly dresses and garments. Then some of them began to dance, some to sing, some laughed and joked, some drank wine. And the houses and woods, filled with the noise of flutes and drums, became the very seat of pleasure.'[6]

A little later, Krishna is accorded special status. At the sacrifice performed by Yudhisthira as 'ruler of the world,' gifts of honour are distributed. Krishna