of Miss Flora Louisa Saunt, whose full name figured by her own wish in the catalogue of the exhibition of the Academy, had found a purchaser before the close of the private view.  He took the liberty of inquiring whether I might have at his service some other memorial of the same lovely head, some preliminary sketch, some study for the picture.  I had replied that I had indeed painted Miss Saunt more than once and that if he were interested in my work I should be happy to show him what I had done.  Mr. Geoffrey Dawling, the person thus introduced to me, stumbled into my room with awkward movements and equivocal sounds—a long, lean, confused, confusing young man, with a bad complexion and large protrusive teeth.  He bore in its most indelible pressure the postmark, as it were, of Oxford, and as soon as he opened his mouth I perceived, in addition to a remarkable revelation of gums, that the text of the queer communication matched the registered envelope.  He was full of refinements and angles, of dreary and distinguished knowledge.  Of his unconscious drollery his dress freely partook; it seemed, from the gold ring into which his red necktie was passed to the square toe-caps of his boots, to conform with a high sense of modernness to the fashion before the last.  There were moments when his overdone urbanity, all suggestive stammers and interrogative quavers, made him scarcely intelligible; but I felt him to be a gentleman and I liked the honesty of his errand and the expression of his good green eyes.

As a worshipper at the shrine of beauty, however, he needed explaining, especially when I found he had no acquaintance with my brilliant model; had on the mere evidence of my picture taken, as he said, a tremendous fancy to her looks.  I ought doubtless to have been humiliated by the simplicity of his judgment of them, a judgment for which the rendering was lost in the subject, quite leaving out the element of art.  He was like the innocent reader for whom the story is “really true” and the author a negligible quantity.  He had come to me only because he wanted to purchase, and I remember being so amused at his attitude, which I had never seen equally marked in a person of education, that I asked him why, for the sort of enjoyment he desired, it wouldn’t be more to the point to deal directly with the lady.  He stared and blushed at this; the idea clearly alarmed him.  He was an extraordinary case—personally so modest that I could see it had never occurred to him.  He had fallen in love with a painted sign and seemed content just to dream of what it stood for.  He was the young prince in the legend or the comedy who loses his heart to the miniature of the princess beyond seas.  Until I knew him better this puzzled me much—the link was so missing between his sensibility and his type.  He was of course bewildered by my sketches, which implied in the beholder some sense of intention and quality; but for one of them, a comparative failure, he ended by conceiving a preference so arbitrary and so lively that, taking no second look at the others, he expressed his wish to possess it and fell into the extremity of confusion over the question of price.  I helped him over that stile, and he went off without having asked me a direct question about Miss Saunt, yet with his acquisition under his arm.  His delicacy was such that he evidently considered his rights to be limited; he had acquired none at all in regard to the original of the picture.  There were others—for I was curious about him—that I wanted him to feel I conceded: I should have been glad of his carrying away a sense of ground acquired for coming back.  To ensure this I had probably only to invite him, and I perfectly recall the impulse that made me forbear.  It operated suddenly from within while he hung about the door and in spite of the diffident appeal that blinked in his gentle grin.  If he was smitten with Flora’s ghost what mightn’t be the direct force of the luminary that could cast such a shadow?  This source of radiance, flooding my poor place, might very well happen to be present the next time he should turn up.  The idea was sharp within me that there were relations and complications it was no mission of mine to bring about.  If they were to develop they should develop in their very own sense.

Let me say at once that they did develop and that I perhaps after all had something to do with it.  If Mr. Dawling had departed without a fresh appointment he was to reappear six months later under protection no less powerful than that of our young lady herself.  I had seen her repeatedly for months: she had grown to regard my studio as the temple of her beauty.  This miracle was recorded and celebrated there as nowhere else; in other places there was occasional reference to other subjects of remark.  The degree of her presumption continued to be stupefying; there was nothing so extraordinary save the degree in which she never paid for it.  She was kept innocent, that is she was kept safe, by her egotism, but she was helped also, though she had now put off her mourning, by the attitude of the lone orphan who had to be a law unto herself.  It was as a lone orphan that she came and went, as a lone orphan that she was the centre of a crush.  The neglect of the Hammond Synges gave relief to this character, and she made it worth their while to be, as every one said, too shocking.  Lord Iffield had gone to India to shoot tigers, but he returned in time for the punctual private view: it was he who had snapped up, as Flora called it, the gem of the exhibition.  My hope for the girl’s future had slipped ignominiously off his back, but after his purchase of the portrait I tried to cultivate a new faith.  The girl’s own faith was wonderful.  It couldn’t however be contagious: too great was the limit of her sense of what painters call values.  Her colours were laid on like blankets on a cold night.  How indeed could a person speak the truth who was always posturing and bragging?  She was after all vulgar enough, and by the time I had mastered her profile and could almost with my eyes shut do it in a single line I was decidedly tired of its “purity,” which affected me at last as inane.  One moved with her, moreover, among phenomena mismated and unrelated; nothing in her talk ever matched anything out of it.  Lord Iffield was dying of love for her, but his family was leading him a life.  His mother, horrid woman, had told some one that she would rather he should be swallowed by a tiger than marry a girl not absolutely one of themselves.  He had given his young friend unmistakable signs, but was lying low, gaining time: it was in his father’s power to be, both in personal and in pecuniary ways, excessively nasty to him.  His father wouldn’t last for ever—quite the contrary; and he knew how thoroughly, in spite of her youth, her beauty and the swarm of her admirers, some of them positively threatening in their passion, he could trust her to hold out.  There were richer, cleverer men, there were greater personages too, but she liked her “little viscount” just as he was, and liked to think that, bullied and persecuted, he had her there so gratefully to rest upon.  She came back to me with tale upon tale, and it all might be or mightn’t.  I never met my pretty model in the world—she moved, it appeared, in exalted circles—and could only admire, in her wealth of illustration, the grandeur of her life and the freedom of her hand.

I had on the first opportunity spoken to her of Geoffrey Dawling, and she had listened to my story so far as she had the art of such patience, asking me indeed more questions about him than I could answer; then she had capped my anecdote with others much more striking, the disclosure of effects produced in the most extraordinary quarters: on people who had followed her into railway carriages; guards and porters even who had literally stuck there; others who had spoken to her in shops and hung about her house door; cabmen, upon her honour, in London, who, to gaze their fill