unhappy," replied Hippolyte gravely.

"Nothing but a love affair can cause you grief. Money, glory, respect—you lack nothing."

Insensibly the painter was led into confidences, and confessed his love. The moment he mentioned the Rue de Suresnes, and a young girl living on the fourth floor, "Stop, stop," cried Souchet lightly. "A little girl I see every morning at the Church of the Assumption, and with whom I have a flirtation. But, my dear fellow, we all know her. The mother is a Baroness. Do you really believe in a Baroness living up four flights of stairs? Brrr! Why, you are a relic of the golden age! We see the old mother here, in this avenue, every day; why, her face, her appearance, tell everything. What, have you not known her for what she is by the way she holds her bag?"

The two friends walked up and down for some time, and several young men who knew Souchet or Schinner joined them. The painter's adventure, which the sculptor regarded as unimportant, was repeated by him.

"So he, too, has seen that young lady!" said Souchet.

And then there were comments, laughter, innocent mockery, full of the liveliness familiar to artists, but which pained Hippolyte frightfully. A certain native reticence made him uncomfortable as he saw his heart's secret so carelessly handled, his passion rent, torn to tatters, a young and unknown girl, whose life seemed to be so modest, the victim of condemnation, right or wrong, but pronounced with such reckless indifference. He pretended to be moved by a spirit of contradiction, asking each for proofs of his assertions, and their jests began again.

"But, my dear boy, have you seen the Baroness' shawl?" asked Souchet.

"Have you ever followed the girl when she patters off to church in the morning?" said Joseph Bridau, a young dauber in Gros' studio.

"Oh, the mother has among other virtues a certain gray gown, which I regard as typical," said Bixiou, the caricaturist.

"Listen, Hippolyte," the sculptor went on. "Come here at about four o'clock, and just study the walk of both mother and daughter. If after that you still have doubts! well, no one can ever make anything of you; you would be capable of marrying your porter's daughter."

Torn by the most conflicting feelings, the painter parted from his friends. It seemed to him that Adelaide and her mother must be superior to these accusations, and at the bottom of his heart he was filled with remorse for having suspected the purity of this beautiful and simple girl. He went to his studio, passing the door of the rooms where Adelaide was, and conscious of a pain at his heart which no man can misapprehend. He loved Mademoiselle de Rouville so passionately that, in spite of the theft of the purse, he still worshiped her. His love was that of the Chevalier des Grieux admiring his mistress, and holding her as pure, even on the cart which carries such lost creatures to prison. "Why should not my love keep her the purest of women? Why abandon her to evil and to vice without holding out a rescuing hand to her?"

The idea of this mission pleased him. Love makes a gain of everything. Nothing tempts a young man more than to play the part of a good genius to a woman. There is something inexplicably romantic in such an enterprise which appeals to a highly-strung soul. Is it not the utmost stretch of devotion under the loftiest and most engaging aspect? Is there not something grand in the thought that we love enough still to love on when the love of others dwindles and dies?

Hippolyte sat down in his studio, gazed at his picture without doing anything to it, seeing the figures through tears that swelled in his eyes, holding his brush in his hand, going up to the canvas as if to soften down an effect, but not touching it. Night fell, and he was still in this attitude. Roused from his moodiness by the darkness, he went downstairs, met the old admiral on the way, looked darkly at him as he bowed, and fled.

He had intended going in to see the ladies, but the sight of Adelaide's protector froze his heart and dispelled his purpose. For the hundredth time he wondered what interest could bring this old prodigal, with his eighty thousand francs a year, to this fourth story, where he lost about forty francs every evening; and he thought he could guess what it was.

The next and following days Hippolyte threw himself into his work, and to try to conquer his passion by the swift rush of ideas and the ardor of composition. He half succeeded. Study consoled him, though it could not smother the memories of so many tender hours spent with Adelaide.

One evening, as he left his studio, he saw the door of the ladies' rooms half open. Somebody was standing in the recess of the window, and the position of the door and the staircase made it impossible that the painter should pass without seeing Adelaide. He bowed coldly, with a glance of supreme indifference; but judging of the girl's suffering by his own, he felt an inward shudder as he reflected on the bitterness which that look and that coldness must produce in a loving heart. To crown the most delightful feast which ever brought joy to two pure souls, by eight days of disdain, of the deepest and most utter contempt!—A frightful conclusion. And perhaps the purse had been found, perhaps Adelaide had looked for her friend every evening.

This simple and natural idea filled the lover with fresh remorse; he asked himself whether the proofs of attachment given him by the young girl, the delightful talks, full of the love that had so charmed him, did not deserve at least an inquiry; were not worthy of some justification. Ashamed of having resisted the promptings of his heart for a whole week, and feeling himself almost a criminal in this mental struggle, he called the same evening on Madame de Rouville.

All his suspicions, all his evil thoughts vanished at the sight of the young girl, who had grown pale and thin.

"Good heavens! what is the matter?" he asked her, after greeting the Baroness.

Adelaide made no reply, but she gave him a look of deep melancholy, a sad, dejected look, which pained him.

"You have, no doubt, been working hard," said the old lady. "You are altered. We are the cause of your seclusion. That portrait had delayed some pictures essential to your reputation."

Hippolyte was glad to find so good an excuse for his rudeness.

"Yes," he said, "I have been very busy, but I have been suffering——"

At these words Adelaide raised her head, looked at her lover, and her anxious eyes had now no hint of reproach.

"You must have thought us quite indifferent to any good or ill that may befall you?" said the old lady.

"I was wrong," he replied. "Still, there are forms of pain which we know not how to confide to any one, even to a friendship of older date than that with which you honor me."

"The sincerity and strength of friendship are not to be measured by time. I have seen old friends who had not a tear to bestow on misfortune," said the Baroness, nodding sadly.

"But you—what ails you?" the young man asked Adelaide.

"Oh, nothing," replied the Baroness. "Adelaide has sat up late for some nights to finish some little piece of woman's work, and would not listen to me when I told her that a day more or less did not matter——"

Hippolyte was not listening. As he looked at these two noble, calm faces, he blushed for his suspicions, and ascribed the loss of his purse to some unknown accident.

This was a delicious evening to him, and perhaps to her too. There are some secrets which young souls understand so well. Adelaide could read Hippolyte's thoughts. Though he could not confess his misdeeds, the painter knew them, and he had come back to his mistress more in love, and more affectionate, trying thus to purchase her tacit forgiveness. Adelaide was enjoying such perfect, such sweet happiness, that she did not think she had paid too dear for it with all the grief that had so cruelly crushed her soul. And yet, this true concord of hearts, this