COURNOS

Evenings on the Farm near the Dikanka, 1829-31; Mirgorod, 1831-33; Taras Bulba, 1834; Arabesques (includes tales, The Portrait and A Madman's Diary), 1831-35; The Cloak, 1835; The Revizor (The Inspector-General), 1836; Dead Souls, 1842; Correspondence with Friends, 1847; Letters, 1847, 1895, 4 vols. 1902.

ENGLISH TRANSLATIONS: Cossack Tales (The Night of Christmas Eve, Tarass Boolba), trans. by G. Tolstoy, 1860; St. John's Eve and Other Stories, trans. by Isabel F. Hapgood, New York, Crowell, 1886; Taras Bulba: Also St. John's Eve and Other Stories, London, Vizetelly, 1887; Taras Bulba, trans. by B. C. Baskerville, London, Scott, 1907; The Inspector: a Comedy, Calcutta, 1890; The Inspector-General, trans. by A. A. Sykes, London, Scott, 1892; Revizor, trans. for the Yale Dramatic Association by Max S. Mandell, New Haven, Conn., 1908; Home Life in Russia (adaptation of Dead Souls), London, Hurst, 1854; Tchitchikoff's Journey's; or Dead Souls, trans. by Isabel F. Hapgood, New York, Crowell, 1886; Dead Souls, London, Vizetelly, 1887; Dead Souls, London, Maxwell 1887; Dead Souls, London, Fisher Unwin, 1915; Dead Souls, London, Everyman's Library (Intro. by John Cournos), 1915; Meditations on the Divine Liturgy, trans. by L. Alexeieff, London, A. R. Mowbray and Co., 1913.

LIVES, etc.: (Russian) Kotlyarevsky (N. A.), 1903; Shenrok (V. I.), Materials for a Biography, 1892; (French) Leger (L.), Nicholas Gogol, 1914.

TARAS BULBA

CHAPTER I

"Turn round, my boy! How ridiculous you look! What sort of a priest's cassock have you got on? Does everybody at the academy dress like that?"

With such words did old Bulba greet his two sons, who had been absent for their education at the Royal Seminary of Kief, and had now returned home to their father.

His sons had but just dismounted from their horses. They were a couple of stout lads who still looked bashful, as became youths recently released from the seminary. Their firm healthy faces were covered with the first down of manhood, down which had, as yet, never known a razor. They were greatly discomfited by such a reception from their father, and stood motionless with eyes fixed upon the ground.

"Stand still, stand still! let me have a good look at you," he continued, turning them around. "How long your gaberdines are! What gaberdines! There never were such gaberdines in the world before. Just run, one of you! I want to see whether you will not get entangled in the skirts, and fall down."

"Don't laugh, don't laugh, father!" said the eldest lad at length.

"How touchy we are! Why shouldn't I laugh?"

"Because, although you are my father, if you laugh, by heavens, I will strike you!"

"What kind of son are you? what, strike your father!" exclaimed Taras Bulba, retreating several paces in amazement.

"Yes, even my father. I don't stop to consider persons when an insult is in question."

"So you want to fight me? with your fist, eh?"

"Any way."

"Well, let it be fisticuffs," said Taras Bulba, turning up his sleeves. "I'll see what sort of a man you are with your fists."

And father and son, in lieu of a pleasant greeting after long separation, began to deal each other heavy blows on ribs, back, and chest, now retreating and looking at each other, now attacking afresh.

"Look, good people! the old man has gone man! he has lost his senses completely!" screamed their pale, ugly, kindly mother, who was standing on the threshold, and had not yet succeeded in embracing her darling children. "The children have come home, we have not seen them for over a year; and now he has taken some strange freak—he's pommelling them."

"Yes, he fights well," said Bulba, pausing; "well, by heavens!" he continued, rather as if excusing himself, "although he has never tried his hand at it before, he will make a good Cossack! Now, welcome, son! embrace me," and father and son began to kiss each other. "Good lad! see that you hit every one as you pommelled me; don't let any one escape. Nevertheless your clothes are ridiculous all the same. What rope is this hanging there?—And you, you lout, why are you standing there with your hands hanging beside you?" he added, turning to the youngest. "Why don't you fight me? you son of a dog!"

"What an idea!" said the mother, who had managed in the meantime to embrace her youngest. "Who ever heard of children fighting their own father? That's enough for the present; the child is young, he has had a long journey, he is tired." The child was over twenty, and about six feet high. "He ought to rest, and eat something; and you set him to fighting!"

"You are a gabbler!" said Bulba. "Don't listen to your mother, my lad; she is a woman, and knows nothing. What sort of petting do you need? A clear field and a good horse, that's the kind of petting for you! And do you see this sword? that's your mother! All the rest people stuff your heads with is rubbish; the academy, books, primers, philosophy, and all that, I spit upon it all!" Here Bulba added a word which is not used in print. "But I'll tell you what is best: I'll take you to Zaporozhe (1) this very week. That's where there's science for you! There's your school; there alone will you gain sense."

"And are they only to remain home a week?" said the worn old mother sadly and with tears in her eyes. "The poor boys will have no chance of looking around, no chance of getting acquainted with the home where they were born; there will be no chance for me to get a look at them."

"Enough, you've howled quite enough, old woman! A Cossack is not born to run around after women. You would like to hide them both under your petticoat, and sit upon them as a hen sits on eggs. Go, go, and let us have everything there is on the table in a trice. We don't want any dumplings, honey-cakes, poppy-cakes, or any other such messes: give us a whole sheep, a goat, mead forty years old, and as much corn-brandy as possible, not with raisins and all sorts of stuff, but plain scorching corn-brandy, which foams and hisses like mad."

Bulba led his sons into the principal room of the hut; and two pretty servant girls wearing coin necklaces, who were arranging the apartment, ran out quickly. They were either frightened at the arrival of the young men, who did not care to be familiar with anyone; or else they merely wanted to keep up their feminine custom of screaming and rushing away headlong at the sight of a man, and then screening their blushes for some time with their sleeves. The hut was furnished according to the fashion of that period—a fashion concerning which hints linger only in the songs and lyrics, no longer sung, alas! in the Ukraine as of yore by blind old men, to the soft tinkling of the native guitar, to the people thronging round them—according to the taste of that warlike and troublous time, of leagues and battles prevailing in the Ukraine after the union. Everything was cleanly smeared with coloured clay. On the walls hung sabres, hunting-whips, nets for birds, fishing-nets, guns, elaborately carved powder-horns, gilded bits for horses, and tether-ropes with silver plates. The small window had round dull panes, through which it was impossible to see except by opening the one moveable one. Around the windows and doors red bands were painted. On shelves in one corner stood jugs, bottles, and flasks of green and blue glass, carved silver cups, and gilded drinking vessels of various makes—Venetian, Turkish, Tscherkessian, which had reached Bulba's cabin by various roads, at third and fourth hand, a thing common enough in those bold days. There were birch-wood benches all around the room, a huge table under the holy