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قراءة كتاب Shakespeare's Insomnia, and the Causes Thereof

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Shakespeare's Insomnia, and the Causes Thereof

Shakespeare's Insomnia, and the Causes Thereof

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دار النشر: Project Gutenberg
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SHAKESPEARE'S INSOMNIA And the Causes Thereof

BY FRANKLIN H. HEAD

 

1887

Copyright, 1886, BY FRANKLIN H. HEAD.

 

[**Transcriber's Note: The following is a literary hoax, and the letters quoted below are fictitious.]

 

 

SHAKESPEARE'S INSOMNIA, AND THE CAUSES THEREOF.

I.

Insomnia, the lack of "tired Nature's sweet restorer," is rapidly becoming the chronic terror of all men of active life who have passed the age of thirty-five or forty years. In early life, while yet he "wears the rose of youth upon him," man rarely, except in sickness, knows the want of sound, undreaming sleep. But as early manhood is left behind and the cares and perplexities of life weigh upon him, making far more needful than ever the rest which comes only through unbroken sleep, this remedial agent cannot longer be wooed and won. Youth would "fain encounter darkness as a bride and hug it in his arms." To those of riper years the "blanket of the dark" often ushers in a season of terrors,—a time of fitful snatches of broken sleep and of tormenting dreams; of long stretches of wakefulness; of hours when all things perplexing and troublesome in one's affairs march before him in sombre procession: in endless disorder, in labyrinths of confusion, in countless new phases of disagreeableness; and at length the morning summons him to labor, far more racked and weary than when he sought repose.

It has been of late years much the fashion in the literature of this subject to attribute sleeplessness to the rapid growth of facilities for activities of every kind. The practical annihilation of time and space by our telegraphs and railroads, the compressing thereby of the labors of months into hours or even minutes, the terrific competition in all kinds of business thereby made possible and inevitable, the intense mental activity engendered in the mad race for fame or wealth, where the nervous and mental force of man is measured against steam and lightning,—these are usually credited with having developed what is considered a modern and even an almost distinctively American disease.

As the maxim, "There is nothing new under the sun," is of general application, it may be of interest to investigate if an exception occurs in the case of sleeplessness; if it be true that among our ancestors, before the days of working steam and electricity, the glorious sleep of youth was prolonged through all one's three or four score years.

Medical books and literature throw no light upon this subject three hundred years ago. We must therefore turn to Shakespeare—human nature's universal solvent—for light on this as we would on any other question of his time. Was he troubled with insomnia, then, is the first problem to be solved.

Dr. Holmes, our genial and many-sided poet-laureate, who is also a philosopher, in his "Life of Emerson," has finely worked out the theory that no man writes other than his own experience: that consciously or otherwise an author describes himself in the characters he draws; that when he loves the character he delineates, it is in some measure his own, or at least one of which he feels its tendencies and possibilities belong to himself. Emerson, too, says of Shakespeare, that all his poetry was first experience.

When we seek to analyze what we mean by the term Shakespeare, to endeavor to define wherein he was distinct from all others and easily pre-eminent, to know why to us he ever grows wiser as we grow wise, we find that his especial characteristic was an unequalled power of observation and an ability accurately to chronicle his impressions. He was the only man ever born who lived and wrote absolutely without bias or prejudice. Emerson says of him that "he reported all things with impartiality; that he tells the great greatly, the small subordinately,—he is strong as Nature is strong, who lifts the land into mountain slopes without effort, and by the same rule as she floats a bubble in the air, and likes as well to do the one as the other." Says he, further: "Give a man of talents a story to tell, and his partiality will presently appear: he has certain opinions which he disposes other things to bring into prominence; he crams this part and starves the other part, consulting not the fitness of the thing but his fitness and strength." But Shakespeare has no peculiarity; all is duly given.

Thus it is that his dramas are the book of human life. He was an accurate observer of Nature: he notes the markings of the violet and the daisy; the haunts of the honeysuckle, the mistletoe, and the woodbine. He marks the fealty of the marigold to its god the sun, and even touches the freaks of fashion, condemning in some woman of his time an usage, long obsolete, in accordance with which she adorned her head with "the golden tresses of the dead." But it was as an observer and a delineator of man in all his moods that he was the bright, consummate flower of humanity. His experiences were wide and varied. He had absorbed into himself and made his own the pith and wisdom of his day. As the fittest survives, each age embodies in itself all worthy of preservation in the ages gone before. In Shakespeare's pages we find a reflection, perfect and absolute, of the age of Elizabeth, and therefore of all not transient in the foregone times,—of all which is fixed and permanent in our own. He "held the mirror up to Nature." So "his eternal summer shall not fade," because

"He sang of the earth as it will be

When the years have passed away."

If, therefore, insomnia had prevailed in or before his time, in his pages shall we find it duly set forth. If he had suffered, if the "fringed curtains of his eyes were all the night undrawn," we shall find his dreary experiences—his hours of pathetic misery, his nights of desolation—voiced by the tongues of his men and women.

Shakespeare speaks often of the time in life when men have left behind them the dreamless sleep of youth. Friar Laurence says:—

"Care keeps his watch in every old man's eye,

And where care lodges, sleep can never lie;

But where unbruisèd youth with unstuffed brain

Doth couch his limbs, there golden sleep doth reign."

Shakespeare describes, too, with lifelike fidelity, the causes of insomnia, which are not weariness or physical pain, but undue mental anxiety. He constantly contrasts the troubled sleep of those burdened with anxieties and cares, with the happy lot of the laborer whose physical weariness insures him a tranquil night's repose. Henry VI. says:—

"And to conclude, the shepherd's homely curds,

His cold thin drink out of his leather bottle,

His wonted sleep under a fresh tree's shade,

All which secure and sweetly he enjoys,

Are far beyond a prince's delicates."

And Henry V. says:—

"'Tis not the balm, the sceptre and the ball,

The sword, the mace, the crown imperial,

The intertissued robe of gold and pearl,

The farcèd title running 'fore the king,

The throne he sits on, nor the tide of pomp

That beats upon the high shore of this world,—

No, not all these, thrice gorgeous ceremony,

Not all these, laid in bed majestical,

Can sleep so soundly as the wretched slave,

Who, with a body filled and vacant mind,

Gets him to rest, crammed with distressful bread;

Never sees horrid night, that child of hell,

But, like a lackey, from the rise to set,

Sweats in the eye of Phoebus, and all night

Sleeps in Elysium....

And, but for ceremony, such a wretch,

Winding up days with toil and nights with sleep,

Hath the forehand and vantage of a king."

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