neglected and forgotten, in deserted halls—representations, half obliterated themselves, of forms and faces long since returned to dust. Yet these painted phantoms were most appropriate inhabitants of this desolate abode; real living people would have seemed out of place in the death-stricken house.

In the middle of the room stood an immense dining-table of dark, polished wood, much worm-eaten, and gradually falling into decay. Two tall buffets, elaborately carved and ornamented, stood on opposite sides of the room, with only a few odd pieces of Palissy ware, representing lizards, crabs, and shell-fish, reposing on shiny green leaves, and two or three delicate wine-glasses of quaint patterns remaining upon the shelves where gold and silver plate used to glitter in rich profusion, as was the mode in France. The handsome old chairs, with their high, carved backs and faded velvet cushions, that had been so firm and luxurious once, were tottering and insecure; but it mattered little, since no one ever came to sit in them now round the festive board, and they stood against the wall in prim order, under the rows of family portraits.

A smaller room opened out of this one, hung round with faded, moth-eaten tapestry. In one corner stood a large bed, with four tall, twisted columns and long, ample curtains of rich brocade, which had been delicate green and white, but now were of a dingy, yellowish hue, and cut completely through from top to bottom in every fold. An ebony table, with some pretty gilded ornaments still clinging to it, a mirror dim with age, and two large arm-chairs, covered with worn and faded embroidery, that had been wrought by the fair fingers of some noble dame long since dead and forgotten, completed the furniture of this dismal chamber.

In these two rooms were the latticed windows seen in the front of the chateau, and over them still hung long sweeping curtains, so tattered and moth-eaten that they were almost falling to pieces. Profound silence reigned here, unbroken save by occasional scurrying and squeaking of mice behind the wainscot, the gnawing of rats in the wall, or the ticking of the death-watch.

From the tapestried chamber a door opened into a long suite of deserted rooms, which were lofty and of noble proportions, but devoid of furniture, and given up to dust, spiders, and rats. The apartments on the floor above them were the home of great numbers of bats, owls, and jackdaws, who found ready ingress through the large holes in the roof. Every evening they flew forth in flocks, with much flapping of wings, and weird, melancholy cries and shrieks, in search of the food not to be found in the immediate vicinity of this forlorn mansion.

The apartments on the ground floor contained nothing but a few bundles of straw, a heap of corn-cobs, and some antiquated gardening implements. In one of them, however, was a rude bed, covered with a single, coarse blanket; presumably that of the only domestic remaining in the whole establishment.

It was from the kitchen chimney that the little spiral of smoke escaped which was seen from without. A few sticks were burning in the wide, old-fashioned fireplace, but the flames looked pale under the bright light that streamed down upon them through the broad, straight flue. The pot that hung from the clumsy iron crane was boiling sleepily, and if the curious visitor could have peeped into it he would have seen that the little cabbage bed in the garden had contributed of its produce to the pot-au-feu. An old black cat was sitting as close to the fire as he could without singeing his whiskers, and gravely watching the simmering pot with longing eyes. His ears had been closely cropped, and he had not a vestige of a tail, so that he looked like one of those grotesque Japanese chimeras that everybody is familiar with. Upon the table, near at hand, a white plate, a tin drinking cup, and a china dish, bearing the family arms stamped in blue, were neatly arranged, evidently in readiness for somebody's supper. For a long time the cat remained perfectly motionless, intently watching the pot which had almost ceased to boil as the fire got low, and the silence continued unbroken; but at last a slow, heavy step was heard approaching from without, and presently the door opened to admit an old man, who looked half peasant, half gentleman's servant. The black cat immediately quitted his place by the fire and went to meet him; rubbing himself against the newcomer's legs, arching his back and purring loudly; testifying his joy in every way possible to him.

"Well, well, Beelzebub," said the old man, bending down and stroking him affectionately, "are you really so glad to see me? Yes, I know you are, and it pleases me, old fellow, so it does. We are so lonely here, my poor young master and I, that even the welcome of a dumb beast is not to be despised. They do say that you have no soul, Beelzebub, but you certainly do love us, and understand most times what we say to you too." These greetings exchanged, Beelzebub led the way back to the fire, and then with beseeching eyes, looking alternately from the face of his friend to the pot-au-feu, seemed mutely begging for his share of its contents. Poor Beelzebub was growing so old that he could no longer catch as many rats and mice as his appetite craved, and he was evidently very hungry.

Pierre, that was the old servant's name, threw more wood on the smouldering fire, and then sat down on a settle in the chimney corner, inviting his companion—who had to wait still for his supper as patiently as he might—to take a seat beside him. The firelight shone full upon the old man's honest, weather-beaten face, the few scattered locks of snow-white hair escaping from under his dark blue woollen cap, his thick, black eyebrows and deep wrinkles. He had the usual characteristics of the Basque race; a long face, hooked nose, and dark, gipsy-like complexion. He wore a sort of livery, which was so old and threadbare that it would be impossible to make out its original colour, and his stiff, soldier-like carriage and movements proclaimed that he had at some time in his life served in a military capacity. "The young master is late to-night," he muttered to himself, as the daylight faded. "What possible pleasure can he find in these long, solitary rambles over the dunes? It is true though that it is so dreary here, in this lonely, dismal house, that any other place is preferable."

At this moment a joyous barking was heard without, the old pony in the stable stamped and whinnied, and the cat jumped down from his place beside Pierre and trotted off towards the door with great alacrity. In an instant the latch was lifted, and the old servant rose, taking off his woollen cap respectfully, as his master came into the kitchen. He was preceded by the poor old dog, trying to jump up on him, but falling back every time without being able to reach his face, and Beelzebub seemed to welcome them both—showing no evidence of the antipathy usually existing between the feline and canine races; on the contrary, receiving Miraut with marks of affection which were fully reciprocated.

The Baron de Sigognac, for it was indeed the lord of the manor who now entered, was a young man of five or six and twenty; though at first sight he seemed much older, because of the deep gravity, even sadness, of his demeanour; the feeling of utter powerlessness which poverty brings having effectually chased away all the natural piety and light-heartedness of youth. Dark circles surrounded his sunken eyes, his cheeks were hollow, his mustache drooped in a sorrowful curve over his sad mouth. His long black hair was negligently pushed back from his pale face, and showed a want of care remarkable in a young man who was strikingly handsome, despite his doleful desponding expression. The constant pressure of a crushing grief had drawn sorrowful lines in a countenance that a little animation would have rendered charming. All the elasticity and hopefulness natural to his age seemed to have been lost in his useless struggles against an unhappy fate. Though