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قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 19, No. 537, March 10, 1832

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The Mirror of Literature, Amusement, and Instruction
Volume 19, No. 537, March 10, 1832

The Mirror of Literature, Amusement, and Instruction Volume 19, No. 537, March 10, 1832

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دار النشر: Project Gutenberg
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the doors and windows. When these are too tight, the chimney smokes or the fire will not draw; and in such cases it is sometimes necessary to make a concealed aperture in some convenient part of the room for the requisite admission of air, or to submit to sitting with a window or door partly open. Any imperfect action of the chimney, or descending current, is announced by the escape of smoke into the room, and is frequently caused by the flue being too large, or not sufficiently perpendicular and regular in its construction. When there is no fire, the chimneys also generally act as ventilators; and in summer there is often a very powerful current up them, in consequence of the roof and chimney-pots being heated by the sun, and thus accelerating the ascent of the air. In a well-constructed house there should be sufficient apertures for the admission of the requisite quantity of air into the respective rooms, without having occasion to trust to its accidental ingress through every crack and crevice that will allow it to pass. These openings may either be concealed, or made ornamental, and by proper management may be subservient to the admission of warm air in winter."


HENRI III. OF FRANCE.

We quote the following scene from one of the Tales recently published in three volumes with the general cognomen of Chantilly. It is from the longest and most successful of the stories called "D'Espignac," in the time of Henri III., and, as our extract shows, the scenes and sketches exhibit considerable talent, and a certain graphic minuteness which has become very popular in modern novels. The tale itself is not to our purpose, but we promise the reader a petit souper of horrors from its perusal, especially to those who woo terror to delight them. The pen is young and feminine, and of high promise. The occasion of the following scene is an interview of one of the characters with Henri.

"It was a small dark apartment, hung round with tapestry, the ceiling richly decorated with massive ornaments of carved oak, and the floor covered with a dark-coloured carpet of Turkey manufacture, so thick and soft that the footsteps fell unheard as they advanced over it. It was here that the monarch usually spent his leisure hours, and various were the objects indicative of his tastes and habits scattered around, in a confusion which completely put to flight all ideas of study or devotion in the mind of the visiter. On a small table near the door were strewn divers preparations for the toilette, and cosmetics for improving the complexion, of which the King used quantities almost incredible, all prepared by his own hand; and the mixing and arranging of these formed his greatest delight and amusement. In the recesses on each side the window stood two highly-polished ebony cases, which Catherine de Medicis his mother had brought from Italy, for containing books and holy relics; but for this they were totally useless to the present royal owner, who applied them to a far different purpose. On the lower shelf next the ground, were arranged small ornamented baskets, in each of which, on satin cushions, reposed in regal luxury a litter of spaniel puppies, which, together with their pampered mother, did not fail to salute with deafening noise any stranger who entered. The messes, medicines, and food of these little favourites completely filled the upper shelves, or only disputed ground with the chains and collars of their predecessors, a few of whom, rescued from oblivion, stood on the top, seemingly ready as in life to fly out with inhospitable fury on the approach of intruders.

"The upper compartments of the window were of painted glass, and cast a dismal light through the apartment, while the lower panes were darkened by the hawk-mews raised on the terrace, that the King might enjoy the daily satisfaction of seeing the birds fed before his eyes. On a table near the window stood an inkstand, with various implements for writing, but from the sorry condition in which they appeared, and the confusion prevailing around, it was evident they were but seldom used. Small was the space, however, allotted to such unimportant objects. His Majesty had been deeply engaged during the morning tending a sick puppy, which having washed in sweet water, and combed with a gilt comb, he had adorned with ribbons, and placed in a basket by his side; mixing a scented paste for whitening the hands, preparing a wash for the skin, binding the broken leg of a wounded merlin, and finally seeking relief from such engrossing pursuits in the favourite recreation of disburdening a precious missal of its exquisite illuminations, in order to ornament the walls and enliven the chamber! It was at this table that Henri himself was seated, with his head resting on his hands, and apparently buried in thought. The noisy greeting of the spaniels as La Vallée entered caused him to start, and he turned towards the door an anxious unquiet look, bespeaking distrust and apprehension, which, however, quickly changed to one of pleasure as he heard the name and recognised the features of his visiter.

"The King was at that time in the very flower of his age, and yet he appeared no longer young. The cares of royalty, the murder of the Guises, had planted many a deep and lasting furrow on his brow, which time would have otherwise withheld for many years. His pallid cheek and sunken eye told of a mind but ill at ease. No art, no charm could restore the bloom and freshness which remorse for the past and fear for the future had long ago dispelled, never to return. And yet, with that sweet self-deception which all are so disposed to practise, he sought to banish reflection and beguile alarm in the pursuit of all kinds of frivolous amusements unworthy of his rank or station, and fancied he had succeeded in chasing care if for a moment he ceased to think.

"His costume even now was foppish and recherché. Much time had evidently been spent in adjusting the drooping leathers of his jewelled toque, and no pains had been spared in properly disposing the plaits of his fraise and ruffles, or in arranging the folds of his broidered mantle. The snow-white slippers, with the sky-blue roses, the silken hose and braided doublet, seemed better fitted for the parade of the courtly saloon than the privacy of the closet. The hand he extended to the Count was like that of a youthful beauty, rather than of one who had once wielded sword with the bravest. Every finger was adorned with a costly jewel, which flashed and sparkled in the light as he waved his hand in token of welcome, and, pointing to a chair, bade his visiter be seated."


SPIRIT OF THE PUBLIC JOURNALS.


THE LAW OF ARREST. A TALE FROM FACTS.

Once upon a time there lived at Hamburgh a certain merchant of the name of Meyer—he was a good little man; charitable to the poor, hospitable to his friends, and so rich that he was extremely respected, in spite of his good nature. Among that part of his property which was vested in other people's hands, and called debts, was the sum of five hundred pounds owed to him by the Captain of an English vessel. This debt had been so long contracted that the worthy Meyer began to wish for a new investment of his capital. He accordingly resolved to take a trip to Portsmouth, in which town Captain Jones was then residing, and take that liberty which in my opinion should in a free country never be permitted, viz. the liberty of applying for his money.

Our worthy merchant one bright morning found himself at Portsmouth; he was a stranger to that town, but not unacquainted altogether with the English language. He lost no time in calling on Captain Jones.

"And vat?" said he to a man whom he asked to show him to the Captain's house, "vat is dat fine veshell yondare?"

"She be the Royal Sally," replied the man, "bound for

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