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قراءة كتاب Punch, or the London Charivari, Volume 99, November 15, 1890

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‏اللغة: English
Punch, or the London Charivari, Volume 99, November 15, 1890

Punch, or the London Charivari, Volume 99, November 15, 1890

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دار النشر: Project Gutenberg
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Eye, by BETTINA MARTIN.


THE YOUNG SPARK AND THE OLD FLAME.

THE YOUNG SPARK AND THE OLD FLAME.

Young Spark. "TRY ME! YOU'VE TOLERATED THAT FUSTY OLD FOGEY LONG ENOUGH!"

Old Flame (aside). "FLASHY YOUNG UPSTART!"

["It is obvious that small tunnels for single lines, of the usual standard gauge, may be constructed some distance below the ground, and yet the atmosphere of such tunnels be as pure as upon a railway on the surface."—Illustrated London News, on the City & South London Electric Company.]

"Young Spark" loquitur:—

Your arm, my dear Madam! This way, down the lift, Ma'am!

No danger at all, no discomfort, no dirt!

You love Sweetness and Light? They are both in my gift, Ma'am;

I'll prove like a shot what I boldly assert.

Don't heed your Old Flame, Ma'am, he's bitterly jealous,

'Tis natural, quite, with his nose out of joint;

You just let him bluster and blow like old bellows,

And try me instead—I will not disappoint!

Old Flame? He's a very fuliginous "Flame," Ma'am;

I wonder, I'm sure, how you've stood him so long;

He has choked you for years—'tis a thundering shame, Ma'am!

High time the Young Spark put a term to his wrong.

Just look at me! Am I not trim, smart, and sparkling,

As clean as a pin, and as bright as a star?

Compare me with him, who stands scowling and darkling!

So gazed the old gallant on Young LOCHINVAR.

He's ugly and huffy, and smoky, and stuffy,

And pokey, and chokey, and black as my hat.

As wooer he's dull, for his breath smells of sulphur;

Asphyxia incarnate, and horrid at that!

You cannot see beauty in one who's so sooty,

So dusty, and dingy, and dismal, and dark.

He's feeble and footy; 'tis plainly your duty

To "chuck" the Old Flame, and take on the Young Spark.

A Cyclops for lover, no doubt you discover,

My dear Lady LONDON, is not comme il faut;

If I do not woo you the sunny earth over.

At least I lend light to love-making below.

He's just like old Pluto, Persephone's prigger;

You'll follow Apollo the Younger—that's me!

He's sombre as Styx, and as black as a nigger.

His lady-love, LONDON! Bah! Fiddle-de-dee!

His murky monopoly, Madam, is ended.

Come down, my dear love, to my subterrene hall!

I think you'll admit it is sparkling and splendid,

As clean as a palace, not black as a pall.

Electrical traction with sheer stupefaction

Strikes Steam, the old buffer, and spoils his small game.

You're off with the old Love, so try the new bold Love,

And let the Young Spark supersede the Old Flame.

[Carries her off in triumph.


PARS ABOUT PICTURES.

Close upon a hundred years ago, when GEORGE THE THIRD was King, MENDOZA opened a saloon in the Strand, whereat various studies in Black and Blue might be enjoyed. To-day MENDOZA has a gallery in King Street, which is devoted to studies in Black and White. You may say, history repeats itself. Nothing of the kind. The gentleman of GEORGE THE THIRD'S time devoted himself to the pugilistic art; the gentleman of the time of VICTORIA gives his attention to graphic art. The one was the patron of fists, the other of fingers—that makes all the difference. MENDOZA the Past, closed eyes—MENDOZA the Present opens them, and, if you go to the St. James's Gallery, you will find a pleasant collection of Eye Art—open to all peepers. It is true it may not be High Art, but you will find it, like Epps's Cocoa, "grateful and comforting."

Mr. MCLEAN, who has had an Art-show in the Haymarket since the days of GEORGE THE THIRD, or rather his ancestor had, is "quite up to time, and smiling," with his present collection (your Old PAR can't help using the argot of the P.R., and brings COLE, not to Newcastle, but to the Haymarket, in "A Bend in the River, near Maple Durham." He shows us the views of BURTON BARBER on "Compulsory Education," also a wondrous picture of the "Gate of the Great Mosque of Damascus," by BAUERNFEIND, "A Venetian Brunette," by FILDES, and many other works that will well repay inspection, but of which there is no space for anything more to be said by yours par-enthetically,

OLD PAR.


THE GENTLE ART (OF SNIGGLING).

["Whoever walks beside the river (the Ettrick), will observe five or six or more men and boys, equipped with gigantic wading-breeches, busy in each pool. They are only armed with rods and flies, and thus have a false appearance of being fair fishers.... The truth is that the apparent sportsmen are snigglers, not anglers. They drive the top part of their rods deep into the water, so as to rake the bottom, and then bring the hook out with a jerk. Every now and then ... one of the persecuted fishes ... is hauled out with short shrift."—Daily News.]

Oh! the world's very bad, and our hearts they are sore

As we think of the errors and wrongs we have got to

Endure uncomplaining, and oh! we deplore

The things people do, that they really ought not to!

With Courtesy dead, and with Justice "a-bed,"

When the mention of Love only causes a giggle,—

But we'd manage to live and still hold up our head,

Were it not for the villain who ventures to sniggle.

With his rod and his hook see him carefully rake

The bed of the river, and gallantly wading,

Arrayed in his breeches, endeavour to make

Of genuine sport but a mere masquerading.

You might think him a fool for his trouble—but look!

(And it's true, though at first it appears to be gammon)

With a horrible jerk, as he pulls up his hook,

The sportsmanlike sniggler has landed a salmon!

As a nation of sportsmen, it rouses our ire

To hear of sport ruined by such a proceeding;

And to snigglers we earnestly wish and desire

To give the advice they so sadly seem needing.

Let them think, as they work their inglorious plan,

How old IZAAK must turn in his grave and must wriggle;

And may they in future all see if they can,

By learning to angle, forget how to sniggle!


IN OUR GARDEN.

IN OUR GARDEN

Discovered on returning home that the Member for SARK had not at all exaggerated the facts picturing disaster to our onion-bed. This portion of the garden had been disappointing from the first. Early in the Spring, when hope beat high, and the young gardener's fancy lightly turned to thoughts

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