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قراءة كتاب Punch, or the London Charivari, Volume 99, December 6, 1890
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
Punch, or the London Charivari, Volume 99, December 6, 1890
Big borrowings from generous France.
Mr. Punch Among the Planets is the title of Mr. Punch's Christmas Number, vice Almanack superseded. Ask for this, and "see that you get it"!
VOX STELLARUM.—The New Comet, November 19, Boston, U.S., suddenly appeared, and was heard to exclaim, "But, soft! I am observed!"
SCENES OF CLERICAL LIFE.—A DIOCESAN CONFERENCE.
"LOOK 'ERE, BILL! BLEST IF THESE BEAN'T A LOT O' PARSONS ON STRIKE!"
"SEPARATISTS."
(Fragments of a Modern "Marmion.")
"But DOUGLAS round him drew his cloak,
Folded his arms, and thus he spoke:—
* * * * *
'The hand of DOUGLAS is his own,
And never shall in friendly grasp
The hand of such as MARMION clasp.'"
* * * * *
"The hand of such as MARMION!" Ay!
Great Singer of the knightly lay,
Thy tale of Flodden field
Is darkened by unknightly stain.
That slackened arm and burdened brain
Of him found low among the slain,
Constrained at last to yield
To a mere "base marauder's lance;"
He, firm of front and cold of glance,
The dark, the dauntless MARMION.—
The days of chivalry are gone,
Dispraisers of the present say,
Yet men arm still for party fray
As fierce as foray old;
And mail is donned, and steel is drawn,
And champions challenging at dawn
Ere night lie still and cold.
Two champions here 'midst loud applause,
Have led the lists in a joint cause
On many a tourney morn,
Have fought to vanward in the field
Full many an hour, and, sternly steeled,
One banner forward borne.
And now—ah, well, as DOUGLAS old
On MARMION looked sternly cold,
So looks this Chieftain grey
On his old comrade, though the fight
Is forward now, and many a knight
Is arming for the fray.
As "the demeanour changed and cold
Of DOUGLAS fretted MARMION bold,"
Has this old greyhaired Chieftain's chill
Fretted that man of icy will?
Who knows—or cares to know?
At least he "has to learn ere long
That constant mind, and hate of wrong"
Than steely pride are yet more strong;
That shame can strike a blow
At comradeship more fatal far
Than any chance of fateful war
When faction howled with Cerberus throat,
When falsehood struck a felon stroke,
When forgery did its worst
To pull its hated quarry down,
To dim, disarm, degrade, discrown.
Against the array accurst
That ancient chief made gallant head,
Dismayed not, nor disquieted
At rancour's rude assault.
He shared opprobrium undeserved,
But not for that had courage swerved,
Or loyalty made default.
But now? The hand that reared hath razed;
And as old ANGUS stood amazed
At WILTON's shameful tale,
So fealty here must bend the brow,
And faith, though sorely tried, till now
Surviving, faint and fail;
As DOUGLAS round him drew his cloak,
So, saddened by unknightly stroke,
The ancient chief must draw;
Nor in mere pharisaic scorn,
But in the name of faith foresworn
And honour's broken law.
"'Tis pity of him, too!" 'Twas so,
The half-relenting ANGUS, low
Spake in his snowy beard.
"Bold can he speak, and fairly ride:
I warrant him a warrior tried."
A foeman to be feared,
A leader to be trusted, seemed
This dark, cold chief, and few had dreamed
Of such strange severance.
And any not ignoble eye
In sorrow more than mockery
Aside will gladly glance.
'Tis pity of it! Right or wrong,
The Cause needs champions true as strong,
And blameless as they're bold.
"A sinful heart makes feeble hand,"
Cried MARMION, his "failing brand"
Cursing with lips grown cold.
Let vulgar venom triumph here,
And hate, itself from shame not clear,
Make haste to hurl the stone;
A nobler foe will stand aside,
And more in sorrow than in pride,
Not hot to harry or deride,
Like DOUGLAS in his halls abide,
But keep his hand—his own!
FROM A THEATRICAL CORRESPONDENT.—Sir,—I know a lot about London and N.B., but never till now did I know of the existence of 'ARRY in Scotland. The character is now represented, as I am informed, on the stage, by Mr. BEERBOHM TREE, who, in a play called Back, impersonates the MAC ARRY. Odd, this! for the McCOCKNIE. P.S.—One lives and learns. [*** If McCOCKNIE is to learn much, he will have to become a McMETHUSELAH. The piece to which he alludes is Called Back, by HUGH CONWAY and COMYNS CARR, and the part in it, excellently played by Mr. TREE, is Macari, an Italian.]
"SEPARATISTS."
Douglas ... Mr. Gl-dst-ne. Marmion ... Mr. P-rn-ll.
Douglas. "THE HAND OF DOUGLAS IS HIS OWN; AND NEVER SHALL IN FRIENDLY GRASP THE HAND OF SUCH AS MARMION CLASP!"—Marmion, Canto VI.
A LORD OF THE ADMIRALTY VERY MUCH AT SEA.
(An incident of Mr. Ashmead-Bartlett's recent Tour in Ireland.)
Mr. A.B. "WHY PAT, MY LAD, I SEE NOTHING TO COMPLAIN OF HERE. THESE POTATOES ARE REMARKABLY FINE!"
Pat. "BEDAD, SOR, BUT THEY'RE NOT PRATIES AT ALL, AT ALL. SHURE, IT'S THE TURNIPS YOUR HONOUR'S LOOKING AT!"
PARS ABOUT PICTURES.
"The Royal Society of Painters in Water-Colours?" said young PAR. "Nonsense! why all the water is frozen now, and so they can't paint!" "Precisely," replied I; "and that's why it is a nice exhibition!" This so startled Young PAR that he slipped and fell. I turned into the Gallery in Pall Mall, and left him sitting on the cold hard flags outside. Inside pleasant enough. BIRKET FOSTER's "Island of Rum" very comforting—should like some hot. HERBERT MARSHALL—our own City MARSHALL—has gone further afield, to "Old Chelsea." Should now be called the Field MAR SHALL. MATTHEW HALE, in "Gathering Blackberries," is a hail fellow well met! "The Corso, Verona," by S.J. HODSON, shows that HODSON's choice is a good one. HENRY MOORE's sea-pieces—the more the merrier, say I. "Warkworth—Sunlit Shower," by A.W. HUNT: a walk worth taking when the hunt is up. "Holidays Past and Future,"