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قراءة كتاب Judith, a Play in Three Acts; Founded on the Apocryphal Book of Judith

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Judith, a Play in Three Acts; Founded on the Apocryphal Book of Judith

Judith, a Play in Three Acts; Founded on the Apocryphal Book of Judith

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دار النشر: Project Gutenberg
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JUDITH

A PLAY IN THREE ACTS

Founded on the apocryphal book of "Judith"


BY

ARNOLD BENNETT

LONDON

1919

First published April 30, 1919

NOTE

This play was presented for the first time at the Devonshire Park Theatre, Eastbourne, on Monday, April 7th, 1919, with the following cast:

Judith LILLAH MCCARTHY
Haggith ESMÉ HUBBARD
Rahel MADGE MURRAY
Ozias CAMPBELL GULLAN
Holofernes CLAUDE KING
Bagoas ERNEST THESIGER
Achior GEOFFREY DOUGLAS
Chabris E.H. PATERSON
Charmis FEWLASS LLEWELLYN
Ingur FREDERICK VOLPE
Messenger FELIX AYLMER
Soldier CLIFFORD MOLLISON
Attendant EDWIN OXLEE

The play was produced by WILFRED EATON


CHARACTERS

Hebrews

JUDITH
HAGGITH, her waiting-woman
RAHEL
OZIAS, Governor of Bethulia
CHABRIS, an elder
CHARMIS, an elder
A SOLDIER
A MESSENGER

Assyrians

HOLOFERNES, General of the Assyrian armies
BAGOAS, his chief eunuch
ACHIOR, a captain
INGUR, a soldier
AN ATTENDANT ON BAGOAS

ACT I

A street in the city of Bethulia.


ACT II


SCENE I. The valley near the Assyrian camp. Time, morning; two days later.

SCENE II. The tent of Holofernes. Time, later, the same morning.

SCENE III. The same. Time, the same night.


ACT III


SCENE I. Same as Act I. Time, later, the same night.

SCENE II.The same. Time, the next day.


ACT I

A street in the city of Bethulia in Judea. Bethulia is in the hill country, overlooking the great plain of Jezreel to the south-west. Back, the gates of the city, hiding the view of the plain. Right, Judith's house, with a tent on the roof. Left, houses. The street turns abruptly, back left, along the wall of the city. Left centre, a built-up vantage-point, from which the plain can be seen over the gates.

TIME: Fifth century B.C.

Towards evening.

Ozias is standing alone in the street, drinking from a leathern bottle. Enter Chabris, back left.

OZIAS (quickly, but with perfect calmness, hiding the bottle in his garments). Old man! It is years since I saw you. How came you past the guard, old man?

CHABRIS. Old? Old? I am not yet a hundred. Who are you?

OZIAS. Ozias.

CHABRIS. Ah! So this is Ozias, the son of Ezbon. Before your father could walk I have nursed him on my knee; and he was filled like the full moon—with naughtiness.

OZIAS. What has brought you at last out of your house? Are you come to prophesy once more?

CHABRIS. I have given up prophesying.

OZIAS. A profession full of risks.

CHABRIS. I pass my endless days in meditation and solitude.

OZIAS. That sounds much safer. How comely is the wisdom of old men!

CHABRIS. And what do you do, sprig?

OZIAS. Has none told you?

CHABRIS. I see nobody but my daughter's granddaughter, and her I forbid to speak to me, because being a woman she has the tongue of a woman, and a woman's tongue is unfavourable to meditation. How should I be told?

OZIAS. I am the governor of this great city of Bethulia.

CHABRIS. You are responsible for this city?

OZIAS. I am.

CHABRIS. Now I understand my misfortune. And the truth was in me when I said to your mother as she lay dying: Better it is to die without children than to have them that are ungodly.

OZIAS. Oh! How comely a thing is the judgment of grey hairs!

CHABRIS. You ask me what has brought me at last out of my house. I will tell you. Thirst! Thirst has brought me out of my house. Every morning and every evening my great-grandchild serves me with pulse and water. For five days she has furnished less and less water, and this day—not a drop! Can one eat pulse without water to drink? Half an hour ago I went to her to reason with her, and she lay on her bed cracked, and raved that she herself had not drunk for three days and that there was no water left in all Bethulia. So I came at last out of my house into the streets of this city famous for its cool fountains which never fail. And lo! I meet the governor of this city, and he is Ozias! Ozias! Seven days do men mourn for him that is dead, but for an ungodly man all the days of his life! Why is there no water in Bethulia, sprig?

OZIAS. Old man, meditation is good and solitude is good, but think not because you sit staring all day at your own belly that the sun and stars have ceased to revolve round the earth and the kings of this world to make war. Is it possible that you do not know what has happened?

CHABRIS. I only know that I cannot eat pulse without water to drink.

OZIAS. Bethulia is besieged.

CHABRIS. Who is besieging Bethulia?

OZIAS. Holofernes.

CHABRIS. I have never heard his name. Who is he?

OZIAS. Never heard the name of the chief captain of Nebuchadnezzar? Have you heard the name of Nebuchadnezzar, by chance?

CHABRIS. I seem to remember it.

OZIAS. Come up here. (They go up the steps to the vantage-point.) Look! A hundred and twenty thousand foot-soldiers. Twelve thousand archers on horseback. Oxen and sheep for their provisions. Twenty thousand asses for their carriages. Camels without number. Infinite victuals; and very much gold and silver. The like was never seen before.

CHABRIS (stepping down.) Why has Nebuchadnezzar set about this thing? What harm has Bethulia done to him?

OZIAS. Much harm. Nebuchadnezzar has decided to be God. He has decreed that all nations and tribes shall call upon him as God. And he has conquered the whole earth, excepting only Judea; and Bethulia is the gate into Judea, and Bethulia has not listened to his decree, and I am the governor of Bethulia. So Nebuchadnezzar the great king is very angry and Holofernes is the tool of his wrath.

CHABRIS (going up the steps again and gazing.) How many did you say?

OZIAS. A hundred and twenty thousand foot and twelve thousand horse.

CHABRIS. At any rate this will be the last war.

OZIAS. Why?

CHABRIS. Why! Because plainly

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