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قراءة كتاب The Banquet (Il Convito)

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‏اللغة: English
The Banquet (Il Convito)

The Banquet (Il Convito)

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دار النشر: Project Gutenberg
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the creatures who eat grass and acorns.

And forasmuch as Mercy is the Mother of Benevolence, those who know how, do always liberally offer their good wealth to the true poor, and are like a living stream, whose water cools the before-named natural thirst. I, then, who sit not at the blessed table, but having fled from the pasture of the common herd, lie at the feet of those who sit there and gather up what falls from them, by the sweetness which I find in that which I collect little by little, I know the wretched life of those whom I have left behind me; and moved mercifully for the unhappy ones, not forgetting myself, I have reserved something which I have shown to their eyes long ago, and for this I have made them greatly desirous. Wherefore, now wishing to prepare for them, I mean to make a common Banquet of this which I have shown to them, and of that needed bread without which food such as this could not be eaten by them at their feast; bread fit for such meat, which I know, without it, would be furnished forth in vain. And therefore I desire that no one should sit at this Banquet whose members are so unfitly disposed that he has neither teeth, nor tongue, nor palate: nor any follower of vice; inasmuch as his stomach is full of venomous and hurtful humours, so that it will retain no food whatever. But let those come to us, whosoever they be, who, pressed by the management of civil and domestic life, have felt this human hunger, and at one table with others who have been in like bondage, let them sit. But at their feet let us place all those who have been the slaves of sloth, and who are not worthy to sit higher: and then let these and those eat of my dish, with the bread which I will cause them to taste and to digest.

The meat at this repast will be prepared in fourteen different ways, that is, in fourteen Songs, some of whose themes will be of Love and some of Virtue: which, without the present bread, might have some shadow of obscurity, so that to many they might be acceptable more on account of their form than because of their spirit. But this bread is the present Exposition. It will be the Light whereby each colour of their design will be made visible.

And if in the present work, which is named "Convito"—the Banquet, the glad Life Together—I desire that the subject should be discussed more maturely than in the Vita Nuova—the New Life—I do not therefore mean in any degree to undervalue that Fresh Life, but greatly to enhance it; seeing how reasonable it is for that age to be fervid and passionate, and for this to be mature and temperate. At one age it is fit to speak and work in one way, and at another age in another way; because certain manners are fit and praiseworthy at one age which are improper and blameable at another, as will be demonstrated with suitable argument in the fourth treatise of this Book. In that first Book (Vita Nuova) at the entrance into my youth I spoke; and in this latter I speak after my youth has already passed away. And since my true meaning may be other than that which the aforesaid songs show forth, I mean by an allegoric exposition to explain these after the literal argument shall have been reasoned out: so that the one argument with the other shall give a relish to those who are the guests invited to this Banquet. And of them all I pray that if the feast be not so splendid as befits the proclamation thereof, let them impute each defect, not to my will but to my means, since my will here is to a full and loving Liberality.

CHAPTER II.

In preparing for every well-ordered Banquet the servants are wont to take the proper bread, and see that it is clean from all blemish; wherefore I, who in the present writing stand in servant's place, intend firstly to remove two spots from this exposition which at my repast stands in the place of bread.

The one is, that it appears to be unlawful for any one to speak of himself; the other, that it seems to be unreasonable to speak too deeply when giving explanations. Let the knife of my judgment pare away from the present treatise the unlawful and the unreasonable. One does not permit any Rhetorician to speak of himself without a necessary cause. And from this is the man removed, because he can speak of no one without praise or blame of those of whom he speaks; which two causes commonly induce a man to speak of himself. And in order to remove a doubt which here arises, I say that it is worse for any one to blame than to praise himself, although neither may have to be done. The reason is, that anything which is essentially wrong is worse than that which is wrong through accident. For a man openly to bring contempt on himself is essentially wrong to his friend, because a man owes it to take account of his fault secretly, and no one is more friendly to himself than the man himself. In the chamber of his thoughts, therefore, he should reprove himself and weep over his faults, and not before the world. Again, a man is but seldom blamed when he has not the power or the knowledge requisite to guide himself aright: but he is always blamed when weak of will, because our good or evil dispositions are measured by the strength of will. Wherefore he who blames himself proves that he knows his fault, while he reveals his want of goodness; if, therefore, he know his fault, let him no more speak evil of himself. If a man praise himself it is to avoid evil, as it were; inasmuch as it cannot be done except such self-laudation become in excess dishonour; it is praise in appearance, it is infamy in substance. For the words are spoken to prove that of which he has not inward assurance. Hence, he who lauds himself proves his belief that he is not esteemed to be a good man, and this befalls him not unless he have an evil conscience, which he reveals by self-praise, and in so revealing it he blames himself.

And, again, self-praise and self-blame are to be shunned equally, for this reason, that it is false witnessing. Because there is no man who can be a true and just judge of himself, so much will self-love deceive him. Hence it happens that every man has in his own judgment the measures of the false merchant, who sells with the one, and buys with the other. Every man weights the scales against his own wrong-doing, and adds weight to his good deeds; so that the number and the quantity and the weight of the good deeds appear to him to be greater than if they were tried in a just balance; and in like manner the evil appears less. Wherefore speaking of himself with praise or with blame, either he speaks falsely with regard to the thing of which he speaks, or he speaks falsely by the fault of his judgment; and as the one is untruth, so is the other. And therefore, since to acquiesce is to admit, he is wrong who praises or who blames before the face of any man; because the man thus appraised can neither acquiesce nor deny without falling into the error of either praising or blaming himself. Reserve the way of due correction, which cannot be taken without reproof of error, and which corrects if understood. Reserve also the way of due honour and glory, which cannot be taken without mention of virtuous works, or of dignities that have been worthily acquired.

And in truth, returning to the main argument, I say, as before, that it is permitted to a man for requisite reasons to speak of himself. And amongst the several requisite reasons two are most evident: the one is when a man cannot avoid great danger and infamy, unless he discourse of himself; and then it is conceded for the reason, that to take the less objectionable of the only two paths, is to take as it were a good one. And this necessity moved Boethius to speak of himself, in order that under pretext of Consolation he might excuse the perpetual shame of his imprisonment, by showing that imprisonment to be unjust; since no other man arose to justify him. And this reason moved St. Augustine to speak of himself in his

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