You are here

قراءة كتاب Five Nights: A Novel

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Five Nights: A Novel

Five Nights: A Novel

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 1


The Project Gutenberg eBook, Five Nights, by Victoria Cross

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

Title: Five Nights

Author: Victoria Cross

Release Date: July 24, 2004 [eBook #13017]

Language: English

***START OF THE PROJECT GUTENBERG EBOOK FIVE NIGHTS***

E-text prepared by Rose Koven, Juliet Sutherland, Cathy Smith, and Project Gutenberg Distributed Proofreaders

FIVE NIGHTS

A Novel

By

Victoria Cross

1908

By Victoria Cross

  Five Nights
  Life's Shop Window
  Anna Lombard
  Six Women
  Six Chapters of a Man's Life
  The Woman Who Didn't
  To-morrow?
  Paula
  A Girl of the Klondike
  The Religion of Evelyn Hastings
  Life of my Heart

CONTENTS

PART I

The Gold Night

I THE TAKU INLET II THE TEA-SHOP III IN THE WOOD

PART II

The Violet Night

IV AT THE STUDIO V THE CALL OF THE CUCKOO

PART III

The Black Night

VI IN MAYFAIR VII FREEDOM

PART IV

The Crimson Night

VIII LOSS IX IN 'FRISCO X IN THE SHADOW OF THE VOLCANO XI THE WAY OF THE GODS

PART V

The White Night

XII THE FLAMES OF LIFE'S FURNACE

FIVE NIGHTS

"The nights have different colours. Some nights are black, the nights of storm: some are electric blue, some are silver, the moon-filled nights: some are red under the hot planet Mars or the fierce harvest moon. Some are white, the white nights of the Arctic winter: but this was a violet night, a hot, mysterious, violet night of Midsummer."

LIFE'S SHOP WINDOW.

INTRODUCTION

As one looks over any period of one's life, it appears behind one as a shining maze of brilliant colour with spots in it here and there of brighter or darker hue. Each spot represents a period of time when our happiness has glowed brighter or waned; sometimes it is a day, more often it is a night. Looking back now, over a stretch of my existence I see many such spots gleaming brightly; they are nights of colour. The history of many of these is too sacred to be written, but there are Five Nights, which, though not the dearest to my memory, have yet stamped themselves and their colour on it for ever. And the record of these five nights is contained in the following pages.

TREVOR LONSDALE.

PART ONE

THE GOLD NIGHT

CHAPTER I

THE TAKU INLET

It was just striking three as I came up the companion-stairs on to the deck of the Cottage City, into the clear topaz light of a June morning in Alaska: light that had not failed through all the night, for in this far northern latitude the sun only just dips beneath the horizon at midnight for an hour, leaving all the earth and sky still bathed in limpid yellow light, gently paling at that mystic time and glowing to its full glory again as the sun rises above the rim.

Our steamer had left the open sea and entered the Taku Inlet, and we were steaming very slowly up it, surrounded on every side by great glittering blocks of ice, flashing in the sunshine as they floated by on the buoyant blue water. How blue it was, the colouring of sea and sky! Both were so vividly blue, the note of each so deep, so intense, one seemed almost intoxicated with colour. I stepped to the vessel's side, then made my way forward and stood there; I, the lover of the East, dazzled by the beauty of the North! The marvellous picture before me was painted in but three colours, blue, gold, and white.

The sides of the inlet were jagged lines of white, the sparkling crystalline whiteness of eternal snow on sharp-pointed, almost lance-like mountain peaks; the water a broad band of blue, the sky above a canopy of blue, and there at the end of the inlet, closing it, like some colossal monster crouched awaiting us, lay the Muir, the huge glacier, a solid wedge of ice, white also, but a transparent white full of blue shadows.

Who shall describe the wonderful air and atmosphere of the North? Its brilliancy, its delicacy, its radiant diamond-like clearness? And the silence, the enchanted stillness of the North? Now as we crept slowly onwards over the vivid water between the flashing icebergs, there was no sound. Complete silence round us, on earth and sea and in the blue vault above, impressive, glittering silence. None of the passengers had broken their sleep to come up to the glory above them, and I stood alone at the forward part of the vessel gliding on through this dream of lustrous blue. Slowly we advanced towards the Muir; very slowly, for these shining bergs carried death with them if they should graze hard against the steamer's side, and, cautiously, steered with infinite pains, the little boat crept on, zigzagging between them. A frail little toy of man, it seemed, to venture here alone; small, black, impertinent atom forcing its way so hardily into this magnificence of colour, this silent splendour, this radiant stillness of the North. Into this very fastness of the most gigantic forces of Nature it had penetrated, and the sapphire sea supported it, the transparent light illumined it, the lance-like mountains looked down upon it, and the glistening bergs forbore to crush it, as if disdaining to harm so fragile a thing.

Very slowly we pushed up the inlet, approaching the shimmering blue-green wall of ice that barred the upper end; seven hundred feet down below the clear surface of the water descends this wall, while three hundred feet of it rise above, forming a glorious shining palisade across the entire width of the inlet. As the sun played on the glittering façade, rays struck out from it as from a reflector, of every shade of green and blue, the deepest hue of emerald mingling with the lightest sapphire, iridescent, sparkling, wonderful. As we crept still nearer, over the living blue of the water, the continual fall of the icebergs from the front wall of the glacier became apparent. At intervals of about five minutes, with a terrific crash like thunder a great wedge of the glittering wall would fall forward into the blue-green depths, and a cloud of snowy spray rise up hundreds of feet into the air. The berg, thus detached, after a few minutes would rise to the surface, glistening, dazzling, and begin its joyous, buoyant voyage downwards to the sea. In all this brilliant setting, with this glory of light around and the triumphal crash of sound like the salute of cannon, amid this joyous movement and in this blaze of colour, amid all that seemed to personify life, we were watching the death of the

Pages