Rivière Manley, author of "Memoirs of Europe, towards the Close of the Eighth Century" (1710), which she dedicated to Isaac Bickerstaff, and of "Secret Memoirs and Manners … from the New Atalantis" (1709). She was associated with Swift in the writing of several pamphlets In support of the Harley Administration, and in his work on "The Examiner" (see vol. v., pp. 41, 118, and 171 of the present edition of Swift's works).

Epicene is an allusion to Ben Jonson's comedy, "Epicoene; or, the
Silent Woman" (1609).

Mrs. Manley seems to have credited Steele with this attack on her, for she attacked him, in turn, in her "New Atalantis," and printed, in her dedication to the "Memoirs of Europe," Steele's denial of the authorship of this paper. This did not, however, prevent her making new charges against him. "The Narrative of Guiscard's Examination," "A Comment on Dr. Hare's Sermon," and "The Duke of Marlborough's Vindication," were written either by herself, or at the suggestion of, and with instructions from, Swift. [T.S.]]

[Footnote 6: Mrs. Elizabeth Elstob (1683-1756), a niece of the learned Dr. Hickes, issued, in 1709, "An English-Saxon Homily on the Birthday of St. Gregory." The work was dedicated to Queen Anne. She was a friend of Mary Granville, afterwards Mrs. Pendarves, and better known as Mrs. Delany. [T.S.]]

[Footnote 7: An allusion to "Useful Transactions in Philosophy," etc.,
January and February, 1708/9, which commenced with an article entitled
"An Essay on the Invention of Samplers," by Mrs. Arabella Manly (sic).
She had a friend, Mrs. Betty Clavel. [T.S.]]

THE TATLER, NUMB. 66.

FROM THURSDAY SEPTEMBER 8. TO SATURDAY SEPTEMBER 10. 1709.

Wills Coffee-house, September 9.

We have been very much perplexed here this evening, by two gentlemen who took upon them to talk as loud as if it were expected from them to entertain the company. Their subject was eloquence and graceful action. Lysander, who is something particular in his way of thinking and speaking, told us, "a man could not be eloquent without action: for the deportment of the body, the turn of the eye, and an apt sound to every word that is uttered, must all conspire to make an accomplished speaker. Action in one that speaks in public, is the same thing which a good mien is in ordinary life. Thus, as a certain insensibility in the countenance recommends a sentence of humour and jest, so it must be a very lively consciousness that gives grace to great sentiments: For the jest is to be a thing unexpected; therefore your undesigning manner is a beauty in expressions of mirth; but when you are to talk on a set subject, the more you are moved yourself, the more you will move others.

"There is," said he, "a remarkable example of that kind: Aeschines, a famous orator of antiquity, had pleaded at Athens in a great cause against Demosthenes; but having lost it, retired to Rhodes. Eloquence was then the quality most admired among men; and the magistrates of that place having heard he had a copy of the speech of Demosthenes, desired him to repeat both their pleadings. After his own, he recited also the oration of his antagonist. The people expressed their admiration of both, but more of that of Demosthenes. 'If you are,' said he, 'thus touched with hearing only what that great orator said, how would you have been affected had you seen him speak? for he who hears Demosthenes only, loses much the better part of the oration.' Certain it is, that they who speak gracefully, are very lamely represented, in having their speeches read or repeated by unskilful people; for there is something native to each man, that is so inherent to his thoughts and sentiments, which it is hardly possible for another to give a true idea of. You may observe in common talk, when a sentence of any man's is repeated, an acquaintance of his shall immediately observe, 'That is so like him, methinks I see how he looked when he said it.' But of all the people on the earth, there are none who puzzle me so much as the clergy of Great Britain, who are, I believe, the most learned body of men now in the world; and yet this art of speaking, with the proper ornaments of voice and gesture, is wholly neglected among them; and I will engage, were a deaf man to behold the greater part of them preach, he would rather think they were reading the contents only of some discourse they intended to make, than actually in the body of an oration, even when they are upon matters of such a nature as one would believe it were impossible to think of without emotion.

"I own there are exceptions to this general observation, and that the Dean[1] we heard the other day together, is an orator. He has so much regard to his congregation, that he commits to his memory what he is to say to them; and has so soft and graceful a behaviour, that it must attract your attention. His person it is to be confessed is no small recommendation; but he is to be highly commended for not losing that advantage, and adding to the propriety of speech (which might pass the criticism of Longinus)[2] an action which would have been approved by Demosthenes. He has a peculiar force in his way, and has many of his audience[3] who could not be intelligent hearers of his discourse, were there not explanation as well as grace in his action. This art of his is used with the most exact and honest skill: he never attempts your passions, till he has convinced your reason. All the objections which he can form, are laid before you and dispersed, before he uses the least vehemence in his sermon; but when he thinks he has your head, he very soon wins your heart; and never pretends to show the beauty of holiness, till he has convinced you of the truth of it.

"Would every one of our clergymen be thus careful to recommend truth and virtue in their proper figures, and show so much concern for them as to give them all the additional force they were able, it is not possible that nonsense should have so many hearers as you find it has in dissenting congregations, for no reason in the world but because it is spoken extempore: For ordinary minds are wholly governed by their eyes and ears, and there is no way to come at their hearts but by power over their imagination. There is my friend and merry companion Daniel[4]: he knows a great deal better than he speaks, and can form a proper discourse as well as any orthodox neighbour. But he knows very well, that to bawl out, 'My beloved;' and the words 'grace! regeneration! sanctification! a new light! the day! The day! aye, my beloved, the day!' or rather, 'the night! The night is coming! and judgment will come, when we least think of it!'—and so forth—He knows, to be vehement is the only way to come at his audience; and Daniel, when he sees my friend Greenhat come in, can give him a good hint, and cry out, 'This is only for the saints! the regenerated!' By this force of action, though mixed with all the incoherence and ribaldry imaginable, Daniel can laugh at his diocesan, and grow fat by voluntary subscription, while the parson of the parish goes to law for half his dues. Daniel will tell you, 'It is not the shepherd, but the sheep with the bell, which the flock follows.' Another thing, very wonderful this learned body should omit, is, learning to read; which is a most necessary part of eloquence in one who is to serve at the altar: for there is no man but must be sensible, that the lazy tone, and inarticulate sound of our common readers, depreciates the most proper form of words that were ever extant in any nation or language, to speak our own wants, or His power from whom we ask relief.

"There cannot be a greater instance of the power of action than in little parson Dapper,[5] who is the common relief to all the lazy pulpits in town. This smart youth has a very good memory, a quick eye,