قراءة كتاب The Prose Works of Jonathan Swift, D.D. — Volume 09 Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer

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The Prose Works of Jonathan Swift, D.D. — Volume 09
Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer

The Prose Works of Jonathan Swift, D.D. — Volume 09 Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer

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and a clean handkerchief. Thus equipped, he opens his text, shuts his book fairly, shows he has no notes in his Bible, opens both palms, and shows all is fair there too. Thus, with a decisive air, my young man goes on without hesitation; and though from the beginning to the end of his pretty discourse, he has not used one proper gesture, yet at the conclusion, the churchwarden pulls his gloves from off his head; 'Pray, who is this extraordinary young man?' Thus the force of action is such, that it is more prevalent (even when improper) than all the reason and argument in the world without it." This gentleman concluded his discourse by saying, "I do not doubt but if our preachers would learn to speak, and our readers to read, within six months' time we should not have a dissenter within a mile of a church in Great Britain."

[Footnote 1: In his original preface to the fourth volume, Steele explains that "the amiable character of the Dean in the sixty-sixth 'Tatler,' was drawn for Dr. Atterbury." Steele cites this as a proof of his impartiality. Scott thinks that it must have cost him "some effort to permit insertion of a passage so favourable to a Tory divine." At the time the character was published Atterbury was Dean of Carlisle and one of the Queen's chaplains. He was later created Bishop of Rochester. There is no doubt that Atterbury was deeply implicated in the various Jacobite plots for the bringing in of the Pretender. Under a bill of pains and penalties he was condemned and deprived of all his ecclesiastical offices. In 1723 he left England and died in exile in 1732. His body, however, was privately buried in Westminster Abbey. [T.S.]]

[Footnote 2: "De Sublimitate," viii. [T.S.]]

[Footnote 3: For twenty years Atterbury was preacher at the chapel of
Bridewell Hospital. [T.S.]]

[Footnote 4: Daniel Burgess (1645-1713), the son of a Wiltshire clergyman, was a schoolmaster in Ireland before he became minister to the Presbyterian meeting-house people in Brydges Street, Covent Garden. A chapel was built for him in New Court, Carey Street, Lincoln's Inn, and this was destroyed during the Sacheverell riots in 1710. [T.S.]]

[Footnote 5: Dr. Joseph Trapp (1679-1747), professor of poetry at Oxford, where he published his "Praelectiones Poeticae" (1711-15), He assisted Sacheverell and became a strong partisan of the High Church party. Swift thought very little of him. To Stella he writes, he is "a sort of pretender to wit, a second-rate pamphleteer for the cause, whom they pay by sending him to Ireland" (January 7th, 1710/1, see vol. ii., p. 96). This sending to Ireland refers to his chaplaincy to Sir Constantine Phipps, Lord Chancellor of Ireland (1710-12). On July 17th, 1712, Swift again speaks of him to Stella: "I have made Trap chaplain to Lord Bolingbroke, and he is mighty happy and thankful for it" (ibid., p. 379). Trapp afterwards held several preferments in and near London. [T.S.]]

THE TATLER, NUMB. 67.

FROM SATURDAY SEPTEMBER 10. TO TUESDAY SEPTEMBER 13. 1709.

From my own Apartment, September 12.

No man can conceive, till he comes to try it, how great a pain it is to be a public-spirited person. I am sure I am unable to express to the world, how much anxiety I have suffered, to see of how little benefit my Lucubrations have been to my fellow-subjects. Men will go on in their own way in spite of all my labour. I gave Mr. Didapper a private reprimand for wearing red-heeled shoes, and at the same time was so indulgent as to connive at him for fourteen days, because I would give him the wearing of them out; but after all this I am informed, he appeared yesterday with a new pair of the same sort. I have no better success with Mr. Whatdee'call[1] as to his buttons: Stentor[2] still roars; and box and dice rattle as loud as they did before I writ against them. Partridge[3] walks about at noon-day, and Aesculapius[4] thinks of adding a new lace to his livery. However, I must still go on in laying these enormities before men's eyes, and let them answer for going on in their practice.[5] My province is much larger than at first sight men would imagine, and I shall lose no part of my jurisdiction, which extends not only to futurity, but also is retrospect to things past; and the behaviour of persons who have long ago acted their parts, is as much liable to my examination, as that of my own contemporaries.

In order to put the whole race of mankind in their proper distinctions, according to the opinion their cohabitants conceived of them, I have with very much care, and depth of meditation, thought fit to erect a Chamber of Fame, and established certain rules, which are to be observed in admitting members into this illustrious society. In this Chamber of Fame there are to be three tables, but of different lengths; the first is to contain exactly twelve persons; the second, twenty; the third, an hundred. This is reckoned to be the full number of those who have any competent share of fame. At the first of these tables are to be placed in their order the twelve most famous persons in the world, not with regard to the things they are famous for, but according to the degree of their fame, whether in valour, wit, or learning. Thus if a scholar be more famous than a soldier, he is to sit above him. Neither must any preference be given to virtue, if the person be not equally famous. When the first table is filled, the next in renown must be seated at the second, and so on in like manner to the number of twenty; as also in the same order at the third, which is to hold an hundred. At these tables no regard is to be had to seniority: for if Julius Caesar shall be judged more famous than Romulus and Scipio, he must have the precedence. No person who has not been dead an hundred years, must be offered to a place at any of these tables: and because this is altogether a lay society, and that sacred persons move upon greater motives than that of fame, no persons celebrated in Holy Writ, or any ecclesiastical men whatsoever, are to be introduced here.

At the lower end of the room is to be a side-table for persons of great fame, but dubious existence, such as Hercules, Theseus, Aeneas, Achilles, Hector, and others. But because it is apprehended, that there may be great contention about precedence, the proposer humbly desires the opinion of the learned towards his assistance in placing every person according to his rank, that none may have just occasion of offence.

The merits of the cause shall be judged by plurality of voices.

For the more impartial execution of this important affair, it is desired, that no man will offer his favourite hero, scholar, or poet; and that the learned will be pleased to send to Mr. Bickerstaff, at Mr. Morphew's near Stationers' Hall, their several lists for the first table only, and in the order they would have them placed; after which, the composer will compare the several lists, and make another for the public, wherein every name shall be ranked according to the voices it has had. Under this chamber is to be a dark vault for the same number of persons of evil fame.

It is humbly submitted to consideration, whether the project would not be better, if the persons of true fame meet in a middle room, those of dubious existence in an upper room, and those of evil fame in a lower dark room.

It is to be noted, that no historians are to be admitted at any of these tables, because they are appointed to conduct the several persons to their seats, and are to be made use of as ushers to the assemblies.

I call upon the learned world to send me their assistance towards this design, it being a matter of too great moment for any one person to determine. But I do assure them, their lists shall be examined with great fidelity, and those that are exposed to the public,

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